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What’s In a Store (Reprise)

12134156875?profile=originalFive years ago, when I was in the midst of a move across the continent, I wrote about my experiences looking for a new comic book store.  I eventually found one that suited my needs.  It happens to be on the other side of town- I live in an eastern suburb and my regular shop is just north of downtown- but it has a good selection of comic books, great customer service and a pull list with a decent discount. 

The other stores that I discovered at the time are still part of my occasional rounds.  I’ll stop by if my regular shop has run out of a hot new issue or if the other store is having a sale.  Sometimes, I’ll simply drop by if I’m in the right neighborhood.  What can I say?  I’m a comic book fan and I like to visit comic book stores. 

Recently, however, somebody at work let me know about a new comic book store that had opened in their suburb, a couple of ‘burbs over from mine.  They thought I would be interested and they were right.  I think I already mentioned I’m a comic book fan and I like to visit comic book stores.  While I was looking up the address online, I noticed that another comic book store had opened in the city in the past two years.  Plus, I found out that there was a third comic book store in another town nearby where I was already planning to vacation that weekend.  So, wish list in hand, I set out an all-new all-different journey of discovery.

12134157078?profile=originalThe first thing that I noticed about the new stores is that they were generally well lit and easy to navigate.  There was plenty of room in the aisles.  An online review summed it up best: “You don’t feel like you’re rummaging through someone’s basement.”  As much as I appreciate the selection at some of the older stores, their inventory can be overwhelming.  The aisles are narrow and crowded.  Comics are piled up in every corner and you have to be careful that you don’t knock them over.  On one of my more recent trips, I even had to step over long-boxes that were laying on the floor in order to reach a shelve of trade paperbacks.  But I didn’t have the same problems at the new stores.  Sure, I had to figure out how the new comics were displayed (one was alphabetical, one was by publisher).  Yet I could find the new comics easily and reach them without obstacles. 

            The second thing I noticed was that the newer stores are child-friendly.  That goes hand in hand with the first item.  One of the new stores had a specific children’s section, complete with child-size chairs and a table of toys so that kids could keep themselves entertained while the parents shopped.  One of the older stores also has a good kids’ section at the front of the store and I’ve brought my daughters there from time to time (my regular store isn’t particularly kid-friendly but they enjoy petting the cat when they come with me).  However, I won’t take my children to a couple of the older ones.  There isn’t much there for them and I’d be too concerned about them bumping over a precarious stack of something or other. 

             I quickly noticed that the new stores were also more customer-friendly.   That stands to reason.  The older stores already have a significant customer base.  They don’t have to work as hard to get new customers.  But those older stores can sometimes be rude and unfriendly.  I haven’t always had bad experiences.  Some clerks are quicker to offer assistance than others and I’ve had some fun conversations at one store about ‘80s cartoons or It’s Always Sunny in Philadelphia.  But I’ve also overheard clerks complain about new customers to each other and had one owner actually gripe when I asked him to come out to the cash register from the backroom so that I could pay. 

12134157858?profile=originalThe new stores, on the other hand, put in a concerted effort to engage me as a potential customer.  They were eager to help me find what I was looking for.  They offered me subscriptions with discounts on new comics.  They talked to me.  In one store, a few customers were hanging around having an informal round table.  The owner invited me to stay and join in the conversation.  He even said to me, “Everyone has an opinion worth sharing.”  Then he invited me back for a special Avengers vs. X-Men opening.  I felt welcomed and appreciated. 

I also noticed something surprising.  Something I didn’t expect.  The new stores had a different composition.  The older stores had been around since the 1990s or earlier.  They viewed comic book fans as collectors and they carried other collectibles such as baseball cards.  That view isn’t unwarranted.  The kids of my generation grew up collecting baseball cards and comic books, foolishly thinking we might make tons of money on our “investments.”  But that collectible market fell apart.  I’m always amused to see unopened boxes of baseball cards still sitting on a shelf two decades later at one of the older stores.  As purveyors of collectibles, those older stores heavily invest in comics with variant covers.  They buy extra issues and mark up variants for two, three, four times the cover price. 

            However, the new stores tend to view comic book fans as members of geek culture.  They have comic books.  But they also carry manga or anime.  They display lots of T-shirts and hats.  One store even carries unusual board games- not the ones that you would find at a Toys R Us store but the ones that you’d discover at a gamers’ convention.  It’s a very different view of the customer.  We’re not collectors.  We’re part of a subculture.  They see the overlap between comic book fans and science fiction fans and they offer Dr. Who sonic screwdrivers accordingly.

            I’m overstating the difference a little bit.  I can find Magic the Gathering tables and Dungeons & Dragons player’s guides at an old store and a new one.  But not by much.  I was frankly astonished at the difference in philosophy between those stores that had been around for 15-20 years and those that had opened in the last year or two.

            The final thing or, more accurately, the real first thing I noticed is that several stores opened in the last couple of years.  As comic book fans, we hear a lot about how the industry is in trouble yet the future might not be as bleak as we make it out to be.  New stores are still opening and finding customers.  I find that encouraging.

            That being said, I probably won’t change my habits that much.  My complaints were mostly about the other older stores, not my regular shop.  I still get great customer service.  He keeps a pull list for me, gives me a solid discount and is good about placing reorders.  And, for all their faults, those older stores have one thing I’m looking for: a deep selection of new comics if something sells out and I don’t want to wait.  The new stores simply don’t have the margin for error to order dozens of copies.  However, I was able to find a few scarce comics on my trek- like Daredevil #4 and 5.  And it’s nice to know there are a few new cool stores in town.  If I’m in the neighborhood, I’m liable to drop by and throw a bit of business their way.         

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Comics for 4 April 2012

30 DAYS OF NIGHT ONGOING #6
30 DAYS OF NIGHT ONGOING TP VOL 01

ACTION COMICS #8
ADVENTURE TIME #2 2ND PTG
AGE OF APOCALYPSE #2
AMAZING SPIDER-MAN #683 ENDS
AMERICAN VAMPIRE #25 (MR)
ANIMAL MAN #8
ARCHIE MEETS KISS TP
AVENGERS ACADEMY #28
AVENGERS LEGION OF UNLIVING TP

BATMAN BEYOND UNLIMITED #1 2ND PTG
BATMAN GOTHAM SHALL BE JUDGED TP
BATWING #8
BOYS #65 (MR)
BRILLIANT #3 (MR)

CARBON GREY ORIGINS #2 (OF 2)
CASANOVA AVARITIA #3 (OF 4) (MR)
CHEW #25 (MR)
COLD WAR TP VOL 01
CREEPY COMICS #8
CRIMINAL MACABRE DIE DIE MY DARLING

DANGER CLUB #1
DAREDEVIL #10.1
DARK SHADOWS RETURN TO COLLINWOOD SC
DEJAH THORIS & WHITE APES OF MARS #1 (MR)
DETECTIVE COMICS #8
DICKS COLOR ED #3 (MR)

FAIREST #2 (MR)
FAMOUS MONSTERS OF FILMLAND #261
FANBOYS VS ZOMBIES #1
FARSCAPE TP VOL 07
FEAR ITSELF FEARLESS #12 (OF 12)
FERALS #4 (MR)
FLASH OMNIBUS BY GEOFF JOHNS HC VOL 02
FLEX MENTALLO MAN OF MUSCLE MYSTERY HC (MR)
FREEDOM #1

GARTH ENNIS JENNIFER BLOOD #11 (MR)
GFT APRIL FOOLS SPECIAL 2012 (MR)
GI JOE COBRA ONGOING TP VOL 02 COBRA CIVIL WAR
GI JOE VOL 2 ONGOING #12
GIRL WHO OWNED A CITY GN
GLAMOURPUSS #24
GREEN ARROW #8
GRIMM FAIRY TALES #71 (MR)
GRIMM FAIRY TALES THE LIBRARY #5

HAWK AND DOVE #8
HELL YEAH #2
HONEY WEST #5
HOW TO DRAW TRANSFORMERS SC
HULK #50

INCORRUPTIBLE #28
INFESTATION 2 30 DAYS OF NIGHT ONE SHOT
INVINCIBLE #90
IZOMBIE #24 (MR)

JACK KIRBYS FOURTH WORLD OMNIBUS TP VOL 02
JEREMIAH OMNIBUS HC VOL 01
JOE GOLEM & DROWNING CITY ILL NOVEL HC
JUSTICE LEAGUE INTERNATIONAL #8

KINKY NYLONS SC (MR)
KIRBY GENESIS #6
KOLCHAK NIGHT STALKER FILES #3

LADY DEATH (ONGOING) #16 (MR)
LADY DEATH ORIGINS CURSED #1 (OF 3) (MR)
LEGEND OF OZ THE WICKED WEST #3
LEGENDS OF THE DARK KNIGHT JIM APARO HC
LEGION OF MONSTERS TP
LENORE VOLUME II #5
LOONEY TUNES #206

MARVELS AVENGERS PRELUDE FURYS BIG WEEK #3
MEN OF WAR #8
MU AVENGERS EARTHS HEROES COMIC READER TP #1
MU AVENGERS EARTHS HEROES COMIC READER TP #2
MUDMAN #3
MY BOYFRIEND IS MONSTER GN VOL 05

NEW MUTANTS #40
NIGHT FORCE #2 (OF 6)

OMAC #8

QUEEN SONJA #28

RED LANTERNS #8
RED SONJA WITCHBLADE #2
RICHIE RICH GEMS #45
ROBERT JORDAN WHEEL TIME EYE O/T WORLD #23

SAGA OF THE SWAMP THING TP BOOK 01 (MR)
SAVAGE DRAGON #179
SCOOBY DOO WHERE ARE YOU #20
SECRET AVENGERS #24
SKULLKICKERS #13
SONIC THE HEDGEHOG #235
SPAWN #218
SPIDER-MAN RETURN OF ANTI-VENOM TP
STAN LEE SOLDIER ZERO TP VOL 03
STATIC SHOCK #8
STORMWATCH #8
SUPREME #63
SUPURBIA #2 (OF 4)
SWAMP THING #8
SWEET TOOTH #32 (MR)

TERRY MOORE HOW TO DRAW #3 BEAUTIFUL
THE LONE RANGER #4
THUNDERBOLTS #172
TOY STORY #2 (OF 4)

ULTIMATE COMICS SPIDER-MAN #9

VENOM #15
VOLTRON YEAR ONE #1

WAKING DREAM END #1 (MR)
WAREHOUSE 13 #5
WHISPERS #2
WOLVERINE AND X-MEN #8
WOLVERINE AND X-MEN ALPHA AND OMEGA #4 (OF 5)

X-CLUB #5 (OF 5)

This list is a copy of the list posted at memphiscomics.com. Arrivals at your LCS may vary.

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Comics for 27 July 2011

ACTION COMICS #903 (DOOMSDAY) ALAN MOORE STORYTELLER HC (MR) AMAZING 3D COMICS HC AMAZING SPIDER-MAN #666 SPI AMERICAN VAMPIRE #17 (MR) ARCHIE #623 ASTONISHING SPIDER-MAN & WOLVERINE HC ASTONISHING X-MEN #40 ATOMIC ROBO TP VOL 05 DEADLY ART OF SCIENCE AVENGERS ACADEMY #16 FEAR AVENGERS ACADEMY TP VOL 01 PERMANENT RECORD AVENGERS BY BRIAN MICHAEL BENDIS TP V1 BART SIMPSON COMICS #61 BATMAN STREETS OF GOTHAM HC V3 HOUSE OF HUSH BATMAN THE DARK KNIGHT #4 (RES) BLACK WIDOW KISS OR KILL TP BLACKEST NIGHT RISE OF THE BLACK LANTERNS TP BLACKEST NIGHT TALES OF THE CORPS TP BOMB QUEEN ALL GIRL SPEC #1 (MR) BRIGHTEST DAY AFTERMATH SWAMP THING #2 BUTCHER BAKER RIGHTEOUS MAKER #5 (MR) CANCERTOWN AN INCONVENIENT TOOTH TP CAPTAIN AMERICA AND BUCKY #620 CAPTAIN AMERICA CORPS #2 (OF 5) CARTOON NETWORK ACTION PACK #62 CHARMED #12 COBRA ONGOING #3 CRIMINAL LAST OF INNOCENT #2 (OF 4) (MR) CROSSED PSYCHOPATH #4 (OF 7) (MR) DAKEN AND X-23 PREM HC COLLISION DANGER GIRL CAMPBELL SKETCHBOOK HC DAVE STEVENS COMPLETE SKETCHBOOK COLL HC DC COMICS PRESENTS SHAZAM #1 DC RETROACTIVE GREEN LANTERN THE 70S #1 DC RETROACTIVE JUSTICE LEAGUE AMERICA 70S #1 DEADPOOLMAX #10 (OF 12) (MR) DETECTIVE COMICS #880 DISNEY MUPPETS PRESENTS MEET MUPPETS #1 DOCTOR WHO ONGOING VOL 2 #7 DRACULA COMPANY OF MONSTERS #12 DUCKTALES #3 ENCYCLOPAEDIA OF HELL INVASION MANUAL ENDERS GAME SPEAKER FOR DEAD PREM HC ESSENTIAL PETER PARKER SPECTACULAR SPIDER-MAN EXECUTIVE ASSISTANT VIOLET #1 (OF 3) FABLES #107 (MR) FATHOM VOL 4 #1 FEAR ITSELF #1 (OF 7) 3RD PTG FEAR ITSELF #2 (OF 7) 3RD PTG FEAR ITSELF #3 (OF 7) 2ND PTG FEAR ITSELF DEEP #2 (OF 4) FEAR FEAR ITSELF WORTHY #1 FEAR FF #7 FLASHPOINT ABIN SUR GREEN LANTERN #1 (OF 3) 2ND FLASHPOINT HAL JORDAN #2 (OF 3) FLASHPOINT KID FLASH LOST #2 (OF 3) FLASHPOINT LOIS LANE AND THE RESISTANCE #2 (OF 3) FLASHPOINT PROJECT SUPERMAN #2 (OF 3) FLY #2 FUTURAMA COMICS #56 GEARS OF WAR #18 (MR) GFT MYTHS & LEGENDS #7 (C/O PT 7) (MR) GLAMOURPUSS #20 GOBS #1 (OF 4) GODZILLA KINGDOM OF MONSTERS #5 GOTHAM CITY SIRENS #25 GREEN ARROW #14 GREEN HORNET #17 GREEN LANTERN CORPS #62 GREEN LANTERN EMERALD WARRIORS #12 GRIM GHOST #3 HALO FALL OF REACH COVENANT #2 (OF 4) (MR) INCORRUPTIBLE #20 INCREDIBLE HULKS #633 INCREDIBLE HULKS TP PLANET SAVAGE INFESTATION OUTBREAK #2 (OF 4) INTREPIDS #5 INVINCIBLE #81 JOE HILL THE CAPE #1 (OF 4) JOHN BYRNE NEXT MEN #8 JUSTICE HC JUSTICE SOCIETY OF AMERICA #53 KEVIN SMITH KATO #11 KIRBY GENESIS #2 LA MANO DEL DESTINO #1 (OF 6) LAST MORTAL #3 (OF 4) (MR) LENORE VOLUME II #3 LOCUS #606 LOEG III CENTURY #2 1969 (MR) MASTERS OF AMERICAN ILLUSTRATION MEGA MAN #3 MIGHTY THOR #4 MISSION #6 MMW X-MEN TP VOL 03 MONSTER HUNTERS SURVIVAL GUIDE TP (MR) NANCY DREW NEW CASE FILES V3 TOGETHER W/T NEW MUTANTS #28 OLYMPIANS GN V3 THE HERA GODDESS & HER GLORY PHOENIX #3 PLANET OF THE APES #4 PROJECT TIC TOC MAKING OF THE TIME TUNNEL QUEEN SONJA #18 RED LANTERN 1/4 SCALE POWER BATTERY & RING PROP RED SONJA TP VOL 08 BLOOD DYNASTY RICHIE RICH #3 (OF 4) RIP KIRBY HC VOL 04 SALEM GFT DREAM EATER ONE SHOT (C/O PT 6) SECRET AVENGERS #15 FEAR SECRET WARRIORS #28 SIXTH GUN #13 SKULLKICKERS #9 SMURFS GN VOL 07 THE ASTRO SMURF SOULFIRE VOL 3 #2 SPIDER-MAN #16 SPIDER-MAN AM I AN AVENGER TP SPIDER-MAN BLUE TP SPIDER-MAN COMPLETE BEN REILLY EPIC TP BOOK 01 SPIDER-MAN FANTASTIC FOUR TP SPIDER-MAN VINTAGE SWINGER RED T/S SPONTANEOUS #1 REG ED SPONTANEOUS #2 STAN LEE TRAVELER #9 STAND NO MANS LAND PREM HC STRANGE CASE OF MR HYDE #4 (OF 4) SUPERGODS WHAT SUN GODS CAN TEACH US ABOUT TAROT WITCH OF THE BLACK ROSE #69 (MR) TEEN TITANS #98 TERMINATOR ROBOCOP KILL HUMAN #1 THACKERY T LAMBSHEAD CABINET OF CURIOSITIES THOR BLACK GALAXY SAGA TP TIME LINCOLN TP VOL 01 FATE OF THE UNION TRANSFORMERS ONGOING TP VOL 03 ULTIMATE COMICS FALLOUT #3 (OF 6) UNCANNY X-FORCE #12 UNDYING LOVE #4 (MR) VALKYRIA CHRONICLES SC VOL 01 DESIGN ARCHIVE VAMPIRELLA SCARLET LEGION #3 VAULT #1 (OF 3) VENOM #2 2ND PTG VENOM #5 SPI WALKING DEAD WEEKLY #30 (MR) WARLORD OF MARS FALL OF BARSOOM #1 WOLVERINE AND DEADPOOL DECOY #1 WONDER WOMAN #613 WOLVERINE BEST THERE IS #8 WORMWOOD HC VOL 03 DEVIANT EDITION X-MEN LEGACY #252 X-MEN LEGACY AFTERMATH PREM HC X-MEN SCHISM #2 (OF 5) XOMBI #5 YOUNG JUSTICE #6 ZOMBIES CHRISTMAS CAROL #3 (OF 5)
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Comics for 22 February 2012

