Welcome to our re-read of the first and greatest superhero team in comics ... and quite a bit more!
My plan is to re-read and discuss the Golden Age Justice Society of America, which ran from All-Star Comics #3 (Winter 1940) to All-Star Comics #57 (February-March 1951), and is currently being reprinted in DC's "DC Finest" line.
But, as ever, I am consumed by context. What events brought us to All-Star Comics #3? What characters did editor Sheldon Mayer and writer Gardner Fox have available from which to choose? What else was competing in the superhero space? To achieve that context, I plan to start the discussion at the publisher's beginning, when Malcolm Wheeler-Nicholson launched National Allied Publications Inc. in 1935. That was the first step toward the Justice Society — and to DC Comics as we know it today.
So before we even get to the JSA, I'll re-read and open for discussion all the solo stories starring JSA members, mostly from DC's Archives and Famous First Edition series. Which is actually quite a lot! (Although not as much as I'd prefer. I want it ALL!) I'll be writing about non-JSA superheroes created by National, Detective Comics Inc. and All-American Comics Inc. too, like Crimson Avenger and Doctor Occult. I'll also be tipping my hat to some non-powered characters, principally those who managed to appear outside their parent title, like Slam Bradley and Hop Harrigan. That means no re-read for the likes of "Bart Regan, Spy" and "Speed Saunders." Sorry, fellas, but I had to draw the line somewhere — before I found myself doing a deep dive into the history of Ginger Snap.
But I will be re-reading reprints, or availing myself of online information where reprints don't exist, of 14 of the 17 Golden Age characters who launched or appeared in All-Star Comics #3-57. Those characters include:
- The Atom: All-American Comics #19-46, 48-61, 70-72; All-Star Comics #3-26, 28-35, 37-57; Big All-American Comic Book; Flash Comics #80, 82-85, 87 89-95, 97-100, 102-104; Comic Cavalcade #22-23, 28; Sensation Comics #86.
- Black Canary: All-Star Comics #38-57; Comic Cavalcade #25; Flash Comics #86-88, 90-104.
- Doctor Fate: All-Star Comics #3-12, 14-21; More Fun Comics #55-98.
- Doctor Mid-Nite: All-American Comics #25-102; All-Star Comics #6 (text story), 8-57.
- The Flash: All-Flash #1-32; All-Star Comics #1-7, 10, 24-57; Big All-American Comic Book; Comic Cavalcade #1-29; Flash Comics #1-104, Flash Comics miniature (Wheaties)
- Green Lantern: All-American Comics #16-102; All-Flash #14; All-Star Comics #2-8, 10, 24-57; Big All-American Comic Book; Comic Cavalcade #1-29; Green Lantern #1-38.
- Hawkman: All-Star Comics #1-57, Big All-American Comic Book, Flash Comics #1-104, Flash Comics miniature (Wheaties).
- Hourman: Adventure Comics #48-83, All-Star Comics #1-7, New York World's Fair Comics [#2].
- Johnny Thunder: All-Star Comics #2-4, 6-35, 37-39; Big All-American Comic Book; Flash Comics #1-91; New York World's Fair Comics [#2]; World's Best Comics #1; World's Fair Comics #2-3; Flash Comics miniature (Wheaties).
- Mister Terrific: All-Star Comics #24, Big All-American Comic Book, Sensation Comics #1-63.
- Sandman: Adventure Comics #40-102, All-Star Comics #1-21, Boy Commandos #1, Detective Comics #76, New York World's Fair Comics [#1-2], World's Finest Comics #3-7.
- The Spectre: All-Star Comics #1-23, More Fun Comics #52-101, a single panel in More Fun Comics #51.
- Starman: Adventure Comics #61-102, All-Star Comics #8-23.
- Wildcat: All-Star Comics #24, 27; Big All-American Comic Book; Comic Cavalcade #1-2; Sensation Comics #1-90.
