Denny's known for a lot of great writing, but his reinvention of The Question with Denys Cowan is the one that always spoke most directly to me. It's full of anger, doubt, and self-examination -- it reaches you with ideas that superhero comics rarely attempt. Such a great run. I'll be rereading it soon.
I met Denny years ago, at kind of an Inside the Comics Writers Studio class that Danny Fingeroth conducted for NYU. He was a fascinating guy, very astute, and forthright in his opinions on storytelling and life.
Denny had the unusual knack of reinvigorating characters without upsetting most readers. A fine line to tread. Another great one lost, and I didn't even get to see him on a panel, let alone meet him.
I am stunned as everyone by the loss of Denny O'Neil, who is a giant in the field.
I don't have unreserved praise for his output; earlier this year, I encountered the "Kryptonite No More!" stories he did for Action Comics and was less than impressed. But I chalk that up to a mismatch between writer and character; Superman wasn't somebody that played to O'Neil's strengths.
Batman plainly worked out well, and so did Green Arrow and Green Lantern, as noted here.
And I concur with the praise for The Question.; I was (and am) completely unacquainted with Steve Ditko's version of the character, so I fully appreciated what O'Neil did in its own right.
I also like what he did with Iron Man after he moved over to Marvel; he had Tony Stark relapse on his drinking and really hit rock bottom. (One issue had Stark on such a bender, he woke up somewhere without knowing where he was. We readers didn't either.) Stark lost EVERYTHING.and had to crawl out of the bottle and back up.
I had no idea he was 20 years older than me, 10 years older than peers like Len Wein. I thought all those Bronze Age guys were about the same age, or at least all Baby Boomers. O'Neil, born in 1938, was from a cohort a generation ahead of Boomers like Wein, Wolfman, Skeates, et al.
Anyway, O'Neil has carved a permanent place in comics history and won't soon be forgotten. If nothing else, there are all those streets named for him on Batman: The Animated Series, Gotham, Arrow ...
O'Neill had his own struggles with alcohol for a while (in 2008 he wrote, in a column for ComicMix, "My love of alcohol cost me a marriage and a job and a lot of dignity and some trips to the hospital"), which might be why he had Iron Man relapse -- because he was able to bring some of his own experiences into the comics. He always wrote from the heart.
I was also surprised that he wasn't in the same age group as the writers who took over from Fox, Broome, et al.
Captain Comics said:
I had no idea he was 20 years older than me, 10 years older than peers like Len Wein. I thought all those Bronze Age guys were about the same age, or at least all Baby Boomers. O'Neil, born in 1938, was from a cohort a generation ahead of Boomers like Wein, Wolfman, Skeates, et al.
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Denny O'Neil is one of the most influential writers of the last fifty years. His work on Batman, Green Lantern and Superman is iconic!
I will try to find Amazing Heroes #50 with had an in-depth interview of him going over all his Batman stories!
Denny's known for a lot of great writing, but his reinvention of The Question with Denys Cowan is the one that always spoke most directly to me. It's full of anger, doubt, and self-examination -- it reaches you with ideas that superhero comics rarely attempt. Such a great run. I'll be rereading it soon.
I met Denny years ago, at kind of an Inside the Comics Writers Studio class that Danny Fingeroth conducted for NYU. He was a fascinating guy, very astute, and forthright in his opinions on storytelling and life.
Denny had the unusual knack of reinvigorating characters without upsetting most readers. A fine line to tread. Another great one lost, and I didn't even get to see him on a panel, let alone meet him.
I am stunned as everyone by the loss of Denny O'Neil, who is a giant in the field.
I don't have unreserved praise for his output; earlier this year, I encountered the "Kryptonite No More!" stories he did for Action Comics and was less than impressed. But I chalk that up to a mismatch between writer and character; Superman wasn't somebody that played to O'Neil's strengths.
Batman plainly worked out well, and so did Green Arrow and Green Lantern, as noted here.
And I concur with the praise for The Question.; I was (and am) completely unacquainted with Steve Ditko's version of the character, so I fully appreciated what O'Neil did in its own right.
I also like what he did with Iron Man after he moved over to Marvel; he had Tony Stark relapse on his drinking and really hit rock bottom. (One issue had Stark on such a bender, he woke up somewhere without knowing where he was. We readers didn't either.) Stark lost EVERYTHING.and had to crawl out of the bottle and back up.
Paul Levitz posted a tribute on Facebook: "Paul Levitz on Denny O'Neil"
Whether you enjoyed his work or not, he definitely had a huge hand in defining DC's Bronze Age. RIP Mr. O'Neil.
I had no idea he was 20 years older than me, 10 years older than peers like Len Wein. I thought all those Bronze Age guys were about the same age, or at least all Baby Boomers. O'Neil, born in 1938, was from a cohort a generation ahead of Boomers like Wein, Wolfman, Skeates, et al.
Anyway, O'Neil has carved a permanent place in comics history and won't soon be forgotten. If nothing else, there are all those streets named for him on Batman: The Animated Series, Gotham, Arrow ...
O'Neill had his own struggles with alcohol for a while (in 2008 he wrote, in a column for ComicMix, "My love of alcohol cost me a marriage and a job and a lot of dignity and some trips to the hospital"), which might be why he had Iron Man relapse -- because he was able to bring some of his own experiences into the comics. He always wrote from the heart.
I was also surprised that he wasn't in the same age group as the writers who took over from Fox, Broome, et al.
Captain Comics said:
Sergius O'Shaugnessy, to you I raise my glass!