AFRIKA HC
ALL STAR WESTERN #6
ALTER EGO #107
AMAZING MYSTERIES BILL EVERETT ARCH. HC V1
AMERICAN VAMPIRE #24 (MR)
AQUAMAN #6
ATOMIC ROBO GHOST OF STATION X #5 (OF 5)
AVENGERS ACADEMY #26
AVENGERS SOLO #5 (OF 5)
BART SIMPSON COMICS #68
BATMAN THE DARK KNIGHT #6
BATMAN VS BANE TP
BETWEEN GEARS TP
BLACKHAWKS #6
BROKEN PIECES #2
BULLETPROOF COFFIN DISINTERRED #2 (OF 6)

CAPTAIN AMERICA AND BUCKY #627
CAPTAIN AMERICA PRISONER OF WAR TP
CHEW #24 (MR)
CHRONICLES OF KULL TP V5 DEAD MEN
CLASSIC MARVEL FIG#166 MAGIK
CLASSIC MARVEL FIG #167 BEETLE
CLASSIC MARVEL FIG NORTHSTAR & AURORA
COBRA ONGOING #10
COMPLETE CAPTAIN ACTION TP

DANGER GIRL REVOLVER #2 (OF 4)
DARK HORSE PRESENTS #9
DC SUPERHERO FIG COLL MAG #100 RAVAGER
DC SUPERHERO FIG COLL MAG #101 MON-EL
DC UNIVERSE SECRET ORIGINS HC
DEADPOOL #51
DEADPOOL MAX 2 #5 (MR)
DOROTHY AND WIZARD IN OZ #5 (OF 8)
EXPLORER THE MYSTERY BOXES SC

FANTASTIC FOUR #603
FLASH #6
FRANK FRAZETTA BOOK ONE
FURY OF FIRESTORM THE NUCLEAR MEN #6

GARTH ENNIS JENNIFER BLOOD #9 (MR)
GFT ALICE IN WONDERLAND #2 (MR)
GI JOE DISAVOWED TP VOL 05
GLITZ 2 GO TP (MR)
GODZILLA LEGENDS #4 (OF 5)
GREEN LANTERN NEW GUARDIANS #6

I VAMPIRE #6
INCORRUPTIBLE #27
INFESTATION 2 DUNGEONS & DRAGONS #2 OF 2
INVINCIBLE ULTIMATE COLL HC VOL 07
IS THAT ALL THERE IS HC (MR)

JIM BUTCHER DRESDEN FILES FOOL MOON #5
JUSTICE LEAGUE DARK #6

KID FLASH 52 SYMBOL T/S
KNIGHTS OF THE DINNER TABLE #183
KOLOR KLIMAX NORDIC COMICS NOW GN (MR)

LADY DEATH (ONGOING) TP VOL 01 (MR)
LIL DEPRESSED BOY #9
LOCUS #613

MAGNETO NOT A HERO #4 (OF 4)
MEGAMIND MEGA COLLECTION TP
MIGHTY THOR #11
MMW INCREDIBLE HULK TP VOL 02
MONDO #1 (OF 3) (MR)
MORNING GLORIES #16 (MR)

NEAR DEATH TP VOL 01
NEW MUTANTS #38 XREGB
NIGHT O/T LIVING DEAD TP VOL 03 (MR)
NO PLACE LIKE HOME #1

PATRICIA BRIGGS ALPHA OMEGA CRY WOLFV1#5
PHANTOM COMP SERIES HC CHARLTON YEARS
PHOENIX WITHOUT ASHES TP
PROPHET #22

QUASAR CLASSIC TP VOL 01

RASL #13 (MR)
RAY #3 (OF 4)
RED SONJA #64
RED SONJA WITCHBLADE #1

SAVAGE HAWKMAN #6
SECRET AVENGERS #23
SIXTH GUN #19
SOULFIRE VOL 3 #7
SPIDER-MAN #23
STAR WARS DARK TIMES WILDERNESS #4 (OF 5)
STAR WARS JEDI VOL 01 DARK SIDE TP
SUPERBOY UPC SYMBOL T/S
SUPERIOR PREM HC
SUPERMAN #6

TEEN TITANS #6
TEENAGE MUTANT NINJA TURTLES ONGOING #7

ULTIMATE COMICS SPIDER-MAN #7
UNCANNY X-FORCE #22 XREGG

VENOM #13.3
VICTORIAN SECRET WINTER WARDROBE
VOODOO #6

WALLY WOOD EC STORIES ARTIST ED HC
WAR OF THE INDEPENDENTS #2
WOLVERINE AND CAPTAIN AMERICA TP
WOLVERINE AND X-MEN #6 XREGG
WOLVERINE PUNISHER GHOST RIDER INDEX#7

X-MEN #25 XREGB
X-MEN AGE OF APOCALYPSE OMNIBUS HC
X-MEN LEGACY #262

This list was copied from memphiscomics.com. Arrivals at your LCS may vary.

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12134154486?profile=originalThe Life and Times of Scrooge McDuck Volume One
by Don Rosa
(collecting Uncle Scrooge #285-290, 1994-95)

In the mid ‘90s, Don Rosa took up the monumental task of illustrating The Life and Times of Scrooge McDuck. He wrote a 12-issue epic that covered the pivotal moments from Scrooge’s younger days before he became the richest duck in the world. This volume collects the first 6 issues. Even better, it also includes notes from Don Rosa in which he reveals the thought process behind story choices and reflects upon the clues to Scrooge’s past that were planted by Carl Barks.


12134155274?profile=originalThe stories are excellent. Rosa gives each installment a unique flavor, whether it’s Scrooge’s boyhood in Scotland or his adventures as a young man on a Mississippi steamboat. For the most part, they’re well paced with sufficient obstacles to keep the reader interested and a few side gags to keep the reader entertained. However, I’ll admit that a couple of tales got bogged down in secondary details or dragged out a scene until it became repetitious.

My favorite story was from the fourth issue in which Scrooge joins a cattle drive. There’s a famous image in which several parties chase each other around circular buttes in the South Dakota badlands. It was a treat to see how Rosa set up all of the conflicting characters and then brought them together as part of one wonderful farce.

The panels are visually interesting as well. Rosa provides numerous memorable scenes such as a fiery ghost on horseback and an underground cavern that doubles as a steamboat stateroom. Of course, there’s also the aforementioned circle chase in the South Dakota badlands.

12134155499?profile=originalI was particularly fond of Rosa’s reflections. It was interesting to have him describe how he formed a complete story around a small tidbit mentioned in an old duck story by Barks. And I was impressed by the way in which Rosa would seamlessly work other small details into a larger narrative. Best of all, his love for the character clearly shines through in his reflections.

However, I was also amused to compare my reactions as a reader to Rosa’s reaction as a writer. Rosa’s least favorite story was the cattle drive. He noted that he prefers stories that take place in a single setting and a single day. He cited the fifth issue when Scrooge returns to Scotland to fight for Castle McDuck as a good example. My reaction is pretty much the opposite. “The Life and Times” suggests an epic and that’s what I was expecting- not only in the volume as a whole but also in the individual installments. I was especially fond of the cattle drive story that spanned several months and several states. My least favorite story was the castle story from the fifth issue. In my opinion, it contained a lot of filler that stretched it to a full issue, particularly an extended dream sequence that occurred while Scrooge was drowning.

Even so, that’s a difference of opinion about the relative merits of individual stories. My opinion of the epic as a whole remains quite favorable.

12134156460?profile=originalWolverine by Greg Rucka: Ultimate Collection
by Greg Rucka, Darick Robertson and Leandro Fernandez
(collecting Wolverine #1-19, 2003)


Greg Rucka was given the task of re-launching Wolverine in a new solo series in 2003. This ultimate collection contains the complete Greg Rucka run, 19 issues in all.

Rucka’s approach to Wolverine is stripped down. Wolverine doesn’t wear a costume. He’s more like a rural vigilante, running around in jeans and a ripped shirt. His adventures are also more down to earth. He investigates a Montana cult that’s been kidnapping women, a smuggling operation that uses illegal immigrants to bring drugs across the border, and rumors that a wild, almost feral, escapee from the Weapon X program is living in the mountains.
There aren’t a lot of other superheroes either. Nightcrawler makes a couple of guest appearances, but he doesn’t actually help in the adventures. Instead, he shows up as a confidant and drinking buddy. Sabretooth is the only supervillain to pop by and he doesn’t appear until the final story arc. Plus, he’s similarly stripped down, wearing civilian clothes instead of a costume.

This approach often works well with Wolverine. Chris Claremont and John Buscema took a similar tack when they launched Wolverine’s first solo series. And other writers have followed similar routes. Wolverine is just as effective without costumes and the flashy baubles of superheroes. Rucka’s vision of Wolverine as a rural vigilante is consistent with the character.

12134156863?profile=originalUnfortunately, Rucka’s approach to storytelling is similarly stripped them. This re-launch occurred at the height of the decompression fad and the three previously mentioned tales make up the whole of the volume. That’s right. This 19-issue volume contains only three stories. That isn’t automatically a problem. It’s theoretically possible to tell a compelling story over 6 or 7 issues. But that doesn’t happen here.

There aren’t enough twists or obstacles to keep a reader’s attention over that length. There are a few twists. The villain of the drug operation is a bit of a surprise. And there’s a nice moment in the third story when Wolverine preemptively betrays Sabretooth. But those major moments are too spread out. The stories drag and I frequently wondered when we would move on to something else.

The art doesn’t exactly help either. I’ve enjoyed Darick Robertson’s work in other places yet I wasn’t impressed with it here. It was often unimaginative. It’s like he was a cinematographer who forgot that his camera could move. Leandro Fernandez was much better on the middle arc, though I think he inked himself a little too heavily at times and obscured his otherwise fine pencil work.

Overall, this was a very disappointing volume. On the bright side, I’m glad I didn’t pay full price for the individual issues. I could at least console myself that I waited to buy the trade at a much more friendly price point.

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By Andrew A. Smith

Scripps Howard News Service

 

'First Avenger' lifts the best of comics' Captain America

 

Captain America: The First Avenger, premiering July 22, looks to be the best comics-to-film movie of the summer – which is saying a lot – but is also loaded with fun facts:

 

12134152282?profile=original* This movie is the fifth appearance of the Living Legend of WWII on film, but the only one to be remotely accurate . . . or even good.

 

A 1944 Captain America serial was unlike the comic books of the time, as it depicted Cap with a red star(!) on his chest, no shield, no sidekick and he was, of all things, a stateside district attorney (instead of a U.S. Army private).  

 

Captain America and Captain America II: Death Too Soon aired on CBS in 1979, both starring Reb Brown and jettisoning the World War II connection completely. They were awful.

 

A 1990 Captain America starred Matt Salinger and, of all things, an Italian Red Skull. (He’s a Nazi. His name is Johann Schmidt. He was Hitler’s right-hand man. He’s German!) It was so bad it went straight to VHS.  

 

* Some recent Marvel movies have had oblique references to First Avenger. Partially-constructed shields appear in both Iron Man movies. The Incredible Hulk mentions the wartime Super-Soldier Formula, which is what creates the Star-Spangled Avenger.

 

12134153264?profile=original* This movie returns the favor. The subtitle The First Avenger is a hint to where all these movies are heading: The Avengers in 2012. Also, Howard Stark – Tony Stark’s father, who was significant in Iron Man II – is part of the Super-Soldier science team in First Avenger.

 

* Incidentally, The First Avenger subtitle was added to become the whole title when the movie was distributed in areas where America isn’t particularly popular. But it turns out that even countries like France wanted the full title, because Captain America is such a well-known brand. Now the Captain America part will be dropped from the title in only three countries: Russia, Ukraine and, oddly, South Korea.

 

* In the comics, sidekick James “Bucky” Barnes was a teenager in the war (albeit a lethal, highly trained one). In the movie he appears to be old enough to volunteer for service. To my mind that’s an improvement, since the “child endangerment” aspect of Robin-like sidekicks always bugged me.

 

12134153852?profile=original

 

* Beginning in 1963, Marvel’s Sgt. Fury and the Howling Commandos told the tales of a fictional U.S. Ranger group in World War II. To explain how Nick Fury could remain active into the 21st century, Marvel has explained that his aging has been scientifically retarded. However, the movie version of Fury, played by Sam Jackson, will sidestep the aging question entirely by Fury not appearing in World War II in First Avenger, although the Howling Commandos will.

 

Speaking of the Howlers, it appears Captain America and Bucky will lead them. Of the comic-book squad, only two appear in the movie: Cpl. Timothy Aloysius “Dum Dum” Dugan, a huge Irishman, and Gabe Jones, an African-American trumpet player. The team is fleshed out by a Japanese-American, Jim Morita; an Englishman, Montgomery Falsworth; and a Frenchman, Jacques Dernier. All three have their roots in the comics as well.

 

Stan Lee created Morita and his Nisei (American-born Japanese) squad in a 1967 Sgt. Fury to recognize the efforts of patriotic Japanese-Americans in WWII. Falsworth was the wartime Union Jack, England’s answer to Captain America, created in a 1976 Invaders, another title set during the war. Dernier first appeared in a 1965 Sgt. Fury as the French Resistance liaison for the Howlers.

12134154069?profile=original* Cap’s wartime sweetheart was French Resistance fighter Peggy Carter, who will be played by Hayley Atwell as a conflation of various female characters. Their bittersweet romance probably won’t leave a dry eye in the house.

 

* One surprise is Arnim Zola, a Skull henchman and Nazi scientist who eventually transfers his consciousness to a robot. Another is the appearance of a Cosmic Cube (hinted at in Thor), a weapon that didn’t exist in the comics until 1967. I suspect it will play a role in Avengers, too.

 

* Hydra, a nation-less terrorist organization, predated al-Qaida by decades with its first comic-book appearance in 1965. In the comics, Hydra was founded by surviving Axis players near the end of World War II, which makes their appearance in the movie in conjunction with the Red Skull entirely consistent. Their creed is eerily modern: “Hail Hydra! Immortal Hydra! We shall never be destroyed! Cut off a limb, and two more shall take its place!”

 

Art above:

1. Chris Evans plays Captain America in CAPTAIN AMERICA: THE FIRST AVENGER, from Paramount Pictures and Marvel Entertainment. He is seen here in full combat regalia. Photo credit: Courtesy of Paramount Pictures and Marvel Studios © 2011 MVLFFLLC. ™ & © 2011 Marvel. All Rights Reserved.