The obvious exceptions here are Superman, Wonder Woman and Batman. Superman and Batman, called "honorary members" in the text, appeared twice in All-Star Comics, but I don't plan to re-read all their adventures from 1938 to 1951. They are peripheral at best to the Golden Age JSA, and would overwhelm the discussion through sheer volume. This problem extends to Wonder Woman as well, who appears in four titles in the Golden Age (Sensation Comics, Wonder Woman, Comic Cavalcade, All-Star Comics). I'll re-read and report on her JSA adventures, but like Batman and Superman, I'll just note her solo stories in passing with a summary that I'll grab somewhere online. That will keep the discussion abreast of any major developments, like new supervillains, in Superman, Batman and Wonder Woman stories.
Here are their appearances that are concurrent with All-Star's run:
- Batman: All-Star Comics # 7 (cameo), 36; Batman #1-63 (February-March 1951); Batman 3-D #1; Detective Comics #1-169 (March 1951); New York World’s Fair Comics [#2]; World’s Best Comics #1, World’s Fair Comics #2-50 (February-March 1951).
- Superman: Action Comics #1-154 (March 1951); All-Star Comics #7 (cameo), 36; New York World’s Fair [#1-2]; Superman #1-69 (March-April 1951); Superman 3-D #1; Superman at the Gilbert Hall of Science; Superman Miniature; World’s Best Comics #1; World’s Fair Comics #2-50 (February-March 1951).
- Wonder Woman: All-Star Comics #8, 11-22, 24-57; Big All-American Comic Book; Comic Cavalcade #1-29; Sensation Comics #1-102; Wonder Woman #1-46 (March-April 1951).
Fortunately, Jeff of Earth-J is already doing a re-read of the Golden Age Superman. Jeff isn't doing a re-read of all Batman books, but he is compiling "The Greatest Joker Stories Ever Told," by which he means "all of them." Recently he's begun re-reading other major Bat-villains, which he discusses in Batman vs. Penguin, Riddler — Prince of Puzzles, The Crimes of Two-Face and Catwoman: Nine Lives of a Feline Fatale.
I should note that my methodology changed over time, as realities required. For instance, I initially lumped books together by monthly cover date, but complications ensued for books without them, like quarterlies and one-shots. As the number of quarterlies and their importance increased, I ended up going by on-sale dates as the primary organizational tool. (Which aren't available for all books, but that's a lesser devil than chronologically misplacing Batman or All-Star Comics). Initially I only included mention of others strips in anthology books if they were of some importance, like Slam Bradley, but eventually I started including all of them. Here and there I would try to improve the format. And so forth. In some imaginary "someday" I'll go back through and make them all consistent.
I've tried to be comprehensive, relying on a variety of sources, from online to reprints to "companion" books. A tip of the cowl to a Luke Blanchard post in what amounts to an outline for this discussion. But I'm sure I've left out tons, especially stories I don't have or can't find, which may be at hand in your collection. I hope folks will do re-reads of stories I've left out, as well as comment on what I've written. So let's hear what I've missed Legionnaires — and what you think!
Replies
I'm no expert in human physiology, but I feel that Hawkman shouldn't be beating people up so soon after being shot in the shoulder.
IRL, Hawkman wouldn't be able to stand after being shot in the shoulder, and might die without immediate medical intervention. The worst of it must have been deflected by plot armor.
Oh, it's Hawkman. It was just a flesh wound. Y'know, the way he and Batman and Robin are covered with nicks and scrapes and flesh wounds. Beats taking one in the wing, I guess.
Nowadays Hawkman's recovery would be attributed to his Nth metal. But back then, did they even mention how Hawkman can fly after the first few issues?
Johnny Thunder became one of the JSA's lifelong bachelors as he lost Daisy Darling. At least they never bothered to kill her off!
Some celebrities avoided service, but people like Lombard, Gable, Benny Goodman and Jimmy Stewart stood up when it counted.
The celebrities who served that impressed me most were fellows like James Stewart, David Niven, Robert Montgomery, Ted Williams, and Douglas Fairbanks, Jr. They were the guys who didn't go into uniform just to sell war bonds or do training films. Rather, they were in the thick of things, risking their lives in combat and taking an active part in planning and operations. One should look at Fairbanks' wartime record---there are few military men, then or since, who racked up the wartime performance that Fairbanks did (with the U.S. Navy, I'm pleased to say).
