By Andrew A. Smith
Tribune Content Agency
Sept. 4, 2020 — The New Mutants, the final, no-kidding X-Men movie by Twentieth Century Fox, finally made it to the theaters after three years of delays. What a long, strange trip it’s been.
That trip really began back in 1982, when Marvel Comics launched its third major X-Men team. Which means, I guess, I have to tell you about the first two. They’re pretty famous, after all.
The first team was the original X-Men, the superheroes who launched the franchise in 1963: Angel, Beast, Cyclops, Iceman, Marvel Girl and Professor X. Joining in the late ‘60s were Cyclops’ brother Havok and his girlfriend (and Magneto’s daughter) Polaris. They didn’t set the world on fire — the series went reprint in 1970 — but they got the mutant ball rolling.
Marvel revived the concept in 1975, with the “all-new, all-different” (and all-international) X-Men: Banshee (Irish), Colossus (Russian), Cyclops (token American), Nightcrawler (German), Storm (Kenyan), Sunfire (Japanese), Warbird (Native American) and Wolverine (Canadian). This group made Uncanny X-Men the best-selling title of the late 1970s and early ‘80s … which meant an expansion of the franchise was inevitable.
For this new venture, dubbed The New Mutants, Marvel went back to the original well. “We felt that the series needed a school, and The X-Men were too old for that,” writer Chris Claremont said in Les Daniels’ history of Marvel. “So we got Xavier some students and it’s evolved from there.” They even adopted the old blue-and-gold “school uniforms” for the new kids’ training sessions.
Due to a scheduling snarl the first New Mutants story launched in graphic novel form in 1982, a 47-pager by Claremont and artist Bob McLeod. That was followed by New Mutants #1 in 1983, by the same creators, starring the same group:
New Mutants being an X-Men book, it didn’t take long for things to get weird. But it got super-weird when an artist named Bill Sienkiewicz (sin-KEV-itch) took on the art chores. An experimental and often abstract artist, Sienkiewicz combined photorealism, collage, painting and other techniques that exploded off the page. And he arrived just in time, in “New Mutants”#18, the first issue of what would be dubbed “The Demon Bear Saga.”
The New Mutants: Demon Bear contains the three stories involving the Demon Bear, including the first one, on which The New Mutants movie is based. (Cover art by Bill Sienkiewicz, copyright Marvel Comics)
Which is kinda grandiose for a story that lasted all of three issues. But they were three very good issues, that became famous as much for imagination and execution as for, well, a bunch of teenage mutant superheroes fighting a bear.
It should be noted that at this point the New Mutants roster had changed a bit. Karma was out, and these guys were in:
Not that any of that mattered to The Bear, you see, because it isn’t physical. It had been haunting Moonstar’s dreams, before manifesting as a spirit form that mauled her physically and psychically. The other New Mutants took Moonstar to a hospital, where all of them were trapped by The Bear. The story became more claustrophobic, the Bear bigger, the stakes higher … wait, is this beginning to sound familiar?
Yep, the New Mutants movie takes place in a haunted hospital. Yep, the Demon Bear Saga is the basis for the movie. And yep, the characters are very familiar. “New Mutants,” the movie, features:
(If you’re wondering about Dr. Cecilia Reyes, played by Alice Braga, she’s lifted from another corner of the X-universe entirely. Apparently this was done just for name recognition, since the on-screen character is completely different from the print version.)
These teenage characters have been the core of most iterations of the New Mutants, and often of a team named X-Force as well. If you’re a comics fan, you’re thoroughly familiar with each of them, their back story and story beats.
Which is the only easy thing about New Mutants. Just getting it to the screen was a chore.
The film was greenlit around 2014, with director Josh Boone (The Fault in Our Stars) attached. By 2017 it was finished, with an announced release date of April 13, 2018.
Oh, if only.
In early 2018, the movie was pushed to Feb. 22, 2019. According to CinemaBlend, this was for two reasons: One, to have extensive reshoots to emphasize horror elements (IT had done well) and to give it some breathing room from Deadpool 2, scheduled for summer 2018.
Which happened again, when X-Men: Dark Phoenix got too close. New Mutants got bumped to Aug. 2, 2019.