2. Dominic Cooper plays Howard Stark in CAPTAIN AMERICA: THE FIRST AVENGER, from Paramount Pictures and Marvel Entertainment. In both the comics and the movies, Howard Stark is based loosley on Howard Hughes and Walt Disney. Photo credit: Jay Maidment / Marvel Studios © 2011 MVLFFLLC. ™ & © 2011 Marvel. All Rights Reserved.

3. Chris Evans plays Steve Rogers (center) with the Howling Commandos, who are somewhat different from the comics version of the First Ranger Attack Squad. Bruno Ricci plays Jacques Dernier (third left from center), Kenneth Choi plays Jim Morita (second left from center), Neal McDonough plays Dum Dum Dugan (first right from center), Sebastian Stan plays James "Bucky" Barnes (second right from center), JJ Feild plays Montgomery Falsworth (third right from center), and Derek Luke plays Gabe Jones (fifth right from center) - in CAPTAIN AMERICA: THE FIRST AVENGER, from Paramount Pictures and Marvel Entertainment. Photo credit: Jay Maidment / Marvel Studios © 2011 MVLFFLLC. ™ & © 2011 Marvel. All Rights Reserved.

4. Hayley Atwell plays Peggy Carter, center, in CAPTAIN AMERICA: THE FIRST AVENGER, from Paramount Pictures and Marvel Entertainment. Peggy is a U.S. Army officer present at Captain America's birth and is, as they said in the 1940s, both a tomato and a tough broad. Photo credit: Jay Maidment / Marvel Studios © 2011 MVLFFLLC. ™ & © 2011 Marvel. All Rights Reserved.

 

12134154658?profile=original
Hugo Weaving plays Red Skull in CAPTAIN AMERICA: THE FIRST AVENGER, from Paramount Pictures and Marvel Entertainment. Photo credit: Courtesy of Paramount Pictures and Marvel Studios © 2011 MVLFFLLC. ™ & © 2011 Marvel. All Rights Reserved.

 

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Stanley Tucci plays Dr. Abraham Erskine in CAPTAIN AMERICA: THE FIRST AVENGER, from Paramount Pictures and Marvel Entertainment. In the comics, Erskine is a Jewish scientist smuggled out of Germany during the pogroms, and is based loosely on Albert Einstein. In fact, in the comics, his security codename is "Reinstein." Photo credit: Jay Maidment / Marvel Studios © 2011 MVLFFLLC. ™ & © 2011 Marvel. All Rights Reserved.


12134155486?profile=original12134156272?profile=originalAt left, Chris Evans plays Steve Rogers in CAPTAIN AMERICA: THE FIRST AVENGER, from Paramount Pictures and Marvel Entertainment. In this scene, Evans poses in a position lifted straight from the comics. Photo credit: Jay Maidment / Marvel Studios © 2011 MVLFFLLC. ™ & © 2011 Marvel. All Rights Reserved. At right, Steve Rogers staring in disbelief at his new body is a familiar scene in such comics as "Tales of Suspense" #63. Courtesy Marvel Comics

 

Contact Andrew A. Smith of the Memphis Commercial Appeal at capncomics@aol.com.

 

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By Andrew A. Smith

Scripps Howard News Service

 

Occasionally someone executes a standard storytelling device with such dazzling skill that it reminds you why that device became standard in the first place. Rebecca Guay is that someone, with A Flight of Angels (DC/Vertigo, $24.99).

 

12134155253?profile=originalAn award-winning fantasy artist, Guay has set up an anthology of five stories on a single theme, with the narrators gathered together in a framing device that amounts to a sixth story. This is an approach to anthologies at least as old as The Canterbury Tales, so it is well-trod ground – a minus if it feels clichéd, which this does not. And it’s a plus when you consider how quickly the reader will grasp the ground rules.

 

The framing story begins with a wounded, unconscious angel falling into a forest in Faerie. Various characters – faeries, a pixie, a hag, a hobgoblin, a trickster, etc. – gather to determine what to do: Heal it, or kill it?


They hold a tribunal, where five characters spin tales on who or what they imagine this angel to be. Each of these stories is written by a master of fantasy, including Holly Black (The Spiderwick Chronicles), Louise Hawes (Vanishing Point), Alisa Kwitney (The Dreaming), Todd Mitchell (The Traitor King) and Bill Willingham (Fables). Each quickly establishes a fully-fleshed, entertaining world of magical rules and mythical characters, wherein they place a complete story, with beginning, middle and end.  Of course, each story has something to do with angels, but otherwise no two are alike.

 

To drive this home, Guay uses five different artistic techniques on the five different stories. Even to a novice they are all obviously by the same artist, but just as obviously Guay chooses a different media or style to reflect the tone of the story. The result is a breathtaking artistic tour de force.

 

Nor does Guay short-shrift the framing device, which is written by Black. Here the artist opts for a duotone wash that reflects the story’s location – the ethereal land of Faerie – and is a clever, subliminal shorthand to remind the reader of transitions into and out of the five stories, which are in full color. Further, the framing device is a fully-realized story in itself, as we learn the origins of Faerie (it goes back to Lucifer’s rebellion), the relationships among the characters (including a bitter faerie lord and the faerie girl who dumped him), character development (a naïve, unworldly faun who becomes less so by the end) and a shocking conclusion.

 

This is a book that is simultaneously as old as campfire tales and as fresh and full of possibility as the dawn. It’s the sort of book that makes me proud to be a comics fan.

 

Elsewhere:

 

12134155865?profile=originalSomebody else who likes comics is the U.S. government! It discovered as long ago as the 1940s that comics were a good way to disseminate information, even to those who would never take the time to read a manual – and it’s been publishing them ever since.

 

Earlier this year, Abrams ComicArts did the world a favor by assembling a collection of government comics created by comics legend Will Eisner (P.S. Magazine: The Best of Preventive Maintenance Monthly). Now they’ve added Government Issue: Comics for the People, 1940s-2000s ($29.95), an overview of the zillions of other comics the government has produced. And it is a gold mine of the serious, the silly and the truly strange stuff the government thinks we ought to know.

 

Want to know how to duck and cover during a nuclear war? How to properly salute? How Social Security disability works? How to clean and operate an M-16? How to know you have syphilis? If so, Uncles Sam’s got a comic book for you, and you can find it in Government Issue!

 

Some of these comics are incredibly cheesy, which is worth a laugh. But some are by top-flight cartoonists who lend their characters to the cause, such as Al Capp’s “Li’l Abner Joins the Navy!”,  “Dennis the Menace Takes a Poke at Poison!” and the Peanuts crew explaining amblyopia (“Security Is an Eye Patch”). You’ll also run across big-name artists like Milton Caniff (Terry and the Pirates”), Joe Kubert (Sgt. Rock) and Kurt Schaffenberger (Lois Lane).

 

The comics are selected by Richard Graham, an associated professor and media services librarian at the University of Nebraska-Lincoln, with a foreword by Sid Jacobson, co-creator of the 9/11 Report: A Graphic Adaptation. The comics are separated by category, but united in their importance to pop-culture history – and, too often, their painful sincerity.

 

Art:

1. Vertigo's A Flight of Angels is an anthology of fantasy stories. Courtesy DC Entertainment Inc.

2. Government Issue is an overview of the comics Uncle Sam has produced over the last seven decades. Courtesy Abrams ComicArts. 

 

Contact Andrew A. Smith of the Memphis Commercial Appeal at capncomics@aol.com.

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Andrew A. Smith

Scripps Howard News Service

The Golden Age of radio is a nearly forgotten era, which makes it all the cooler that writer/artist Ernie Colón has brought it back in graphic novel form.

 

12134153887?profile=originalInner Sanctum: Tales of Mystery, Horror and Suspense (NBM, $16.99) is a collection of stories adapted from the old radio show in glorious black and white. If you’ve ever listened to Inner Sanctum, you might recognize "Alive in the Grave,” about premature burial. Or “Death of a Doll,” the great-grandfather of the Chuckie movies. Or “The Horla,” about a concert pianist who fears a beast only he can see. Or “The Undead,” a vampire tale with a twist. Colón also throws in a story of his own called “Mentalo,” about a magician who does real magic – and pays a heavy price.

 

I actually heard some Inner Sanctum episodes growing up, repeats on a radio station I could only hear late at night. (It was probably WLS-AM in Chicago, but not knowing made it more mysterious.) I don’t remember if the specific stories in Colón’s book were among the ones I heard, but I can say they are representative of the show.

 

Which are also representative of an entire genre that fans of the fantastic know well: The moody suspense tale with a twist ending – usually, but not always, delivering vengeance from beyond the grave upon some deserving miscreant. Inner Sanctum falls into the continuum of horror series that include EC’s 1950s horror comics; Warren Publishing’s 1960s-70s horror magazines; and TV’s Night Gallery and Twilight Zone. It’s a popular genre, because it delivers the goods.

 

As does Colón, one of my favorite artists. Colón has tackled just about everything in comics, not just the usual superheroes, but children’s books (Richie Rich, Casper the Friendly Ghost), horror (Creepy, Eerie), fantasy (Amethyst, Princess of Gemworld), historical adventure (Arak, Son of Thunder), humor (Damage Control) and even non-fiction graphic novels (The 9/11 Report, Che: A Graphic Biography). Strangely, I think it’s the hints of the kids’ books that make his work so memorable to me: His lines are clean and his backgrounds uncluttered, like a Richie Rich book -- a hint of childhood innocence that makes the horror of his adult stories all the more pronounced. Whatever the reason, Colón’s work always has a vibrant verisimilitude, informed by a sort of universal experience, that makes it very immediate and accessible.

 

Which means he can scare the pants off you. I highly recommend Inner Sanctum, which ought to come with a reinforced belt.

 

Also from NBM this month is Salvatore Vol. 2: An Eventful Crossing ($14.99), which has turned me 180 degrees on this offering from French artist Nicolas de Crécy.

 

12134155070?profile=originalThe first book of this anthropomorphic story introduced us to a fondue-eating canine mechanic who was building a land-and-seaworthy vehicle to travel to find his lost love in South America, accompanied by a mute, tiny homunculus; a porcine mother who’d lost one of her litter in the sewers of Paris; and a feline, female teen Goth, who found and adopted the (intelligent?) piglet as a pet. We met the mother pig when she was at the dog’s shop (and he was ripping her off), whereupon she somehow ended up on a plane’s wing in flight in a sort of slapstick Buster Keaton sequence, while the Goth chick was … you know, I don’t remember. It all seemed rather non sequitur to me. This world seemed arbitrary and inconsistent, with some animals wearing clothes and others not; the various threads of story didn’t seem to go anywhere; the only human was inexplicably tiny and mute; and so forth.

 

But, as I said, An Eventful Crossing has changed my mind entirely. All the stories are progressing dramatically and are holding my interest, and what I interpreted as inane, random dialogue in the first book has transformed into solid (and funny) characterization. I’m still baffled by the tiny little assistant mechanic, but he shows spunk and personality in this book, simultaneously revealing that he is essentially a child (despite his Coke-bottom glasses, business suit and male pattern baldness).

 

I was wrong to dismiss this book as an artist’s self-indulgence, and hope now to correct my error. Salvatore is initially hard to embrace, because it is a story that refuses to conform to expectation and classification. But it’s that very quality that’s making it a unique and entertaining read for me now.

 

Contact Andrew A. Smith of the Memphis Commercial Appeal at capncomics@aol.com.

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The future arrives with DC's 'New 52'

 

The future arrives with DC's 'New 52'

 

By Andrew A. Smith

Scripps Howard News Service

 

On Aug. 30, comic-book fans, some in costume, will line up in front of Midtown Comics in New York's Times Square. It's a party, although some fainthearts fear it will be a wake.

 

12134153065?profile=originalThe occasion is the release of Justice League of America #1, by writer (and DC Entertainment Chief Creative Officer) Geoff Johns and artist (and DC Co-Publisher) Jim Lee. That title begins the replacement of DC’s entire superhero line of comics; it’s one of 52 new titles, all starting at #1, the remaining 51 all launching in September.

 

Comics fans and the mainstream media have been talking about this for months. By necessity, when DC released its September solicitations to comic-shop retailers two months ago, the Catwoman was out of the bag. (And, yes, there is a new Catwoman #1 in September, thanks for asking.)

 

Predictably, the Internet broke in half. Many comics fans, like many ordinary people, fear change.  There was much hair-pulling, teeth-gnashing and exploding of heads. After all, nobody believed DC’s official explanation for the re-launch, which was some sort of corporate-speak boilerplate that I don’t even remember. “What awful future,” some fans wondered, “does this massive re-launch portend?”

 

To quote the Sage of Highland, Texas: “Settle down, Beavis.” Seriously, it’s not the end of the world, nor even a serious omen. Titles get canceled and re-launched all the time. For example, Marvel recently canceled the old Hulk title to publish Incredible Hulk #1 in October, the third or fourth comic book to bear that name and number. Ditto for Daredevil #1, Moon Knight #1 and Punisher #1, all launched at Marvel in the last several months to replace previous versions. What’s unusual here is that DC is renumbering 52 new titles simultaneously, just to get people talking. Which is obviously working.

 

12134153691?profile=originalAlso, DC emphasizes this isn’t a re-BOOT, but a re-LAUNCH. That means titles that are already working well – read: the Batman and Green Lantern franchises – will continue as if nothing happened, just with new numbering. But DC will take the opportunity to fix a few things that they think are broken.

 

Surprisingly, one of them is Superman. They are re-booting the Man of Tomorrow, making him once again the first superhero on the planet (which hasn’t been the case since the 1980s), but one that has only been around for about five years. He isn’t married to Lois Lane any more (they’re not even dating … yet), and the rest of his status quo has been tweaked. For example, Ma and Pa Kent are dead, and his costume doesn’t have the red briefs any more.

 

One other change has some fans fuming: When DC says it’s rebooting all of their superhero titles, that includes the two oldest in America. Action Comics, which just reached issue #904, is now reverting to #1. And Detective Comics, the 1937 title that gave DC its name, is also re-setting the odometer. Although Detective will remain essentially unchanged, the new/old Action has a purpose: It will show Superman’s first five years in public, to explain the current status quo, which is depicted in sister title Superman, launching with a new #1 Sept. 28. (Justice League is also set in the past for now, showing how the team got together.)

 

12134154459?profile=originalAnother change is more diversity in the DC lineup of heroes, most of whom were created as interchangeable Generic Square-Jawed White Guys in days of yore. Cyborg, an African-American, will now be a founding member of the JLA. Other characters of color, like Batwing (African), Blue Beetle (Hispanic) and the new Atom (Asian-American) abound. Nor is the LGBT community ignored; Batwoman features one of DC’s many lesbian crime-fighters, while Apollo and Midnighter, stars of Stormwatch, are a gay couple.

 

And the last big change is that DC will release digital issues of their comics “day and date” – that is to say, at the same time the print versions hit the comic shops. I’ve heard differing views from various retailers about how good/bad this is, but for now it seems irrelevant, since the digital copies cost the same as print, and therefore shouldn’t cannibalize sales.

 

But it will position DC for the future, when digital is expected to become more important. And if there’s any lesson here, that’s it: The future is coming, and there’s no use fighting it. Let’s embrace the new DC as we did the old one, and see what the tomorrow’s Man of Tomorrow brings.

 

Photos above:

1. The revamp of the Justice League replaces Martian Manhunter with the African-American Cyborg as a founding member. Courtesy DC Entertainment Inc.


2.The new Action Comics will tell the tale of Superman's first five years in the public eye, where his initial costume is jeans and a T-shirt. Courtesy DC Entertainment Inc.


3. According to DC, Batwoman is the first eponymous title for an LGBT superhero. Courtesy DC Entertainment Inc.

 

Contact Andrew A. Smith of the Memphis Commercial Appeal at capncomics@aol.com.