(Here's a list of his war decorations:
And Jimmy Stewart's war service came damn close to that. That's why, after the war, he became the first military reservist to achieve general/flag rank as a brigadier general in the U.S. Air Force Reserve.
One has to admire these folks' courage and sense of patriotism and duty. They had exceptional film careers, lives of comfort and wealth; yet, they were willing to set it all aside to go into combat, knowing that they might be killed, maimed, or disfigured and lose it all. They could've gotten exemptions or taken safe desk jobs, but they didn't. They weren't "Jimmy Stewart" or "Douglas Fairbanks" for the duration, but just military men doing a tough, ugly, dangerous job, just like the thousands of others in uniform who nobody ever heard of.
And, of course, I'm talking about the fellows who were famous stars at the time of the war. There were lots more who served valiently who didn't become famous actors until after the war.
I salute them all.
FEBRUARY 16, 1942
Cover by Marty Nodell and Irwin Hasen
Green Lantern
By Bill Finger and Marty Nodell (13 pages)
Alan Scott runs into Fog Blake, a pilot who is suicidal because he was accused of killing everyone on his last flight — a flight that included many scientists, including Professor Blau, Professor Vogt, Professr Steinholtz and Professor Caspar. Steinholtz was chief engineer at APEX, and a friend of Alan Scott's. Scott offers to hear Blake's version of events, which is that he blacked out at the controls and woke up in the ocean in a parachute. The plane crashed, and the bodies aboard were too burned to be identified. (There is no mention of a co-pilot.)
Green Lantern then runs into some bank robbers with sound guns that make men pass out. He remembers Steinholtz was working on such a thing, and goes to the scientist's laboratory for clues. Naturally, there is one, that is conveniently written down for GL to find: Steinholtz was suspicious of Caspar. They go to Caspar's house, and eavesdrop. Caspar is there alive, and is running a spy ring, and plans to sabotage an aircraft factory that night. Since he's one of the scientists who "died" on Blake's flight, it casts doubt on the whole narrative.
GL, Doiby and Blake break up the sabotage, but not before Caspar notes Green Lantern's weakness to non-metals. Blake and Doiby are captured and put on a plane to a hidden airfield, and GL follows. Blake and Doiby meet all the "dead' scientists, who are being worked as slave labor to create weapons for Caspar, and learn the story of the faked airplane crash. GL arrives at the hidden airfiled, but is overcome by something wooden. Blake and Doiby are hypnotized. But Doiby resists the hypnosis and fights Caspar, giving GL time to recover. Then the gang is rounded up.
Where I read it: Golden Age Green Lantern Archives Vol. 2 (2002)
Takeaways: Doiby's malapropisms and neologisms are emphasized this issue more than I remember being the norm.
Errata:
I neglected to add this quote when Doiby learned GL was Alan Scott back in issue #35. Better late than never!
"Doiby, like all characters in comics, was not quite bright enough to recognize his best friend behind the Halloween mask, so Bill [Finger] wrote an early story in which the Green Lantern is unmasked," Jerry Bails wrote in Golden Age Green Lantern Archives Vol. 2. "From that point on, Doiby shared Alan Scott's secret, and for reasons unexplained, GL's first girlfriend, Irene Miller, was to be kept in the dark. Don't ask me why. Maybe Bill bought the old stereotype that women couldn't keep secrets, or that men whould have some secrets they keep from women. Whatever the reason, throughout the Golden Age, Green Lantern, like Batman, would never make confidantes of his girlfriends. That was more likely to happen with Hawkman, Sandman and Dr. Fate, all characters under the creative control of Gardner Fox."
This was written before Scott was retconned as a gay man, so Bails may look like he's anticipating that revelation. But I seriously doubt he meant anything of the sort and, after all, Bruce Wayne is still straight. But I will add that I like Doiby being a sidekick in the know. Stories run more smoothly, and Doiby is kept in the action — where, it must be said, he is pretty useful.
