By Andrew A. Smith
Scripps Howard News Service
Sept. 29, 2009 -- Bear with me, because I’m about to recommend a reprint … of a reprint.
The book in question is the hardback DC Comics Classics Library: Batman – the Annuals, Volume One
($39.99). It reprints Batman Annual
#1-3 which, when originally published in 1961-62, reprinted 21 Batman stories originally printed from 1950 to 1958.
I was really eager to read these stories. Because they’re from the 1950s, a huge, sucking black hole in my knowledge of comic books.
You see, most comics from the 1950s have never been reprinted. Other decades are well represented on the bookshelves, but it’s just recently that we’ve started to see some four-color funnies from the Eisenhower decade. Marvel recently reprinted all its superhero tales from the ‘50s (which amounted to three hardcovers). And Dark Horse is dredging up lots of cool stuff I’ve only heard about but never read, like Dell’s Tarzan; Turok, Son of Stone
; and Herbie.
Notable in its absence in the ‘50s reprint market is DC Comics, which has reprinted relatively few of its many 1950s stories (mostly Lois Lane, Jimmy Olsen and Martian Manhunter). This is especially disappointing because DC is the only comics firm to have any superhero titles survive all the way through that decade: Superman, Batman
and Wonder Woman,
of course, but also the anthologies World’s Finest Comics, Adventure Comics, Detective Comics
and Action Comics,
which starred the Big 3 (or Superboy) but also gave us back-up stories starring Green Arrow, Aquaman and other second bananas.
DC does have an extensive reprint program, but one that – cruelly – seems to almost deliberately avoid the Big 3 in the ‘50s. None of the Batman, Superman and Wonder Woman “Archives” and “Chronicles” books, which reprint these characters’ stories in chronological order, have made it past 1949 (most haven’t made it past 1945). There are also more modern Archives series for Superman and Batman, which begin in 1958 and 1964, respectively. And the modern Wonder Woman “Showcase” collections also begin in 1958.
I am generalizing, of course. There are some ‘50s reprints of these characters, like in the World's Finest Archives
and various themed hardback collections. Just not enough.
What’s the deal? Well, I’m not privy to DC’s editorial conferences, but I suspect there’s not a lot of enthusiasm for reprinting 1950s comics, because that decade’s output is widely regarded as mediocre (or worse). The infamous Comics Code was introduced in 1954, which reduced most comics content to pabulum. And when it comes to Batman, a notorious decision by DC editor Irwin Donenfeld in 1957 shoehorned the Dark Knight into wacky science-fiction stories where he was wildly out of place, until 1964.
All of which is reflected in Batman Annuals!
Bat-movie producer Michael Uslan writes a foreword where he details where fairly innocuous pre-1954 panels were retouched to be less “dangerous” for children for post-1954 reproduction. And there are SF stories in here – particularly “Batman – The Superman of Planet X” from 1958 -- that have no business being Batman stories.
Also, as it happens, I owned Batman Annual
#3 when I was a kid, and remember reading it over and over until it fell apart. It’s good to see that “old friend” again.
But there’s more! One thing I didn’t realize until now is that these Annual
stories, being some of the very few 1950s Batman stories ever reprinted, are in some ways a shared experience for all Bat-readers of my generation. Which explains Batman: The Black Casebook
– another recent DC reprint, containing 12 stories from 1951 to 1964 ($17.99).
represents the stories that Scottish Bat-writer Grant Morrison referenced for his surrealistic, hallucinatory story “Batman R.I.P.,” which ran recently for about a year in Batman
comics. And, surprisingly, I was familiar with most of them, despite their 1950s vintage!
Why? Because Morrison was drawing from the same pool of reprints shared by all Bat-readers of the early 1960s – of which I am one. Many of the Casebook
stories are also in the Annuals
because these stories aren’t just any 1950s Bat-stories; they are the Jungian subconscious that we older Bat-readers share of the ‘50s (until more reprints come along). It was a weird experience for me seeing “the Gorilla Boss of Gotham City” in the Annuals
collection, knowing that Morrison – and all of our peers -- remembered it just as vividly as I did.
Not everyone will share that experience. But I suspect everyone will chuckle at the weirdness of the 1950s Batman – and, like me, hunger for more.
Contact Andrew A. Smith of the Memphis Commercial Appeal at email@example.com.