But now discussions were serious about Disney buying Fox, which threw in another monkey wrench. The reshoots weren’t finished, and word was Disney wasn’t impressed. So an all-new, all-different date was set: April 3, 2020.
Which was right in the middle of the COVID-19 pandemic! Who could have known? New Mutants got bumped again, to Aug. 28, and by this time almost no one took the date seriously. The director joked that he expected a meteor to hit in August and delay the movie again.
But it happened. New Mutants premiered at whatever theaters were open on Aug. 28 (2,412 of them, according to The Hollywood Reporter) for a $7 million opening weekend. Which impresses nobody. And the reviews are … well, “mixed” is probably the right word.
What is a sad finish to the New Mutants saga. It had a great premise (a teen-horror superhero movie)! A great inspiration (the legendary “Demon Bear Saga”)! A hot, young, star-studded cast (Williams, Heaton,Taylor-Joy)! A groundbreaking romance (no, I won’t spoil it)!
And a probable future. According to comicbook.com, Boone had plans for including Colossus (he is Illyana’s brother, after all) and a certain introductory scene made famous in the first appearance of the “all-new, all-different” X-Men.
And according to ScreenRant, Boone had planned a New Mutants trilogy. The second would take place in Brazil during an alien invasion, and include X-Men staples like a character named Warlock and the Hellfire Club. (And if they’re in Brazil, why not introduce Magma?) For the third movie, Boone planned to adapt a famous X-Men story titled “Inferno,” in which demons invade the Earth and Illyana is transformed into a demon form called Darkchylde.
But alas. Unless New Mutants shows some unexpected legs, we’ll have to wait for these characters to be introduced in Marvel Cinematic Universe films, get developed and spin off into their own films. By then, the stars of “New Mutants” will probably have teenagers of their own.
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...I am headed back base now after seeing New Mutants at the main " big " theater in Santa Cruz, which has now reopened!
I waa going to put this in my " Nice Thoughts ", I'll discuss the movie later when I"m indoors in the warm, not going.over bridge over the (name) river on a chilly night with fog-like smoke from the fires still in the air - A couple days ago it was all red;;rose/pink/orange over the pinball day, though I didn't get out till.late in the afternoon - I wanted to spur-of-the-moment say " Here I am, now! ".
The tortuous explanation of who the X-Men are and who the New Mutants are made my head hurt, but all things about X-Men continuity do that.
The tortuous saga of how The New Mutants film had its release date changed again and again, however, interests me. I would hope the movie studios grade box office results on a curve this year. Under normal circumstances, a $7 million opening weekend is paltry, but these ain't normal circumstances. I don't know how anybody can expect any movie to do big box office if a third of all theaters are still closed and the ones that are open are, at best, at half-capacity.
This and other movies that have opened to tiny attendance during Covid need new release dates down the road. Why not? The money has already been spent and people will be hungry for movies at that point.
They've occasionally brought movies back to theaters because of awards received or other perceived demand. Also, there will be a scarcity of new movies due to the shutdowns. No reason not to reissue this year's movies since very few will have seen them.
...The Santa Cruz theater is showing 4 movies in I guess all 9 of their screens New Mutants, the a9l-publicized TENET, and the new-to-me THE BROKEN HEARTS CLUB and DAVID CIPPERFIELD.
For the last several years we were only going to movie theaters for superhero movies or others that demanded a big screen. We haven’t even been doing that the last couple of years. We’ve been getting new movies and selected movies from the 1930s-on as mailed DVDs from Netflix, and some old ones also on TCM. VOD is crazy-expensive unless you’re going to have a watch-party in the same room. I won’t get HBO MAX until I can watch it using my ROKU device on our 46-inch TV, and I haven’t seen a reason to get Disney+ at all.
When a movie theater has 18-plus screens they tend to show the latest blockbuster on four of them, eight if there are two blockbusters at the same time. That’s fine, because the blockbusters and the teens and young adults keep them in business. I’d still like to see smaller movies get the rest of the screens. Even the movies that opened on VOD this year need to reopen in theaters when the time comes. In the U.S., big releases and re-releases will happen when the biggest markets have open theaters.