Fun Facts:
The Atom
By Bill O'Connor, Ben Flinton and Leonard Sansone (6 pages)
Al has saved up $150 to buy a convertible. On the way to the dealership, he witnesses a car wreck where he notes oil-soaked sawdust has been packed into the transmission of one of the cars. "That's a trick used by crooked car dealers — well, it better not be tried on me!" He and the salesman go for a test drive, and Al drives to Joe Morgan's "health camp outside of Calvin." Joe gives a thumbs down on the car, despite the saleman's counter-arguments. On the way back, the car's brakes fail and Al drives off a cliff to avoid hitting a child. The salesman jumps out successfully and runs away. Al jumps out and catches a tree in the cliff. He decides that putting death traps like the convertible on the road is akin to murder, and decides to pay a visit to the dealership as The Atom. He discovers they think Al Pratt is dead and are clearing out. He beats up the boss' two underlings and threatens the boss, who calls the poice and confesses to murdering Pratt. "There's no evidence of any murder," one cop says, "but there's plenty to show they were swindling people into buying worthless junks."
Where I Read It: Online
Atom Bucks Watch:
Fun Facts: Al tells Joe to "keep 'em flying" as they drive away. As Joe just did Al a favor, it works for me as a thank you and a salutation.
Doctor Mid-Nite
Untitled is by Charles Reizenstein and Stan Aschmeier (8 pages)
War profiteers at a munitions company anticipate great profits, until the company's president, N.N. Osgood, says they're going to fulfill the contracts at cost as a patriotic duty. They plan to rub Osgood out with some foreign agents they hire to shoot him outside his home, but Myra and Dr. McNider happen to be driving by, and McNider's ability to see in the dark takes in the scene and comes to the right conclusion. He pretends to faint and steers the car into the car with the hoodlums. The cops arrive, see the guns, and take the agents away.
Foiled there, the profiteers hire an actor to play an Army colonel and pretend to review the contracts. Then they all go out for drinks, and they get Osgood drunk. Then they frame him for "killing" the colonel. Dr. Mid-Nite sees enough of this to understand the plot, and frames the profiteers for the "murder" instead, convincing them the colonel really is dead. "Not having a real case" Dr. Mid-Nite forces them to sign confessions and then puts them on a boat to South Africa.
Where I Read It: Online.
Takeaways: It's a strange day when the Atom story is more interesting than the Dr. Mid-Nite story.
Fun Fact: Mid-Nite tells Osgood to "keep 'em flying." That works, since he's a defense contractor, who presumably makes things that fly.
Continuing: Hop Harrigan, Red Tornado and Scribbly, Red White and Blue, Sargon the Sorcerer.
FEBRUARY 16, 1942
Cover by Fred Ray. It's lifted from a panel in the story.
Superman
"Powerstone"
By Jerry Siegel and John Sikela (13 pages)
Luthor gains super-strength from a self-created electrical treatment, but he's not as powerful as Superman. He needs the Powerstone, which he later describes to Superman as "a stone from another planet with properties that will give me powers as great as, even greater, than yours!" As if in evidence, Luthor robs a bank and Superman stops him. The police intervene, and Luthor escapes.
Luthor devises a strange and elaborate scheme to get Superman to get the Powerstone for him. First, he finds a "young man with great wealth." That turns out to be Brett Calhoun, possessed of $6 million. Unbeknownst to the public, Luthor threatens Calhoun until he announces he will give half his fortune to anyone who can prove he is the wealthiest man in Metropolis. Contestants must pony up $100,000 at the door and IDs will be kept secret. The billionaires arrive, and Lois indulges in a little light breaking and entering to spy on the proceedings. Each of the billionaires is required to declare why he wants the money. Then Luthor arrives and announces that they're all going to be ransomed (and he's keeping the entry money, becasue he's just greedy). Superman arrives, but Luthor threatens to kill Lois with electricity unless Superman gets the Powerstone. (It took a while, but he got there.)