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Comics for 25 January 2012

30 DAYS OF NIGHT ONGOING #4

ABSOLUTE KINGDOM COME EDITION HC NEW PTG
ADD HC (MR)
ALL STAR WESTERN #5
ALPHA FLIGHT #8
AMERICAN VAMPIRE #23 (MR)
ANGEL & FAITH #6
APPLE SELECTION SC VOL 01
AQUAMAN #5
ARCHIE #629
ART OF THE DRAGON SC
ARTIFACTS ORIGINS ONE SHOT
ASTONISHING SPIDER-MAN AND WOLVERINE TP
ASTONISHING X-MEN #46
AVATAR LAST AIRBENDER TP VOL 01 PROMISE PART 1
AVENGERS SOLO #4 (OF 5)

BART SIMPSON COMICS #67
BATMAN AND ROBIN WHITE KNIGHT DARK KNIGHT HC
BATMAN BEYOND INDUSTRIAL REVOLUTION TP
BATMAN THE DARK KNIGHT #5
BLACKHAWKS #5
BPRD HELL ON EARTH RUSSIA #5
BULLETPROOF COFFIN DISINTERRED #1 (OF 6) (MR)

CAPTAIN AMERICA AND BUCKY #626
CATWOMAN TP VOL 01
CREEPY ARCHIVES HC VOL 12
CREEPY COMICS #7

DAKEN DARK WOLVERINE #20
DARK SHADOWS #3
DARKNESS #98 (MR)
DC UNIVERSE ONLINE LEGENDS #22
DEADPOOL #49.1

ELEPHANTMEN #37 (MR)
EPOCH #4 (OF 5)

FAMOUS MONSTERS ART COLLECTION VOL 02
FANTASTIC FOUR #602
FATHOM BLUE DESCENT #4
FF #14
FF BY JONATHAN HICKMAN PREM HC VOL 02
FLASH #5
FURY OF FIRESTORM THE NUCLEAR MEN #5

GAME OF THRONES #5 (MR)
GARTH ENNIS JENNIFER BLOOD #8 (MR)
GFT ALICE IN WONDERLAND #1
GODZILLA KINGDOM OF MONSTERS #11
GREEN HORNET ANNUAL #2
GREEN LANTERN NEW GUARDIANS #5
GREEN WAKE #9 (MR)

I VAMPIRE #5
INCORRUPTIBLE #26
INFESTATION 2 #1 (OF 2)
IRREDEEMABLE TP VOL 08

JUDGE ANDERSON PSYCHIC CRIME FILES TP
JUSTICE LEAGUE #5
JUSTICE LEAGUE DARK #5

KEY OF Z #4 (OF 4) (MR)
KING CONAN PHOENIX ON THE SWORD #1 (OF 4)
KIRBY GENESIS #5
KNIGHTS OF THE DINNER TABLE #182
KUNG FU PANDA #4 (OF 6)

LAST PHANTOM #11
LEGION SECRET ORIGIN #4 (OF 6)
LIL ABNER HC VOL 04

MANARA LIBRARY HC VOL 02
MARKSMEN #5 (OF 6)
MARVEL FIRSTS 1970S TP VOL 01
METAMAUS LOOK INSIDE MODERN CLASSIC MAUS HC
MICE TEMPLAR VOL 3 #7
MIGHTY THOR #10
MMW UNCANNY X-MEN TP VOL 04

NANCY IN HELL ON EARTH #1 (OF 4) (MR)
NAUGHTY & NICE GOOD GIRL ART BRUCE TIMM SC

OFF HANDBOOK OF MARVEL UNIVERSE A TO Z TP VOL 03
QUEEN SONJA #26

RED SKULL INCARNATE TP
RESURRECTION MAN TP VOL 01
ROBOCOP ROAD TRIP #2 (MR)
ROMEO & JULIET THE WAR GN

SAVAGE HAWKMAN #5
SECRET AVENGERS #21.1
SIXTH GUN #18
SPIDER-MAN #22
STRAWBERRY SHORTCAKE BERRY FUN #4 (OF 4)
STUFF OF LEGEND JESTERS TALE #4 (OF 4)
SUPERMAN #5
SWEET TOOTH TP VOL 04 ENDANGERED SPECIES (MR)

TAROT WITCH OF THE BLACK ROSE #72 (MR)
TEEN TITANS #5
TEENAGE MUTANT NINJA TURTLES ONGOING #6
THE IMMORTAL DEMON I/T BLOOD #2
TRANSFORMERS ROBOTS IN DISGUISE ONGOING #1

ULTIMATE COMICS ULTIMATES #6
UNCHARTED #3 (OF 6)
UNWRITTEN #33.5 (MR)
USAGI YOJIMBO #143

VOODOO #5

WALKING DEAD #93 (MR)
WALLY WOOD STRANGE WORLDS OF SCIENCE FICTION TP
WARLORD OF MARS FALL OF BARSOOM #5
WITCHBLADE #152
WOLVERINE WOLVERINE VS X-MEN TP

X-MEN LEGACY #261
X-MEN LEGACY AFTERMATH TP

Copied from the list posted on Facebook by Comics & Collectibles, Memphis. Arrivals at your LCS may vary.

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modulus.jpgIt's been months since my last edition of "Relocating the Marvel Universe," where I profiled the Marvel heroes of Virginia.

What's this you ask? Superheroes in Virginia? Yep, in this blog series, I've moved the heroes of the M.U. out of the "New York City cluster" and pushed them across the U.S.

Now on it's 34th entry, the series takes a look at what heroes are protecting D.C., and if you've read about Philadelphia in the Pennsylvania entry, you know it isn't Captain America (though he makes plenty of appearances in D.C.)

Instead, Washington has a few other patriotic heroes -- 22 of them in fact! --, a couple of robots and the world famous helicarrier to keep the peace in our nation's capitol.

Sound interesting? Then check out ...

"RELOCATING THE MARVEL UNIVERSE -- Part 34 -- WASHINGTON, D.C."

 

nick-fury-shieldx.jpg?width=300

 

 

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Rick Geary asks: Were Sacco  and Vanzetti murderers or victims?

 

By Andrew A. Smith

Scripps Howard News Service

 

Aug. 16, 2011 -- Like most Americans, I first heard about the Sacco and Vanzetti trial in eighth-grade American history class. But it took Rick Geary’s new graphic novel for me to really learn about it.

 

12134150880?profile=originalIn case you slept through eighth grade – and I know some who did – Sacco and Vanzetti were two Italian immigrants who were executed in 1927 for a crime they probably didn’t commit. They were genuine, card-carrying anarchists, and the crime, a payroll robbery with brutal fatalities, was committed by anarchists. Or at least some people who looked like some people who were thought to be anarchists, which seemed to be enough for a jury (and a judge who was openly and publicly prejudiced against them).

 

But there’s that word “probably” dropping in all through this brief bio, because the trial was such a farce and the evidence so tampered with that it’s impossible to tell then or now if they were involved, or weren’t involved but knew the true criminals, or were just unlucky enough to be anarchists and immigrants at a time when public hysteria over anarchism and immigration was at an all-time high.

 

All of which is brought to vivid, black-and-white life by Rick Geary’s The Lives of Sacco and Vanzetti (NBM ComicsLit, $15.99), part of Geary’s “Treasury of XXth Century Murder” series. I’ve raved about Geary’s work before; not only his appropriately old-fashioned, woodcut-style, pen-and-ink artwork, but also his painstaking research and objectivity. This book is one of his best, a riveting and thorough documentary that leaves readers fully informed of all the evidence, pro and con, as if they were on a jury in a trial more just than the real one.

 

Did they do it? Geary doesn’t offer an opinion, and neither will I. Read Sacco and Vanzetti yourself and make up your own mind. While you’re there, you might ponder if this era of political tumult has anything to teach us about our own.

 

12134151679?profile=originalAnother excellent addition to the bookshelf is the twenty-first volume in Eureka’s Graphic Classics series, Edgar Allan Poe’s Tales of Mystery ($17.95). The very first Graphic Classics volume featured Poe, focusing on his horror stories, while this one emphasizes his mystery and detective work.

 

In fact, if you know anything about Poe, you know he wrote what are considered the first detective stories, one in particular starring an observational sleuth who was almost certainly the inspiration for Sherlock Holmes. That story is “The Murders in the Rue Morgue,” and it dutifully leads this volume, adapted by Antonella Caputo with some lovely period artwork by Reno Maniquis.

 

“Rue Morgue” is the longest of the offerings in this book, which is filled not only with short stories, but also poems that I haven’t read since I was a Poe freak in junior high, and have never seen adapted to comics before. There are also a couple of new adaptations of stories Graphic Classics has adapted in other volumes, but one never tires of “The Masque of the Red Death” or “The Tell-Tale Heart.” Especially this version of “Heart,” which stars a modern tatted-and-pierced female as its maddened narrator.

 

Also, Poe’s fixations on premature burial, consumptive illness, madness and macabre romantic impulses are well known, and in full display here.  But it’s the obscure “Berenice” – with a bizarre subject I will not spoil for you here – that takes the prize for weirdness.

 

12134152259?profile=originalA third book made my must-get list, a collection of work by comics legend Will Eisner that has never been reprinted before. It’s amazing to discover that there exists any work by Eisner left untouched to date, but it’s true: Between 1951 and 1971, Eisner produced 227 issues of an Army training manual. Now we get to see some of that work thanks to P.S. Magazine: The Best of The Preventive Maintenance Monthly (Abrams ComicArts, $21.95).

 

True to form, Eisner made this potentially dull material a delight. He peopled it with a cast of his own creation, including savvy pin-up Connie Rodd, perpetual foul-up Joe Dope and the punny Sgt. Half-Mast McCanick.

 

But there’s also a clue why it’s been left fallow so far. As you peruse these excerpts, it’s easy to imagine how Eisner’s WWII perspective began to fall flat for later generations, especially during Vietnam.

 

But it’s still Eisner, so it’s not only fine work but historically important. P.S. is going up on my shelf next to “The Spirit” and A Contract with God.

 

Photos above:

The Lives of Sacco and Vanzetti explores thoroughly what is known about this legendary trial. Courtesy NBM ComicsLit.

 

Edgar Allan Poe's Tales of Mystery adapts a number of the master's detective, mystery and horror stories and poems. Courtesy Eureka Productions.

 

P.S. Magazine: The Best of The Preventive Maintenance Monthly collects selections from Will Eisner's 20 years publishing a U.S. Army maintenance manual. Courtesy Abrams ComicArts.

 

 Contact Andrew A. Smith of the Memphis Commercial Appeal at capncomics@aol.com.

 

 

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Short Takes: Idle Thoughts on a Sunday

July 17, 2011 -- Here are some thoughts rambling through my head that aren't worth a whole post by themselves:

 

1) Marvel is ribbing DC's relaunch in their most recent solicitations by bragging about their high issue numbers. You've probably seen "Uncanny X-Men -- still at #340!" or whatever. But I've noticed that Marvel is, in fact, relaunching a lot of their long-running series on the sly:

  • They launched Hulk along with the long-running Incredible Hulk -- but now they're canceling Incredible Hulk (currently called Incredible Hulks), so the remaining major Hulk title is one with low numbers. Result: A Hulk relaunch.
  • They turned the long-running Daredevil into Black Panther: Man Without Fear, and launched a new Daredevil #1. Result: A Daredevil relaunch.
  • They've turned the long-running Fantastic Four into FF, starting over with #1. Result: A Fantastic Four relaunch.
  • They're canceling the long-running Uncanny X-Men and relaunching with Uncanny X-Men #1. Result: An X-Men relaunch.
  • They turned the long-running Thor back into Journey into Mystery, and gave the Thunder God a new title. Result: A Thor relaunch.
  • They turned the long-running Captain America into Captain America and Bucky, and gave Cap a new title. Result: A Captain America relaunch.
  • They flat-out relaunched The Punisher, canceling the old title and beginning a new one (with Castle's second title, Punisher MAX, only about a year old ).

Toss in the resurrections of Ghost Rider, Moon Knight and Alpha Flight, all with #1s, and that's at least 10 relaunches in recent months. It's not 52, but it's still too many to be bragging about how they've kept their old numbering.

 

2) I love having Legionnaires from around the world, offering unique insights and perspectives. And I'm frequently reminded of that by a peculiar difference between American English and UK English: verb-subject agreement. I first noticed it in sports (which the English refer to as "sport"), where Americans say St. Louis IS but the Cardinals ARE doing such-and-such, shifting from singular to possessive depending on the subject. But I hear on BBC radio UK speakers using the plural no matter what, so Manchester ARE doing such-and-so, which sounds weird to American ears. This also applies to "United States" as a subject; American says the United States IS doing such-and-such -- we actually fought a bloody war to establish that the USA is, indeed, a singular noun and not a collection of individual states that can secede at any time -- but UK speakers say "the United States are" -- which, again, sounds odd to American ears.

 

I may have some of the above mucked up -- I don't actually memorize how UK speakers talk, I only notice when a noun/subject "disagreement" sets off my copy editor sense -- but it also applies to Marvel and DC. American speakers generally use the two as singular nouns, whereas UK speakers generally use the two as plural nouns. Americans say "Marvel is ... " while UK speakers say "Marvel are ..."

 

The upshot is that every time I read "DC are run by boring guys in suits" or "Marvel are run by monkeys" I'm reminded how wide-spread the Legion of Superfluous Heroes is, how much diversity we have, how much cultural exchange is going on ... and it makes me smile.

 

3) Years ago, the Frito Bandito was officially and publicly banished by Frito-Lay as an offensive cultural stereotype. I haven't heard anything to corroborate this, but it appears the same is true of any heavily-accented Mexican character, from Jose Jimenez to Speedy Gonzales to Baba Louie (in Quick-Draw McGraw). Whereas other offensive cultural stereotypes, such as Pepe LePew, seem to still be around. Anybody know?

 

4) In the current Avengers cartoon, the three-part season ender had the Assemblers banished to the nine realms of Norse mythology, whereupon they had to battle back to Asgard to confront Loki.

It's interesting to note that Captain America was in Niffleheim or Muspelheim or Hel (I've forgotten which, but it was one of the lands of the dead) where he met the shades of deceased Howling Commandos -- including JACK Fury, the African-American commander of the squad. In the comics, of course, Jack Fury was a World War ONE veteran, and Caucasian, while Nick was the WWII Howler, and, of course, also Caucasian. Evidently the concept of Nick Fury as an African-American has now made a third leap in the culture, from the Ultimate universe to the movies and now to the cartoons (and Fury's WWII connection has been severed). The problem, of course, is that the U.S. armed forces weren't integrated in World War II, and the idea of a black man commanding white troops was, AFAIK, impossible. I like a black Nick Fury just fine -- and who doesn't love Samuel L. M-Fin' Jackson -- but I don't like history being messed with.  We need to be aware of our mistakes, so we don't repeat them, and anachronisms like this bury the mistakes of our past. And the way America has historically treated its black sons and daughters is a Very Big Mistake that should not be, ahem, whitewashed.

Another interesting bit is that Tony Stark was marooned in whichever world the trolls live in ... you know, the trolls who forged Thor's Mjolnir and Odin's Gungnir. So, naturally, Stark and the trolls forged Uru, Asgardian, Iron Man armor! That was pretty cool ... and now I read that this bit is being repeated (nine-fold!) in 'Fear Itself.' Coincidence? Cross-pollination? The tail wagging the dog? I don't know, but it's interesting.

 

Those are some of the thoughts rattling around in my head on a lazy, hot Sunday. Now to go watch the Japan-U.S. match in the women's World Cup final. GOOOOOOOOALLLL!