The Powerstone is in the "lost mountain of Krowak in Skull Valley." Evidently, people who have gone there have never returned. Superman plows into the mountain, and faces various threats (lava, hypnotic snakes, fire) before finding a lost civilization that is enslaving the explorers who went missing. He grabs the Powerstone, splits the mountain in two and rescues the enslaved men. He gives the Powerstone to Luthor, who declares he is more powerful than Superman now, and is going back on his word: He's going to keep the billionaires for ransom. He dismisses Superman, saying he could blast him out of existence, but "it will be much more interesting to observe your helplessness while I secure mastery of the world!"
Well, maybe not. Superman gave him a fake Powerstone, because he's not an idiot. (That's Johnny Thunder's job.) They battle, and Luthor's electrical charge wears off. Superman rounds up Luthor's gang and flies off, hinting to Lois that Clark is going to scoop her.
Takeaways:
Where I read it: Superman: The Action Comics Archives Vol. 3 (2001)
Related: Jeff of Earth-J's Superman from the Beginning.
Continuing: Vigilante, Three Aces, Mr. America and Fat Man, Congo Bill, Zatara
I read the Powerstone stories in Superman #252 (Ju'72) so when it inspired a major story arc in All Star Squadron in 1983, I was all Steve Rogers "I understand that reference" mode like when Tarantula was revived!
It always struck me odd that comics are more likely to portray the wealthy as miserable, untrustworthy people while making a good percentage of their superheroes wealthy!
Maybe there was a class war in the JSA!
I always figured that they had to be rich because Joe Lunchpail was too busy working for a living to fight crime as well
FEBRUARY 17, 1942
Cover by George Papp
Doctor Fate
By Gardner Fox and Howard Sherman (10 pages)
They try to rob the Grand Ball, which has Kent and Inza in attendance. Doctor Fate begins to wail on the three gangsters, but "Jesse James" uses his lariat as a noose and almost lynches him. Inza swipes a sword and cuts him down. The three escape, but take Inza since she seems to have a conncection to Fate. Fate uses his "magic crystal" (ball) to find Inza, and his ring glows when he is near (I guess that's the ring that glowed when near evil a few issues ago). But Boss is ready with a giant bell jar, which traps Fate, and a suction pump which pulls the air out so he will suffocate. Fate throws his keys, loose change, etc., into the suction tube and blows up the engine (which shatters the bell jar).
Fate's magic crystal tells him the "wax museum gang" will next strike at a party on the Van Richwater yacht that night, and goes to the police commissioner with a plan. When the gang strikes, Fate arrives with the police commissioner and two more men, dressed as King Arthur, Buffalo Bill and Lafayette. The good guys beat the bad guys, and a wax Doctor Fate is added to the museum.
Where I Read It: Golden Age Doctor Fate Archives Vol. 1
Best Line:
Second Best Line:
Takeaways:
The Spectre
“The Magic Crimes”
By Jerry Siegel and Bernard Baily (10 pages)
Anyway, Corrigan and Popp are jumped by Glowing One Gang thugs, and Popp joins them, turning a gun on Corrigan. Spectre sees that Popp is hypnotized, and frees him. He sends him back to work for Lugi, telling him to keep an image of Spectre in his mind. Popp goes back to work, and Lugi immediately tries to hypnotize him. But thanks to Spectre, it doesn't work. Popp pretends it does, and is sent out to rob the audience. The Glowing One ("merely a clever illusion," says The Spectre, "an application of mass hynpnotism") appears when Lugi hits a switch. Which is not how hypnotism works, but OK. Spectre captures Lugi and takes him to the police station, along with Popp as a witness. The Chief tries to capture Spectre but fails. Corrigan teases the Chief that he failed to do what he keeps telling Corrigan to do, but the Chief says it's Corrigan's job, so, basically, shut up.
Where I Read It: Online
Takeaways:
Continuing: Green Arrow, Radio Squad, Aquaman, Johnny Quick
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