 

 

 

 

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Comics for 20 July 2011

15 LOVE #2 (OF 3) ABATTOIR #6 (OF 6) (MR) ALL NIGHTER #2 (OF 5) AMORY WARS SECRETS OF SILENT EARTH 3 TP VOL 03 ANGEL OMNIBUS TP VOL 02 ARCHIE'S WEIRD MYSTERIES TP ARCHIE'S WORLD TOUR GN AVENGELYNE #1 AVENGERS #15 FEAR AVENGERS THOR CAPTAIN AMERICA OFF INDEX MU #15 BATMAN #712 BATMAN FRACTURED SYMBOL T/S BATMAN GATES OF GOTHAM #3 (OF 5) BATMAN RETURN BRUCE WAYNE SER 1 FIGURES BLACKEST NIGHT BLACK LANTERN CORPS TP VOL 01 BLACKEST NIGHT BLACK LANTERN CORPS TP VOL 02 BOYS BUTCHER BAKER CANDLESTICKMAKER #1 CINDERELLA FABLES ARE FOREVER #6 (OF 6) (MR) CLASSIC GI JOE TP VOL 12 CONAN ISLAND OF NO RETURN #2 CONAN THE BARBARIAN MASK OF ACHERON CRIMINAL MACABRE GOON WHEN FREAKS COLLIDE DAMNED HIGHWAY FEAR & LOATHING IN ARKHAM DAREDEVIL #1 DARKNESS #92 (MR) DARKWING DUCK #14 DC COMICS PRESENTS THE METAL MEN #1 DC RETROACTIVE BATMAN THE 70S #1 DC RETROACTIVE THE FLASH THE 70S #1 DC RETROACTIVE WONDER WOMAN THE 70S #1 DC UNIVERSE ONLINE LEGENDS #12 DEADLANDS MASSACRE AT RED WING ONE SHOT DEADPOOL PULP GN TP DEUS EX #6 (OF 6) (MR) DMZ #67 (MR) DUKE NUKEM GLORIOUS BASTARD #1 (OF 4) EDGE OF DOOM TP ELEPHANTMEN #33 (MR) ENDERS GAME SPEAKER FOR DEAD PREM HC EXECUTIVE ASSISTANT LOTUS #1 (OF 3) FEAR ITSELF DEADPOOL #2 (OF 3) FEAR FEAR ITSELF FEARSOME FOUR #2 (OF 4) FEAR FEAR ITSELF FF #1 FEAR FEAR ITSELF HOME FRONT #4 (OF 7) FEAR FLASHPOINT DEADMAN AND THE FLYING GRAYSONS #2 FLASHPOINT LEGION OF DOOM #2 (OF 3) FLASHPOINT THE OUTSIDER #2 (OF 3) FLASHPOINT WONDER WOMAN & THE FURIES #2 (OF 3) FLASHPOINT WONDER WOMAN T/S GENERATION HOPE #9 GI JOE A REAL AMERICAN HERO #168 GRIMM FAIRY TALES #61 HACK SLASH #6 HAUNTED CITY #0 HELLBLAZER #281 (MR) HERC #5 FEAR HULK #37 FEAR INCREDIBLE HULKS TP PLANET SAVAGE INVINCIBLE IRON MAN #506 FEAR IRON MAN 2.0 #7 FEAR JERICHO TP SEASON 3 JUSTICE LEAGUE OF AMERICA #59 IM HARRISON HOLLOWS GN VOL 01 BLOOD WORK LEGION OF SUPER HEROES #15 LIFE WITH ARCHIE #11 LOCKE & KEY CLOCKWORKS #1 (OF 6) LOGANS RUN AFTERMATH #3 (RES) MALIGNANT MAN #4 (OF 4) MARINEMAN #6 MARKSMAN #1 (OF 6) MARVEL POINT ONE TP MARVEL UNIVERSE VS WOLVERINE #2 (OF 4) MEGA MAN #3 VILLAIN VAR OVERSTREET COMIC BK PG HC VOL 41 POWER GIRL #26 RAGE #2 (OF 3) REAPER #2 (MR) RED SONJA REVENGE O/T GODS #5 (OF 5) REPULSE ONE SHOT (MR) ROCKETEER ADVENTURES #3 (OF 4) SECRET AVENGERS TP VOL 01 MISSION TO MARS SERGIO ARAGONES FUNNIES #1 SIMPSONS COMICS #180 SKAAR KING OF SAVAGE LAND #5 (OF 5) SNAKE EYES ONGOING (IDW) #3 SONIC UNIVERSE #30 SONS OF LIBERTY GN VOL 02 SPAWN NEW BEGINNINGS TP VOL 01 SPIDER-ISLAND SPOTLIGHT SPIDER-MAN AM I AN AVENGER TP SPIRIT #16 STAN LEE SOLDIER ZERO #10 STAR WARS CLONE WARS YR TV TP V6 STARCRUSHER STAR WARS JEDI DARK SIDE #3 STAR WARS OLD REPUBLIC #2 (OF 5) LOST SUNS STEVE ROGERS TP SUPER-SOLDIER SUPERGIRL #66 SUPERMAN BATMAN #86 THOR HEAVEN AND EARTH #1 (OF 4) THUNDER AGENTS #9 THUNDERBOLTS TP VIOLENT REJECTION TINY TITANS #42 TITANS #37 TRANSFORMERS ONGOING #22 TRUE BLOOD TAINTED LOVE #6 (MR) TURF HC (MR) ULTIMATE COMICS FALLOUT #2 (OF 6) DOSM UNCANNY X-MEN #541 FEAR VENOM FLASHPOINT #1 WALKING DEAD #87 WALKING DEAD WEEKLY #29 (MR) WAR OF THE GREEN LANTERNS AFTERMATH #1 (OF 2) WARLORD OF MARS #8 WELCOME TO TRANQUILITY ONE FOOT IN GRAVE TP WITCH DOCTOR #2 (OF 4) WOLVERINE WOLVERINE VS X-MEN PREM HC WONDER GIRL SYMBOL T/S WONDER WOMAN DASH T/S X-FACTOR #222 X-MEN #15 ZATANNA #15 Copied from the list posted on Facebook by Comics & Collectibles, Memphis. Arrivals at your LCS may vary.
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Andrew A. Smith

Scripps Howard News Service

Call it self-fulfilling prophecy, but I’ve read the first issues of two of DC’s four new Vertigo books, and I feel about them exactly as I expected to.

 

Fairest #1 ($2.99), which arrived March 7, was just as much fun as I’d hoped. For those who missed my previous column on this topic (and for shame!), Fairest is a spinoff from Vertigo’s popular and award-winning Fables series, which posits that all fairy tale characters exist, with each as proportionally powerful as the number of mortals who remember and/or believe in them. This new title focuses on the histories and solo adventures of the ladies in our fairy tales, from Cinderella (who has already had two solo miniseries) to Snow White.

 

It starts with a wraparound cover featuring 12 gals and one guy by the fantastic Adam Hughes; it’s not only gorgeous but a fun challenge to identify all the characters. I was only able to ID them all  because I’ve read more than 100 issues of Fables, and it wasn’t easy – there sure are a lot of blondes! I’ll provide a hint in that those depicted are Ali Baba, Beauty (of “and the Beast”), Bo Peep, Briar Rose (“Sleeping Beauty), Cinderella, Ozma, Princess Alder, Rapunzel, Rose Red, Snow Queen, Snow White, Mrs. Jack Spratt and Thumbelina. Good luck!

12134150655?profile=original

 

The insides are by writer Bill Willingham, the creator and writer of “Fables,” and fan favorite artist Phil Jimenez (“Wonder Woman”), and are a delight. Jimenez pours a ton of detail on the page, mirroring the monthly effort of Mark Buckingham over in “Fables.” And Willingham’s efforts here are as entertaining as they are in “Fables;” with witty dialogue, specific characterization, pell-mell adventure and little details that tickle your childhood fairy-tale memories.

 

12134151455?profile=originalOne oddity must be mentioned: In a book devoted to women, none show up until page 13 (actually two, Snow Queen and Briar Rose), and no Fairest has any dialogue until the last page. The focus of this first issue is on Ali “Prince of Thieves” Baba, a sarcastic effrit and an angry wooden soldier carved by Gepetto. They are all males, which indicates that the book won’t be entirely free of Y chromosomes – it’s just that men won’t be the focus. I’m sure Briar Rose (and possibly the Snow Queen) will have their fair share of adventure soon enough.

 

12134152093?profile=originalAnd I’ll be there to read it, because Fairest #1 was enormous fun. I wholeheartedly recommend it, and caution that remote viewing of the series through a magic mirror or crystal ball is considered piracy.

 

A little lower on my enthusiasm scale is Saucer Country #1 ($2.99), which arrived March 14. The series, unlike most comics, won’t shy away from actual politics. It stars a divorced, female, Hispanic governor of a southwestern state who is considering a run for the presidency on what is the (unnamed) Democratic ticket. Her opponents, whose affiliation is equally unnamed, are clearly Republicans.

 

12134152481?profile=originalThis is the part that interests me, primarily for the novelty. I don’t want many or even most of my funnybooks to provide political commentary, as I prefer my fantasy to be an escape from all that. But once in a blue moon some real-world issues and controversies can add a little reaffirming verisimilitude – as long it doesn’t devolve into the writer standing on a soapbox. Screeds aren’t fun to read even when you agree with the politics, and are flat-out intolerable when you don’t.

 

12134153284?profile=originalThe name of the book refers to what will surely become the main plot before long, in that our heroine comes to the realization on the last page that she had been abducted by aliens. This will certainly complicate her campaign, as if an alcoholic ex-husband and brutal politics aren’t problem enough. But the press material indicates she now believes we’re being invaded – and she needs to be president to stop it. It’s not clear in the first issue if it’s true or if there’s some other reason for the governor’s recovered memories, but it does add a whole new meaning to the term “illegal aliens.”

 

Saucer Country is by British writer Paul Cornell, known primarily for television drama like Doctor Who, and his current runs on DC’s Demon Knights and Stormwatch. The art is by Ryan Kelly, who put in years of solid work on Vertigo’s “Lucifer.” That’s a pretty good line-up, so I’m looking forward to a political potboiler with a side order of aliens – or maybe it’ll be the other way around.

 

12134153700?profile=originalContact Andrew A. Smith of the Memphis Commercial Appeal at capncomics@aol.com.

 

1. The first issue of Fairest sports a wraparound cover depicting 13 characters expected to appear in the series. Courtesy DC Entertainment.

2. The second issue of Fairest, due in April, show Ali Baba and Briar Rose with an interfering effrit. Courtesy DC Entertainment.

3. The third issue of Fairest features Snow Queen on the cover. Courtesy DC Entertainment.

4. The cover of the first issue of Saucer Country shows the lead character haunted by gray aliens. Courtesy DC Entertainment.

5. The second issue of Saucer Country is due in April. Courtesy DC Entertainment.

6. The third issue of Saucer Country is due in May.  Courtesy DC Entertainment. 

 

 

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Andrew A. Smith

Scripps Howard News Service

 

July 12, 2011 -- In the early part of the twentieth century, the United States had the world’s most amazing and unique comic strips, a legacy of innovation and irresistible storytelling almost forgotten today. Which is just one of the reasons I’m grateful for The Comics: The Complete Collection (Abrams ComicArt, $40), by Brian Walker.

 

12134149890?profile=originalWalker, who previously released this book in two volumes, is a comic-strip expert who has worked in every aspect of the field. He is part of a team producing new strips (“Beetle Bailey,” “Hi & Lois”), has taught cartoon history at the School of Visual Arts, was director at the Museum of Cartoon Art, served as editor of Collector’s Showcase and has written both books and magazine articles on the subject.

 

Walker is such a scholar that, if there’s a flaw in the book, it is his relentless amassing of minutiae. Walker is so thorough, so methodical and so academic that this can be a formidable and forbidding tome to the newcomer.

 

But for those of with a love of the medium it’s virtually indispensible. In the first few chapters alone Walker demolished a host of myths about R.F. Outcault’s “The Yellow Kid” that I had taken as gospel for decades. From there Walker’s work is one discovery after another. Like which strips were owned by the syndicate and which by the artists (which often forced major artists elsewhere, like Roy Crane leaving “Captain Easy” to start “Buz Sawyer”). Like how the phrase “hot dog” got popularized (Tad Dorgan’s “Inside Sports”), or what katzenjammer means (German for “cats howling,” and a popular ‘20s euphemism for a hangover) and why a “Rube Goldberg device” is still a catchphrase.

 

Walker also brings an artist’s eye to how many amazing, uniquely American early strips got started and what effect they had, like the surreal “Krazy Kat” (George Herriman), the intricate “Little Nemo in Slumberland” (Winsor McCay) and the art Deco “Bringing up Father” (George McManus). He continues with the rise of strips through their heyday, and later fall, examining not only the strips themselves and giants like Milton Caniff (“Terry and the Pirates”), Al Capp (“Li’l Abner’) and Walt Kelly (“Pogo”), but the now-declining business of comic strips and even the marketing (think “Buster Brown shoes” plus radio, television and movie spinoffs).

 

Naturally, there are hundreds, if not thousands of actual comic strips included. Combine that with interviews and biographies of major American cartoonists, and Comics: The Complete Collection lives up to its name. This book is so comprehensive and full of valuable information that superlatives simply fail me.

 

12134150089?profile=originalSpeaking of important comic strips, author Craig Yoe has contributed Krazy Kat and the Art of George Herriman: A Celebration (Abrams ComicArts, $29.95).

 

Most people are familiar with the strip’s basics, but almost nobody knows what it means. Ignatz Mouse hates the androgynous Krazy Kat, whom he routinely bops in the head with a brick, which the smitten feline interprets as a valentine, but Offissa Pupp regards as criminal behavior (especially since he is enamored of the cat) and routinely jails the surly mouse. All this occurs in a vaguely Southwestern U.S. landscape that morphs and/or moves from panel to panel.

 

Celebration collects rare essays by names big and small who interpret this strange triangle in a myriad of ways. Some note that Herriman was “Negro” on his birth certificate, but “Caucasian” on his death certificate, which is fascinating all on its own – but was racial uncertainty or insecurity a factor in “Krazy Kat”? And if so, for God’s sake, someone explain how!

 

Alas, Celebration does not end the mystery of “Krazy Kat,” but simply informs it. And, you know, that’s exactly how it should be.

 

12134151087?profile=originalIf all this comics history arouses a taste for some seminal comic strips, look no further than Fantagraphics’ “Captain Easy” collections. This series (it’s up to volume two, $39 each) collects Roy Crane’s Sunday pages about the good-natured “soldier of fortune,” which were prequels to the dailies Crane was producing at the same time, which paired an older Easy with the strip’s original star, Wash Tubbs.

 

Collected in oversize hardbacks that present the pages at their original size, these beautiful books restore one of the original adventure heroes of the strips – the affable (albeit two-fisted) mercenary who was much more interested in excitement than money or women, which is what he was supposedly after. Easy moved through a more innocent – and largely unexplored – world, and there’s no better word for this adventure strip than “charming.”

 

Contact Andrew A. Smith of the Memphis Commercial Appeal at capncomics@aol.com.


 

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Comics for 28 March 2012

2000 AD #1768
2000 AD #1769

ACTION COMICS #1 5TH PTG
ALL STAR WESTERN #7
ALPHA GIRL #2 (MR)
AMERICAN VAMPIRE #25 (MR)
ANGEL & FAITH #8 REBEKAH ISAACS VAR CVR
ANGEL & FAITH #8 STEVE MORRIS CVR
ANITA BLAKE VH CIRCUS DAMNED SCOUNDREL PREM HC BOOK 03 (MR)
ANITA BLAKE VH TP BOOK 02 CIRCUS OF DAMNED INGENUE (MR)
AQUAMAN #7
AQUAMAN #7 VAR ED
ARCHIE #631
ASTONISHING X-MEN #48
ATOMIC ROBO REAL SCIENCE ADV #1
AVENGERS #24.1
AVENGERS VS X-MEN #0 (OF 12) AVX
AVENGERS VS X-MEN #0 (OF 12) CHEUNG WRAPAROUND VAR AVX
AVENGERS VS X-MEN #0 (OF 12) PHOENIX HANS VAR AVX
AVENGING SPIDER-MAN #5 WITH DIG CDE

BETTY & VERONICA FRIENDS DOUBLE DIGEST #223
BATMAN #1 4TH PTG
BATMAN #4 3RD PTG
BATMAN THE DARK KNIGHT #1 3RD PTG
BATMAN THE DARK KNIGHT #6 2ND PTG
BATMAN THE DARK KNIGHT #7
BATMAN THE DARK KNIGHT #7 VAR ED
BLACK CHARITY HC (MR)
BLACKHAWKS #7
BLOODSTRIKE #26 CVR A BADILLA & SEELEY
BLOODSTRIKE #26 CVR B LIEFELD
BPRD HELL ON EARTH PICKENS COUNTY HORROR #1 (OF 2) CLOONAN C
BPRD HELL ON EARTH PICKENS COUNTY HORROR #1 (OF 2) MIGNOLA V
BULLETPROOF COFFIN DISINTERRED #3 (OF 6) (MR)

CAPTAIN AMERICA AND BUCKY #628
CAPTAIN AMERICA DEATH OF RED SKULL TP
CARBON GREY ORIGINS #2 (OF 2) CVR A NGUYEN (MR)
CARBON GREY ORIGINS #2 (OF 2) CVR B EVANS & LOH (MR)
CHARMED #20 (MR)
CHOKER #6 (OF 6) (MR)
COBRA ONGOING #11
COBRA ONGOING #11 10 COPY INCV
COVER GIRLS HC (MR)
CROSSED BADLANDS #2 (MR)
CROSSED BADLANDS #2 RED CROSSED CVR (MR)
CROSSED BADLANDS #2 RETAILER BONUS INCV CVR (MR)
CROSSED BADLANDS #2 TORTURE CVR (MR)
CROSSED BADLANDS #2 WRAP CVR (MR)

DAKEN DARK WOLVERINE #23
DAMAGED GOODS GN (MR)
DAREDEVIL #10
DARK SHADOWS TP VOL 01
DARK TOWER GUNSLINGER WAY STATION #4 (OF 5)
DARKNESS ACCURSED TP VOL 07
DEADPOOL MAX 2 #6 (MR)
DEADPOOL PREM HC VOL 10 EVIL DEADPOOL
DEADPOOL TP VOL 08 OPERATION ANNIHILATION
DEADPOOL TP VOL 08 OPERATION ANNIHILATION
DETECTIVE COMICS #1 6TH PTG
DMZ TP VOL 11 FREE STATES RISING (MR)
DOROTHY OF OZ PREQUEL #1 (OF 4)
DOROTHY OF OZ PREQUEL #1 (OF 4) 10 COPY INCV

ELEPHANTMEN #38 (MR)

FATALE #1 VAR CVR 4TH PTG (MR)
FF #16
FILM NOIR TASCHEN HC
FLASH #7
FLASH #7 VAR ED
FLASH GORDON ZEITGEIST #4
FLASH GORDON ZEITGEIST #4 10 COPY VIRGIN ROSS INCV
FLASH GORDON ZEITGEIST #4 15 COPY VIRGIN FRANCAVILLA INCV
FURY OF FIRESTORM THE NUCLEAR MEN #7
FUTURAMA COMICS #60

GFT MYTHS & LEGENDS #14 A CVR GARZA (MR)
GFT MYTHS & LEGENDS #14 B CVR QUALANO (MR)
GHOST RIDER #9
GI JOE 2 RETALIATION MOVIE PREQUEL #3
GI JOE 2 RETALIATION MOVIE PREQUEL #3 10 COPY INCV
GI JOE SEXY BARONESS RED T/S XL
GONE TO AMERIKAY HC (MR)
GREEN HORNET #23
GREEN LANTERN NEW GUARDIANS #7
GREEN LANTERN NEW GUARDIANS #7 VAR ED
GRIMM FAIRY TALES #70 A CVR YANG (MR)
GRIMM FAIRY TALES #70 B CVR GARZA (MR)

HAWKEN #3 (OF 6)
HAWKEN #3 (OF 6) 10 COPY INCV
HAWKEYE MUSEUM POSE STATUE
HELLRAISER #12 (MR)
HELLRAISER #12 10 COPY INCV CVR BRADSTREET (MR)
HORROR CINEMA TASCHEN HC
HOUSE OF ODD GN

I VAMPIRE #7
INFESTATION 2 GI JOE #2 (OF 2)
INVINCIBLE #89 VAR CVR 2ND PTG

JINX SC (RES)
JURASSIC STRIKE FORCE 5 #3 A CVR CACAU
JURASSIC STRIKE FORCE 5 #3 B CVR QUALANO
JUSTICE LEAGUE DARK #7
JUSTICE LEAGUE OF AMERICA DARK THINGS TP
JUXTAPOZ #135 APR 2012

KING CONAN PHOENIX ON THE SWORD #3 (OF 4)

LADY MECHANIKA #0 CVR H 4TH PTG (PP #1009)
LAST ZOMBIE NEVERLAND #2 (OF 5)
LEGION OF MONSTERS TP
LEGION SECRET ORIGIN #6 (OF 6)
LIFE WITH ARCHIE #18

MAGIC THE GATHERING #3
MAGIC THE GATHERING #3 10 COPY INCV
MARVEL MINIMATES DEADPOOL CORPS SET
MARVEL PREVIEWS APRIL 2012 EXTRAS
MIGHTY THOR #12
MMW AVENGERS TP VOL 04
MOON KNIGHT #11
MORNING GLORIES #17 (MR)

NEW AVENGERS #23
NEW DEADWARDIANS #1 (OF 8) (MR)
NEW DEADWARDIANS #1 (OF 8) VAR ED (MR)

OFF HANDBOOK OF MARVEL UNIVERSE A TO Z TP VOL 04

PATRICIA BRIGGS ALPHA & OMEGA CRY WOLF VOL 01 #6
POKEMON BLACK & WHITE GN VOL 06
POWERS PREM HC VOL 05 ANARCHY (MR)
PREVIEWS #283 APRIL 2012
PUNISHER PUNISH FIRES NAVY PX T/S XL
PUNISHER PUNISH FIRES NAVY PX T/S XXL

RACHEL RISING #1 3RD PTG
RACHEL RISING #2 3RD PTG
RACHEL RISING TP VOL 01 SHADOW OF DEATH
ROGER LANGRIDGES SNARKED #6
ROHAN AT THE LOUVRE HC

SAVAGE HAWKMAN #7
SCALPED #57 (MR)
SCOOBY DOO WHERE ARE YOU TP
SECRET AVENGERS #24
SECRET AVENGERS RUN MISSION DONT GET SEEN SAVE WORLD
SECRET WARRIORS TP VOL 06 WHEELS WITHIN WHEELS
SHARKNIFE GN VOL 01 STAGE FIRST
SHARKNIFE GN VOL 02 SHARKNIFE ZZ
SPACEMAN #5 (OF 9) (MR)
SPIDER-MAN #24
STAR TREK ONGOING #7
STAR TREK ONGOING #7 10 COPY INCV
STAR TREK ONGOING #7 20 COPY INCV
STEPHEN KING JOE HILL ROAD RAGE #1 (OF 4) TATTOO INCV
SUPERMAN #7
SUPERMAN #7 VAR ED
SW ANAKIN STATIC LIGHTSABER UMBRELLA
SW DARTH VADER STATIC LIGHTSABER UMBRELLA
SW OBI-WAN STATIC LIGHTSABER UMBRELLA

TAROT WITCH OF THE BLACK ROSE #73 (MR)
TEEN TITANS #7
TEEN TITANS #7 VAR ED
TEENAGE MUTANT NINJA TURTLES ONGOING #8
TEENAGE MUTANT NINJA TURTLES ONGOING #8 10 COPY INCV
THUNDERBOLTS GREAT ESCAPE TP
TORPEDO HC VOL 05
TRANSFORMERS ROBOTS IN DISGUISE ONGOING #3
TWELVE #11 (OF 12)

ULTIMATE COMICS ULTIMATES #8 WITH DIG CDE
UNCANNY X-FORCE #23
UNCHARTED #5 (OF 6)
UNDERTOW GN
UNWRITTEN #35.5 (MR)

VOLTRON #4
VOODOO #7

WALKING DEAD #95 (MR)
WARLORD OF MARS DEJAH THORIS #11 (MR)
WARLORD OF MARS DEJAH THORIS #11 10 COPY RENAUD RED INCV
WARLORD OF MARS DEJAH THORIS #11 20 COPY GARZA RISQUE INCV
WARRIORS OF MARS #2 (MR)
WARRIORS OF MARS #2 10 COPY JUSKO B&W INCV (MR)
WARRIORS OF MARS #2 15 COPY JUSKO NEGATIVE INCV (MR)
WARRIORS OF MARS #2 25 COPY JUSKO VIRGIN INCV (MR)
WOLVERINE PUNISHER GHOST RIDER OFF INDEX MU #8 (OF 8)

X-MEN LEGACY #264

Arrivals at your LCS may vary. Copied from the list posted at pittsburghcomics.com.

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12134149068?profile=originalWonder Woman Chronicles Volume Two
by William Moulton-Marston and Harry G. Peter

(collecting Wonder Woman #2-3, Sensation Comics #10-14 and Comic Cavalcade #1, 1942-43)

I have a confession to make: this was my first extended exploration of the Golden Age Wonder Woman. I’d read her first appearance and origin story in a couple of places. But I had never read a 1940s collection of stories before now.
Over the years, I’d heard a lot of other comic book fans describe these adventures so I was curious to experience them for myself. I will agree with those fans who claim that no one else has written the character of Wonder Woman quite like her creator, William Moulton-Marston. Marston’s approach is certainly distinct. It’s also idiosyncratic. For that reason, I would say that no one else has written the character “the same as” Marston, but I wouldn’t say that no one has written the character “as well as” him. Modern writers like George Perez, Greg Rucka and Gail Simone have surpassed Marston’s peculiar take on his character.


The first thing I’ll say is that Marston’s Wonder Woman is fun. She rushes from place to place with the reader caught up in her tailwind. She rarely sits still and that makes for often exhilarating adventures. This is especially apparent in the stories from Sensation Comics where the shorter format forces the action to happen quickly. The character is also fun. She laughs with her friends and at her enemies. She revels in her powers and enjoys surprising people with them.
However, despite the brevity of the stories, Marston still manages to get sidetracked. In one story, Wonder Woman has to play in the World Series as part of a plot to defeat Ares. In another, she becomes a bowling shark, faking ineptness before becoming a champion. The rationale behind these odd excursions is weak and forced (think of the pod race sequence in A Phantom Menace). The stories may be fast-paced but they aren’t always well constructed. This is especially true of the Ares epic from Wonder Woman #2 which opens this volume.

Marston’s personal predilections towards sado-masochism are also readily apparent. I’d always heard that was the case but never quite believed it. It’s not uncommon for heroes to be caught and bound by their enemies, whether it’s Captain Marvel or James Bond. But it’s almost impossible to miss with the prevalence of spankings and the repeated talk of submissive behavior.

Despite my exasperations and misgivings, I still enjoyed this volume. I read it quickly and had a lot of fun with it. It wasn’t held back by the repetitiousness that weighs upon Robert Kanigher’s Silver Age stories. There was a lot of variety in both setting and story. I also enjoyed the character. Wonder Woman’s compassion is admirable and her joy is infectious. I won’t suggest that everyone would enjoy these tales. They’re definitely a product of their time and of their unique creator. Yet with historical allowances and the right frame of mind, they can be amusing.

12134149292?profile=originalCaptain Britain
by Alan Davis and Jamie Delano

(collecting The Mighty World of Marvel #14-16, Captain Britain #1-14, 1984-86)

It’s hard to know where to start for, in many ways, this is the middle of an adventure. The first page is a recap in which Captain Britain recalls all of the events that occurred during the Alan Moore/Alan Davis run. The last page is both a wrap-up and a set-up, establishing the status quo that Captain Britain will bring with him to Chris Claremont and Alan Davis’ Excalibur. Yet in between, there is a phenomenal collection of short stories by Alan Davis and Jamie Delano.
These are short stories. They generally run from 8 to 12 pages. Yet it’s amazing how much Davis and Delano accomplish in such a short format. Davis and Delano manage to tell complete story- with a beginning, middle and end- in each chapter. That’s particularly impressive and refreshing considering that most current comics require 6 issues to finish a story. However, the transitions from one story to another are sometimes abrupt, especially in a collected volume like this.

There’s a lot more to admire about Captain Britain than story structure or pace. The stories themselves are highly imaginative and expansive. They’re also ongoing and evolving.


I really appreciated the way in which Delano and Davis expanded upon the world of Captain Britain. Many of the pieces were already in place, thanks to the previous run by Alan Moore. But Delano added new toys to the box- new villains, alternate Captain Britains and different government agencies. The biggest innovation is arguably the Warpies- children born with deviations that were the result of residual energy from a breakdown in the continuum of time and space. Delano added a new breed of mutants that alluded to the fall-out from Chernobyl and Three Mile Island.

Another great strength of this series was its use of supporting characters. They would change from one appearance to the next. They wouldn’t become unrecognizable but there would be subtle shifts that told us their lives continued even when they were off-panel. A team of villains would have new members or a new leader. A hero would have a new costume or position. Two characters would become a romantic couple from one appearance to the next. These changes gave a sense of reality to the series. The other characters weren’t simply waiting around until the next time Captain Britain noticed them. They had interests and stories of their own.

Of course, all of those secondary considerations mean little if the title character doesn’t hold up his end. Thankfully, Captain Britain is a delight to read about. At times, he’s the straight-laced star as the weirdness of the world circles around him. There are some wonderfully funny moments when Brian Braddock feels put out by the odd guests who have invaded his ancestral home. At other times, he’s the bull-headed strongman. He’s not a dummy. He has a background in science and multiple degrees. But he sometimes forgets to think about a situation before rushing in with his fists. He’s a good guy with a strong moral center but those imperfections make him more interesting.
Altogether, that makes Captain Britain one of the most enjoyable trades I’ve read in some time.

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12134145089?profile=originalPart I

 

Last week, I started a two-part column on the greatest comic book characters of the 1950s and ‘60s.  These kinds of lists are always less the definitive end of the conversation than the start of one.  So keep reading to find out if your favorite heroes made my list, and feel free to respond with your different opinions. 

 

51.  The Jaguar (Archie, 1961): The Jaguar is a wonderful example of Silver Age excess.  He might have looked cool in his sleek red costume, except for the matching 12134145286?profile=originaljaguar belt and boots.  His mystical belt gives him the power of the jaguar, which somehow includes the power of flight.  He might have been a formidable foe, but he followed Superman into stories of domestic deception.Yet despite his flaws- or perhaps because of them- the Jaguar is a fun and memorable character.

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52.  J. Jonah Jameson
(Marvel, 1963): I’ve learned to appreciate J. Jonah Jameson over the years.  At first, I found him annoying.  But I’ve grown fond of his bombastic style, his belligerent attitude and even his brush-cut.

 


53.  
Josie and the Pussycats (Archie, 1963): Dan DeCarlo introduced this power trio girl band into the world of Archie, inspiring girls with their independent attitude while enthralling boys with their cat-print bathing suits.  Forget the Go-Gos and the Spice Girls- the Pussycats were there first.


12134146060?profile=original12134146266?profile=original54.  Kang the Conqueror
(Marvel, 1963): Arguably the Avengers’ greatest foe.  Kang the Conqueror is a time-travelling villain who attacks the present in order to establish and preserve his empire in the future.  He overmatches the heroes with advanced technology and an intense drive to succeed.

 


55.  Kid Flash
(DC, 1959): He’s just a normal kid.  He’s not an orphan.  He’s not an addict.  He’s a nephew who likes to hang out with his uncle, and whose uncle happens to be a superhero.  Wally West was always one of the most likable sidekicks.  And, by reversing the Flash’s color scheme, he always had one of the most likable costumes as well.

 


56.  The Kingpin
(Marvel, 1967): The Kingpin is a great villain, whether he’s giving trouble to Spider-Man, Daredevil or anyone else.  He has a distinctive look, with his bald head, 12134146474?profile=originalwhite coat and formidable size.  He portrays menace, while mostly getting others to do his dirty work.  He’s the Godfather or the Teflon Don of comics.

 

 

 

 

 

57.  Krypto the Super-Dog (DC, 1955): Everybody loves dogs. 
That goes double for dogs who wear a cape and can fly.

 

 

 

 


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Side-bar: The ‘50s were a good decade for animal heroes.  Rex the Wonder Dog and Detective Chimp were introduced to comic book fans before Krypto came along.  Then Ace the Bat-Hound, Streaky the Super-Cat, Comet the Super-Horse and Beppo the Super-Moneky followed in Krypto’s paw-prints.

 

 

 

 

 

 

 

 

 

12134146294?profile=original58.  Lana Lang (DC, 1950): Lana Lang was the last character to make the list as she’s little more than your standard ingénue.  However, she’s become an indelible part of the Superman canon and her presence added all kinds of possibilities for romantic triangles and entanglements.

 

 

12134147088?profile=original59.  Legion of Substitute Heroes (DC, 1963): They’re (almost) everybody’s favorite underdogs.  They were turned down by the Legion of Super-Heroes because their powers are (mostly) useless.  But they don’t give up easily.  They formed their own team and proved that determination is just as important than ability.

 

 

Side-bar: Comedy doesn’t translate well across eras.  I like the Substitutes, even though they were often played for laughs.  But few of the other humorous characters provoke even a chuckle.  With apologies to Forbush Man, Herbie the Fat Fury and the Inferior Five, you had to be there and I wasn’t. 



12134147672?profile=original12134147892?profile=original60.  Loki (Marvel, 1962)

61.  Magneto (Marvel, 1963): Here are a couple of classic villains who have pestered Thor and the X-Men from the beginning.  Loki is the master trickster.  He’s a manipulator, a liar, an uncertain ally and a dangerous foe.  The first Loki appeared in Marvel’s Venus stories in 1949, though he bore little resemblance to the later version we all love to hate.  Magneto is a megalomaniac.  He perceives himself as the victim because of his tragic 12134148654?profile=originalchildhood during the Nazi regime but he learned the wrong lessons.  Striking first and preaching subjugation of his adversaries, he has become the enemy he hated.



12134148498?profile=original62.  Martian Manhunter
(DC, 1955): The Manhunter from Mars is a man without an era.  He’s too late for the Golden Age and too early for the Silver Age.  On the bright side, he’s one of the most powerful characters in comics, with a wide array of powers that puts even Superman to shame.



63.  Marvel Girl
(Marvel, 1963): She became a much more interesting character- and was also blessed with a much better nom du superhero- in the hands of Chris Claremont, Dave Cockrum and John Byrne.  Whether she’s Marvel Girl, Phoenix or the Dark Phoenix, Jean Grey belongs on this list.


12134149473?profile=original64.  Marvelman (L & M, 1954): Legal opinions may vary.  When DC bought the rights to Captain Marvel from the faltering Fawcett Comics company, the British license holder forged on with their own Captain Marvel imitation named Marvelman.  He shouted Kimota! (“atomic” backwards) instead of Shazam!  He also became an international sensation in the 1980s due to writer Alan Moore, though he had to be called Miracleman on this side of the Atlantic.

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65. Mary Jane Watson (Marvel, 1966): You hit the jackpot, Tiger!

12134149899?profile=original66. Metal Men (DC, 1962): The Metal Men are a great group.  They have a cohesive unity, but also individual identity.  If I wanted one representative, I could have chosen the stuttering Tin, the surly Mercury or the sultry Platinum.  But, like the table of elements, they’re better when they’re all together.

 

Side-bar: In general, I like teams and DC had a lot of them during the Silver Age.  But I find a lot of the groups from this era to be indistinguishable from one another.  They would wear identical uniforms and have only the most basic of personalities.  Fans who grew up during this time may disagree but I have no room (and little patience) for the Challengers of the Unknown, the Secret Six or the Sea Devils. 


12134150296?profile=original67. Metamorpho (DC, 1965): It’s not easy to take this many disparate elements (pun partially intended) and pull them together into a look that works.  Ultra the Multi-Alien failed but Metamorpho succeeded.  He looks great.  He’s incredibly powerful.  And his working-class demeanor, in spite of his world adventurer status, resonates with fans.

12134150891?profile=original68. Mr. Fantastic (Marvel, 1961): He may be the leader of the Fantastic Four but he’s often the least-appreciated character.  He’s the brains behind the outfit but he’s sometimes socially awkward, which is off-putting to fellow characters and fans alike.  However, Mark Waid’s classic run showed the depth and strength of the character like never before.

69. Nick Fury (Marvel, 1963): A character so great he could 12134151660?profile=originalhave made the list twice.  As Sgt. Fury, Nick led the Howling Commandoes during World War II.  As Commander Fury, Nick led the super-spy organization S.H.I.E.L.D.

 

Side-rant: Who cares what S.H.I.E.L.D. stands for?  It’s a holdover from an era when, for some weird reason, everything had to have an acronym: S.P.E.C.T.R.E., The Man from U.N.C.L.E., T.H.U.N.D.E.R. Agents and so on.  I hope the new James Bond movies never try to define Quantum as Q.U.A.N.T.U.M.  It’s completely unnecessary.  It’s entirely possible to name an organization Shield or Quantum or Thunder without having it be an acronym. 

12134151877?profile=original12134152656?profile=original70.  Nightshade (Charlton, 1966)

71.  NoMan (Tower, 1965): People tend to forget this but the Silver Age was more than just Marvel and DC.  Charlton, Tower and others got into the superhero scene.  Nightshade was part of Charlton’s Action Hero line appearing in Captain Atom stories before starring in her own back-up strip.  She has since been eclipsed in the public consciousness by her stand-in, Silk Spectre of the Watchmen, but she’s still appearing in DC Comics such as Shadowpact and Secret Six.  NoMan was arguably the most interesting Thunder Agent.  He could project his mind into a series of android bodies, and would ditch one body for another when it ran into trouble.

12134152864?profile=original72.  Nukla (Dell, 1965): This may be the most obscure character I picked for this list.  Nukla starred in only four issues for Dell, a company known better for their Disney comics or for their wrong-headed superhero/horror monster mash-ups.  But Nukla, aka test pilot Matthew Gibb, was a pretty cool character and cool artists like Dick Giordano and Steve Ditko contributed to his adventures.

 

Side-bar: In part one, I admitted I like the underdog.  Well, I like obscure characters for many of the same reasons.  I would have loved to include more in the list.   Nemesis and Magicman (Adventures into Unknown and Forbidden Worlds) have interesting looks but they’re better known for appearing on cool covers than for starring in good stories.  Private Strong was an interesting addition to the Archie superhero canon, but he was mostly a mix of Captain America and the Shield. 

Charlton’s Nature Boy was a late entry to the mid-‘50s superhero revival but despite some great John Buscema art he was a holdover from the Golden Age with a set-up similar to Captain Marvel’s Shazam. 12134153073?profile=original



73. Poison Ivy
(DC, 1966): She’s such a classic Batman villain that it’s almost hard to believe she wasn’t added to his cast of rogues until the mid-‘60s.

 

12134153863?profile=original74. Professor X (Marvel, 1963): Over the years, the X-Men have tried to outgrow their founder, teacher and mentor.  He’s been killed off, sent into outer space and voluntarily imprisoned.  But he keeps coming back.  After all, it’s his name and his dream.

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75. The Question (Charlton, 1967): The man without a face.

 

12134154862?profile=original76. Quicksilver (Marvel, 1964): There had been plenty of speedsters in comics before Quicksilver came along.  There was even another Quicksilver at Quality.  But no one was ever as conflicted or complicated as Pietro Maximov.  He’s an overprotective brother, an evil mutant, a hero, a rogue, a jealous husband, a devoted father, an Avenger and an X-Man.

 

12134155266?profile=original77. Ralph and Sue Dibny (DC, 1960, ‘61): Ralph wasn’t the first extendable superhero, but he stretched the boundaries of the genre.  He was among the first to reveal his identity to the world.  He was among the first to treat his wife as an equal partner and not a sidekick (with a tip of the cap to The Thin Man’s Nick & Nora Charles).  He was more of a detective than a superhero.  And while he had a sense of humor about his powers and himself, he more than a jokester.

 

12134155691?profile=original78. Rawhide Kid (Marvel, 1955): The last of Marvel’s Big Three western heroes, the Rawhide Kid is Johnny Bart.  He wears a distinctive white hat and like a lot of cowboys, he was an outlaw for a crime he didn’t commit.

 

12134155894?profile=original79. Richie Rich (Harvey, 1953): This list may be full of superheroes but few characters are as famous as Harvey’s poor little rich kid.  Richie Rich was a superstar.  He was kind to his servants, his friends and even his enemies.

 

80. Rick Jones (Marvel, 1962): I know people make fun of him.  I’ve done it myself.  But in all honesty, Rick is much more than a hanger-on or a superhero groupie.  He initiates a lot of the action.  He helps out despite having no powers.  He’s partnered 12134156484?profile=originalwith the Hulk, the Avengers, Captain America and Captain Marvel.  That’s pretty impressive for someone who started out by wandering into a place he didn’t belong.

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81.  Sabrina the Teenage Witch (Archie, 1962): Another Dan DeCarlo creation for Archie Comics.  Sabrina is the wholesome face of the world of witchcraft, dealing with typical teen problems like adults who don’t understand you and atypical problems like spells that go awry.

 

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82.  Saturn Girl (DC, 1958): My daughter is a big, Saturn Girl.  Probably because she wears pink.  I’m a Saturn Girl fan too but that’s because she’s the calm heart of the Legion of Superheroes.  Cosmic Boy, or the latest winner of some fan poll, may be the official leader but Saturn Girl is the glue that holds the team together.

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83.  Scarlet Witch (Marvel, 1964): Scarlet Witch is a testament to character growth.  She started out a wilting flower, sheltered by her brother and cowed by Magneto.  She was made an Avenger and quickly became one of the team’s most stalwart members.  She’s been a lover and a mother.  She’s grown more and more comfortable with her ethnic roots (she was raised as a gypsy).  And, recently, she’s become more conflicted, mysterious and possibly evil.12134158082?profile=original

 

84.  Sgt. Rock (DC, 1959): Arguably the greatest war character ever created for comics.  Sgt. Rock is the stoic leader of Easy Company.  Yet despite his brusque exterior, he has a big heart.

 

12134158699?profile=original85.  Sif (Marvel, 1964): Too easily underrated by fans and ignored by Thor, the recent movie showcased her true potential.

 

 

12134158890?profile=original86.  Silver Surfer (Marvel, 1966): One of the coolest characters ever created.  He has shiny silver skin.  He rides a surfboard through space.  He works for one of the greatest powers in the universe and wields cosmic power of his own.

 

 

 

12134159090?profile=original87.  Sinestro (DC, 1961): One of DC’s greatest villains.  The former Green Lantern shows that even law & order can be dangerous when taken to extremes.  He’s a fascist, but a fascinating one.

 

12134159295?profile=original88.  Spider-Man (Marvel, 1962): One of the greatest characters ever created.  Peter Parker is the hard-luck hero who learned that great power requires great responsibility.  He perseveres against impossible odds, while cracking one-liners and keeping a brave stance.

 

12134159871?profile=original89.  Spy vs. Spy (EC, 1961): You don’t have to know their names in order to understand the depth of their rivalry.  The animosity between these two spies has given rise to countless amusing encounters.  And, despite their simple features, their geometric faces convey a lot of emotion.

 

 

 

12134159882?profile=original90.  Supergirl (DC, 1958): The classic ingénue.

 

 

12134161057?profile=original91.  The Thing (Marvel, 1961)

92.  Thor (Marvel, 1962): They’re two of the toughest guys around.  One is the Norse God of Thunder who fights with a war hammer that no one else can pick up.  The other is an everyman made of rock who fights with his fists, though he has more trouble overcoming his low self-esteem.

 

 

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93. Turok (Gold Key, 1954): There’s a long list of characters who star in jungle stories.  There’s even a pretty good crowd of characters who star in dinosaur stories.  But Turok is one of the best.  The Son of Stone is a master hunter in any location and in any age.

12134161288?profile=original94.  Ultra Boy (DC, 1962): I love his self-esteem.  Ultra Boy considers himself one of the big boys even though the limitations on his powers (he can only use one at a time) mean that he’s often caught out of his weight class.  Yet that utter confidence, that supreme belief that he’s as good as anyone, is charming.

 

 

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95.  The Vision (Marvel, 1968): You’ll believe that an android can be more interesting than a man.  The Vision predated Star Trek’s Data by decades as an android who wondered what it would be like to have human emotions and then had trouble understanding them once he got them.

12134161695?profile=original96.  The Warriors Three (Marvel, 1965): The three Norse Warriors make for great supporting characters.  They’re distinct and easily recognizable.  They have strong personalities with just enough depth to keep them from being mannequins.  And now they’re movie stars.  They’re Fandral, Hogun and Volstagg (aka Errol Flynn, Charles Bronson and Falstaff).

 

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97.  Wasp (Marvel, 1963): I’ve always liked characters that enjoy being superheroes.  Wasp is one of those.  For her, the life of a superhero was one big lark.  She delighted in designing new costumes.  She had a blast hanging out with the boys.  But while she didn’t mind making a few jokes, she was never a joke herself.  She was smart, and made a great team leader when given the chance.


12134162856?profile=original98.  Wendy the Good Little Witch (Harvey, 1954): Harvey had one of the best stables of kids’ characters.  After starting out as a companion to Caspar the Friendly Ghost, Wendy graduated to her own series in 1960.

 

12134162881?profile=original99.  Wonder Girl (DC, 1965): She was too interesting to be a younger version of Wonder Woman for long.  Donna is a strong, confident, young woman.  She’s a great friend and an even better ally.

 

 

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100.  Zatanna (DC, 1964): The backwards writing is kind of annoying but everything else about Zatanna is alluring.  She’s smart, spunky and has a better sense of humor than most superwomen.  And, oh yeah, she knows magic.

 

 

Final Side-Bar: When you’re creating something like this, you always set out with the intention of creating the perfect list.  But, of course, it’s never definitive.  Other people will obviously disagree with you.  And, in retrospect, you may wonder yourself why you picked one character over another.  When I look back at my earlier lists, I’m surprised at some of the characters I didn’t include.  I hadn’t read any Scott Pilgrim yet but he’d easily make the ‘90s/’00s list now.  I thought I had included Gravity but I guess I didn’t.  Ana was right that I should have included Big Barda in the ‘70s/’80s list.  And I was so sure I had included someone from Alpha Flight that I mentioned it in a side-bar but apparently I didn’t.  Either Heather Hudson or Northstar must have fallen out between a first draft and the final.  I expect that will happen with this list as well.  I’ll probably change my mind in six months.  So don’t be afraid to tell me who you would have included instead. 

 

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12134027688?profile=originalHere’s a quick quiz to start things off:

 

Which one of the following individuals did not visit the planet Krypton during the Silver Age (which I demark as 1956-68)?

 

A.  Superman

B.  Jimmy Olsen

C.  Supergirl

D.  Professor Amos Dunn

E.   Lex Luthor

F.   Batman

G.  Lois Lane

 

 

12134144488?profile=originalAfter Mort Weisinger took over as editor of the Superman titles there came a mob of Krypton survivors:  Supergirl, Zor-El and Alura, the Phantom Zone prisoners, Super-Monkey, Dev-Em and his parents, the entire population of Kandor.  So many Kryptonians wound up on Earth, in fact, that one had to begin to wonder if anyone other than Jor-El and Lara actually perished in the planet’s destruction.  In a 1964 “Metropolis Mailbag”, reader Ned Snively, of Winter Haven, Florida, took Mort to task for the proliferation of living Kryptonians.

 

Ye Olde Editor replied that, yes, Ned did have a point; however, all of these survivors were just a tiny fraction of the many billions who populated Krypton, and it did not stretch the odds incredibly for a handful to survive. 

 

But what about the reverse?   What about all those visitors from Earth to Krypton?  It’s a good thing that nobody ever pressed Weisinger to explain that.  Puzzling out the answer to that one probably would have made his puzzler sore.  It often seemed that time-travel in the Silver Age was about as easy as booking a flight to Vegas, which made the fact that Krypton had exploded some thirty years before no more an inconvenience than standing in line at customs.

 

 

 

 

Not surprisingly, it was Superman himself who made the most visits to his home planet during the Silver Age.  Thanks to his super-memory and his mind-prober ray, the Man of Steel’s recollexions of life on Krypton were robust---which was fortunate, since the first two times he went home came strictly by accident.  That meant no awkward moments trying to figure out which restroom to use or any embarrassing gaffes in punching up your order from the food-rob.

 

The Man of Steel’s first Silver-Age trip home was an unexpected gift from Jimmy Olsen.  In a three-part “novel” appearing in Superman # 123 (Aug., 1958), Jimbo comes into possession of a magic totem possessing the power to grant three wishes.  In atypical selflessness, Jimmy decides to use his three wishes on behalf of his super-pal.  Each wish gets a chapter to show the results of Jimmy’s generosity.  Unfortunately, the first two wishes didn’t turn out as good as Jim had hoped, but he feels he's come up with a winner on his final one.  In order to surprise the Metropolis Marvel, the cub reporter types his wish for Superman to meet his parents.

 

12134145855?profile=originalInstantly, Superman is whisked back to Krypton.  He's overjoyed to see the long-dead sights of his childhood, but when he seeks to fulfil his fondest desire---to see his parents again---he learns that he has been sent too far into the past.  His father, Jor-El, is a young bachelor who has not yet established himself as a great scientist.  At the moment Superman sees him, young Jor-El is hot-footing it to a date with the cute girl in the robot-assembly department.  This would be Lara, the woman who was Superman’s mother.  Or will be.  (Time-travel stories always wreak havoc with the tenses.)

 

As it turns out, Jimmy was having another one of his “Gilligan” moments when he typed out his last wish for the Man of Steel.  Instead of typing out a wish that Superman meet his parents, the kid’s fumble-fingers tapped out a request that Superman mate his parents.  This being the innocent Silver Age, “mate” translated to causing Jor-El and Lara to fall in love and marry, and not the first thing that came to all of your dirty minds.

 

There's some fol-de-rol about Jor-El and Lara being undercover agents for the Krypton Bureau of Investigation and being inadvertently convicted along with the renegade they were assigned to investigate.  Ultimately, thanks to Superman’s help, they recapture the villain and clear their names.  Their close call makes Jor-El and Lara realise that they have fallen in love, and when Jor pops the question to Lara, Superman is magically returned to present-day Earth.

 

 

 

 

The Man of Steel has no-one to blame but himself for the next mischance that sends him back in time to Krypton---and to one of the classic Superman stories of all time:  “Superman’s Return to Krypton”, from Superman # 141 (Nov., 1960). 

 

When astronomers spot a planet-sized beast heading for Earth, Superman streaks into outer space to confront it.  Caught up in pursuing the alien beastie, the Man of Steel accidentally zips through time and space, winding up in a red-sun system.  Luckily, he manages to land on the nearest planet a fraction of a second before the red solar radiation steals his super-powers.

 

12134147054?profile=originalSnooping around, a stunned Superman discovers that he has stranded himself on Krypton, before the time of his birth.

 

In one of those convenient Silver-Age coïncidences, Superman comes across a Kryptonian motion-picture crew shooting a science-fiction film and gets mistaken for an extra.  This provides him with money and an excuse for wearing his costume.  During a break in the shooting, he heads into the city to figure out how much time there is before the big bang. 

 

He gets his answer when a video-news flash announces the wedding of Jor-El and Lara.  Drawn by the desire to see them again and to tell them who he is, Superman attends the ceremony.  This scene creates the first of a series of emotional set-pieces that makes this story so memorable.

 

Superman sees his parents, their faces effused with a glow of happiness, and the throng of merry well-wishers.  In a moment of terrible frustration, he cannot bring himself to destroy their moment of joy by telling them of Krypton’s fate. 

 

In the next panel, the Man of Steel is shown, gazing down at the city from his hotel-room balcony, as he thinks, “Look at them down there . . . living . . . laughing . . . loving . . . blind to the crashing doom that will soon destroy them all!” 

 

The scene showing the celebration of the newlyweds and their friends juxtaposed to that single panel of Superman, standing apart, alone, looking on sullenly, brings home the tragedy of Krypton’s destruction.  For the first time in any story, the people of Krypton were more than just background setting or props to advance the plot.  In giving them life, writer Jerry Siegel made grimly real the doom that would shortly snuff it out.

 

12134147658?profile=originalSuperman determines to cheat destiny and save his people.  Posing as a student of science, he ingratiates himself with Jor-El, who takes him on as an apprentice.  And at a dinner party, he meets famous emotion-movie actress Lyla Lerrol.  Here, the story divides into two distinct plots.  One concerns Superman’s efforts to help Jor-El, who has since discovered the fact of Krypton’s imminent demise on his own, and find a way to rescue the population.  The other tells of the growing romance between Superman and Lyla.

 

In the former, the Man of Steel finds himself thwarted by fate at every turn; in the latter, he succeeds beyond all obstacles.  In a remarkably poignant sequence, the romance of Superman and Lyla blooms into love, and in its wake, Kal-El of Krypton discovers that he no longer fears the certainty of death when his world disintegrates.  He proposes to Lyla and she happily accepts.  Yet, fate jerks Superman’s chain one more time, and he is inadvertently taken away from Krypton before he can marry Lyla or die in the explosion of his world.  The ending is downbeat, a rare thing for a DC tale of the time.

 

 

 

 

Superman made his last Silver-Age time-trip to the world of his birth on purpose, and it’s only a brief episode in the story “Secret of Kryptonite Six”, from Action Comics # 310 (Mar., 1964). 

 

When the Man of Steel is unable to find a cure for a deadly spotted plague which has infected Lori Lemaris and the rest of the Atlanteans, he reluctantly accepts an offer of help from Phantom-Zone prisoner Jax-Ur, who claims to know an antidote.  The ingredients of this antidote can only be found in the Scarlet Jungle, so Superman uses a time-bubble to transport himself and Jax-Ur back to Krypton.  While on Krypton, the two interact with no-one else, so this outing lacks the cachet of dealing with a doomed people, as Superman’s previous visits did. 

 

12134148481?profile=original 

They are on Krypton only a few hours, but it is sufficient time for Jax-Ur enact a cunning plan which reaches fruition when they return to present-day Earth.  Naturally, the villain’s scheme fails, and Superman fans are left with yet another addition to the list of various forms of kryptonite to keep straight.

 

 

 

 

Logically, Supergirl would be at home on old Krypton even more than her cousin, since she spent the first fifteen years of her life in Kryptonian society, growing up in Argo City.  Yet, she made only one Silver-Age time-trip to her home world, in “The Last Days of Superman”, from Superman # 156 (Oct., 1962), and it is a throwaway scene, at that.  When the Man of Steel is believed to be dying of Virus X, the Girl of Steel travels back to Krypton to see if her people discovered a cure.  They hadn’t.

 

 

 

 

12134148499?profile=originalOn the other hand, Superman’s pal, Jimmy Olsen, was practically a native.  He made only two time-trips to Krypton, but he managed to blend right in.  In the first instance, “How Jimmy Olsen First Met Superman”, from Jimmy Olsen # 36 (Apr., 1959), Jimmy responds to an inventor’s help-wanted ad, seeking volunteers to test a new time-machine.  And since, apparently, the laws of physics are no bar to a really skilled handyman with a good set of tools, when Jimbo tries out the machine, he finds himself transported to Krypton.

 

Following a minor brush with the law, Jimmy has the time of his life, since Krypton, it appears, has a socialist government---something not touched upon in the other tales.  At every turn, Jim finds free, government-provided clothing, anti-gravity belts, sporting equipment, transportation, and food.  Through a chance encounter, and the fact that Jor-El and Lara were obviously willing to entrust their only child to a fellow who walks up and introduces himself as “Jim-My Ol-Sen from out of town”, Jimmy becomes Kal-El’s baby sitter.  Jor-El and Lara’s cavalier attitude toward child care is a moot point, however, given that the next day, Krypton explodes.  Jimmy makes it back to his time-ship just in time to have a ringside seat to the disaster.

 

 

 

 

The dauntless cub reporter’s second trip to the K-world---in “Olsen’s Time-Trip to Save Krypton”, from Jimmy Olsen # 101 (Apr., 1967)---didn’t go quite as smoothly.  Inspired by ceremonies in Kandor honouring Superman’s home world, Jimmy decides to go back in time and prevent the destruction of Krypton.  Jim gets his hands on a do-it-yourself home time-machine kit, and following the easy instructions, finds himself on Krypton before he can say “Jeepers!”  Already dressed for the occasion in Official Kryptonian Clothing and Official Kryptonian Anti-Gravity Boots, Jimmy fits right in.  A man with a mission, he hurries down to the Science Council, only to get there just as the esteemed greybeards are having a good chuckle over that “crackpot” Jor-El’s predictions of doom.

 

12134149272?profile=originalDeciding that trying to convince the Science Council himself would only get him fitted for an Official Kryptonian Straitjacket, Jimmy goes to see Jor-El and Lara.  He doesn’t make the good impression he made the first time, and even baby Kal-El throws a tantrum over Jimmy.  Jor-El tosses him out on his ear.

 

Jimmy gets the idea to pass himself off as a psychic, using his knowledge of Kryptonian history to “predict” events.  He figures, once he persuades the populace that he can, indeed, predict the future, then they will listen to him when he “foretells” the planet’s destruction. 

 

This results in a scene which is faintly chilling:  Jimmy and a girl he has befriended are travelling on a monorail when, almost too late, he remembers that this particular train is destined to derail and plunge into a river below, killing all aboard.  He grabs the girl and leaps from the monorail moments before the disaster.  A guilt-ridden Jim watches the trapped, terror-stricken passengers slowly drown.  Then, a more macabre realisation kicks in---that even if he had saved them, it would only be to die days later when Krypton explodes.

 

Despite his best efforts, the History Can’t Be Changed rule kicks in, and Jimmy returns to Earth in his own time, a sadder but wiser fellow.

 

 

 

 

Professor Amos Dunn was the one man who did not have to travel through time to visit Krypton.  He visited Superman’s world while it was still around.  We learn about this in “The Man Who Saved Kal-El’s Life’, from Action Comics # 281 (Oct., 1961).  Dunn is a brilliant scientist in the field of electricity.  In the 1920’s, he invents a device for sending radio signals through space.  Eventually, these signals reach Krypton, where Jor-El receives them and translates them.  This initiates a series of interplanetary discussions between the two scientists. 

 

12134150468?profile=originalWhen Jor-El learns of Krypton’s imminent doom, he seeks Professor Dunn’s help.  Jor-El has invented a “matter-radio”---what we would now call a teleportation device---but it requires both a sending and a receiving station.  Jor-El relays instructions on how to build the matter-radio transmitter, and after building it, Dunn teleports to Krypton.  Jor-El makes Dunn aware of the situation.  The professor agrees to return to Earth and arrange to have thousands of receiving stations built, in order that the population of Krypton can be teleported to Earth.

 

During Dunn's visit, baby Kal-El is bitten by a venomous sea snake, and the professor performs emergency first-aid to save the toddler’s life (hence the story’s title).

 

Professor Dunn returns to Earth and gets to work.  However, Jor-El overestimated the time left before the end.  He desperately radios Dunn to begin the teleportation process, but Dunn hasn’t worked out the bugs in his machine and it won’t operate.  He can only listen helplessly to Krypton’s final screams.

 

 

 

 

By now, you start getting the idea that one of the reasons why Jor-El couldn’t finish the work on his rescue rocket in time was he kept getting interrupted by a constant stream of strangers showing up at his door.

 

Whew!  That Kal was a nice enough chap, but I’m glad he’s gone, Lara.”

 

“So am I.  He always had the oddest expression on his face whenever he looked at me.  It was creepy.  Anyway, it’ll be nice to finally have some time to ourselves.”

 

Ding dong!

 

“I’ll get it, darling.”

 

“Rao! Who is it, now?”

 

“Jor, do you know a Jim-My Ol-Sen?”

 

“Never heard of him!”

 

“He says he’s from out of town.”

 

 

 

 

Not every time-traveller journeyed to Krypton with the noble goal of saving its people from doom, however.  At least two visitors from Earth had more self-interest in mind.

 

12134151869?profile=originalSuperman # 170 (Jul., 1964) tells the story “If Lex Luthor Were Superman’s Father”.  Despite being mislabeled as an Imaginary Story on the cover, this improbable tale is presented as an actual event in the life of Superman, who makes only a three-panel walk-on at the end.

 

Following yet another escape from prison, Lex Luthor reviews life on Krypton through his time-scope and concocts a scheme from ‘way out of left field, even for him.  He intends to travel to Krypton, back to the time before Jor-El and Lara became engaged.  Then, he will out-woo Jor-El and capture Lara’s heart.  Consequently, they will marry and have the son who will eventually grow up on Earth to become Superman.  

 

Thus, Luthor figures, when he returns to present-day Earth, the Man of Steel will no longer interfere with his crimes, since Superman wouldn’t dare oppose his own father.

 

Wearing a space uniform equipped with an anti-gravity amulet to let him walk on the much denser Krypton, Luthor uses his modified spaceship to travel back in time to Superman’s world.  Upon landing (and apparently just missing Superman on his first visit home, when he brought his parents together), he claims to be “Luthor the Noble”, a hero from another planet.  He establishes his bona fides by trying to warn the people of Kandor about their city’s imminent abduction by Brainiac.  He is disbelieved by almost everyone, including Jor-El, who refuses to listen to Luthor’s warning.  Lara, now working as Jor’s lab assistant, believes Luthor, however. 

 

When Brainiac strikes, Luthor is proven correct, and Lara chastises Jor-El for not heeding him.

 

12134152664?profile=originalThis moves “Luthor the Noble” to the inside track with Lara, and he begins to court her in earnest.  Lara warms up to the attention, since Jor-El is too wrapped up in his experiments to even notice.  Better still, a few days later, Jor-El becomes trapped under the sea when a rock-slide traps his one-man aqua-cone.  Luthor learns of the disaster, but keeps his mouth shut.  Unaware of her fiancé’s plight, Lara believes he has abandoned her, and assents to Luthor’s proposal of marriage.

 

Jor-El manages to escape his watery trap, but arrives back in Kryptonopolis too late to interrupt the wedding.  However, just before the “I do’s”, a stroke of fate reveals Luthor the Noble to be Luthor the Fink.  The people of Krypton aren’t the least bit happy about being duped, and the villain has to flee in his time-space ship before he can be sent to the Phantom Zone.

 

 

 

 

Of course, another reason why Luthor met with so little resistance in wooing Lara may have been because Jor-El was distracted by some ardent attention being thrown his way---by Lois Lane!

 

As shown in “Lois Lane’s Romance with Jor-El”, from Lois Lane # 59 (Aug., 1965), Lois, using a time-bubble invented by Professor Potter, went back to Krypton with the usual noble intention, taking with her a scientist’s plans for a device that neutralises nuclear reactions.  She arrives on Krypton to meet the pre-married Jor-El and Lara, then discovers that the time-bubble, a product of the usual Potter engineering, has broken down.  Trapped on Krypton, Lois plots to change history in two ways---by thwarting the planet’s destruction and by stealing Jor-El away from Lara.

 

12134153268?profile=originalPlan B doesn’t work out quite the way Lois expects.  She digs deep into her bag of coquettish tricks, but to Jor-El, they make her seem impulsive and conniving.  He far prefers Lara’s unspectacular but sincere loyalty and support.  After Jor-El gives Lois the “let’s just be friends” speech, a jealous Lara shows her claws and the hussy from Earth wisely retreats.

 

Even worse for Lois, Plan A fails, too.  From the plans Lois provided, Jor-El builds the anti-nuclear device, using some irreplaceable rare materials.    However, the site selected for the construction was Kandor, and you guessed it!  Lois can only watch helplessly as the city is miniaturised and stolen by Brainiac.

 

Realising that she is now doomed as well, Lois is desperate enough to give Potter’s time-bubble one more shot.  This time, it works!  Here, the story takes its wildest turn.  As she travels forward in time, Lois pauses long enough to peek in on the married Jor-El and Lara and their baby Kal-El.  Unfortunately, it is precisely this moment that Jor-El decides to test his Phantom Zone projector, unknowingly bathing Lois in its beam.

 

Lois spends the next thirty years in the Phantom Zone!  Superman discovers her there during one of his routine checks on the Zone prisoners.

 

Then he makes the mistake of letting her out.

 

 

 

 

And that brings us back to my quick quiz.  How did you do?

 

If you said “F”---Batman---you got it right.  The Masked Manhunter never journeyed to Krypton, at least, not during the Silver Age.

 

If you think you remembered that he had, it might be you are recalling his and Robin’s adventure in Kandor with Nightwing and Flamebird, from World’s Finest Comics # 143 (Aug., 1964), or the time when circumstances combined to make Batman believe he was born on Krypton, in World’s Finest Comics # 146 (Dec., 1964). 

 

The Caped Crusader didn’t make it to old Krypton until World’s Finest Comics # 191 (Feb., 1970), in the story “Execution on Krypton”, when he and Superman travel back to investigate a mystery on the thieves’ island of Bokos.  The story was edited by Mort Weisinger, but since it was published after 1968, the Batman misses the cut on a technicality.

 

In fact, all of these stories were edited by Weisinger.  Mort certainly believed in mining Superman’s heritage for all it was worth, but sometimes he overdid a plot premise.  By the end of the Silver Age, fully a half-dozen time-travellers from Earth wound up at Jor-El’s front door, some of them more than once.  Sooner or later, these tales would have to step all over themselves.

 

Maybe Weisinger found Ned Snidely’s question about the abundance of Krypton survivors easy to explain away, but a whole lot tougher had to be the “Dear Editor” letters about the visitors to Krypton:  Why didn’t Jor-El and Lara recognise Superman since he had met them on his last trip to Krypton?  Or Jimmy Olsen?  How could Jimmy be at two places at the same time just before Krypton exploded?  If Superman, Jimmy, Lex Luthor, and Lois Lane were all present when Kandor was kidnapped, why didn’t they run into each other?  Why didn’t Mon-El meet Lois Lane in the Phantom Zone, or let Superman know she was there?  What about . . . ?

 

Maybe that’s the real reason Mort retired.

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