I was a big fan of Ultraman when I was a kid. In the early ‘90s I discovered there was a new “Ultraman” show, but unfortunately I was more interested in acquiring episodes of the old show on VHS than I was episodes of the new one. Somewhat later I discovered that there have been many, many “Ultraman” series over the years, rivaling Doctor Who in its longevity. A brief search of the internet yields the following results (but I’ve probably missed a few).
Ultra Q
Ultraman 1966-67
UltraSeven 1967-68
Return of…(Jack) 1971-72
Ultraman Ace 1972-73
Ultraman Taro 1973-74
Ultraman Leo 1974-75
Ultraman 80 1980-81
Ultraman USA (The Adventure Begins) 1987
Ultraman Great (Towards the Future) 1990-91
Ultraman Powered (The Ultimate Hero) 1993
Ultraman Hero 1995
Ultraman Zearth (parody) 1996-97
Ultraman Tiga 1996-97
Ultraman Dyna 1997-98
Ultraman Gaia 1998-99
Ultraman Nice 1999-00
Ultraman Neos 2000-2001
Ultraman Cosmos 2001-02
Ultra Q: Dark Fantasy 2004
Ultraman: Next 2004 - p.82
Ultraman Nexus 2004-05 - p.82
Ultraman Max 2005-06 - p.86
Ultraman Mebius 2006-07 - p.91
Ultraman UltraSeven X 2007 - p.99
UltraGalaxy: Mega Monster Battle 2007-2009 - p.100
Ultraman Retsuden 2011-13
Neo Ultra Q 2013
Ultraman Ginga 2013
Ultraman Ginga S 2014
Ultraman X 2015-16
Ultraman Orb 2016
Ultraman Geed 2017
Ultraman R/B 2018
Ultraman Taiga 2019
Ultraman Z 2020
Ultraman Trigger 2021
Ultraman Decker 2022
Ultraman Blazar 2023
Ultraman Arc 2024
Ultraman Omega 2025
Ultraman Theo 2026
We’ve been discussing other tokusatsu series in this forum lately, and because those series were produced later than Ultraman, I expected them to be technically better, but I ended up being somewhat disappointed in Super Robot Red Baron and Iron King. I enjoyed them, but I didn’t like them as much as I hoped to. Now I’ve started watching Ultraseven, and it’s everything I hoped it would be.
As the liner noteson the DVD set point out, “the difference in the overall quality in production between Ultraman and Ultraseven was marked, and made the show memorable 45 years later. According to Wikipedia, “Such is his popularity that Ultra Seven (or simply 'Seven') has appeared or at least made cameos in nearly every Ultra Series following his own and has had far more exposure than even the original Ultraman (though the original Ultraman is without a doubt the face of the Ultras).”
My wife and I disagree about the relative merits of Ultraseven in comparison to SRRB/IK. I would like to start the discussion with a look at the opening title sequence and music, then open the floor for rebutal.
The title sequence of Ultraman, as you will recall, looks as if it had been spelled out in a can of paint, slowly stirred, then run backwards. Ultraseven looks more like it had been spelled out in brightly colored confetti, placed atop one of those old electric football games, shaken apart, then run backwards. Whereas the soundtrack of Ultraman is jazzy, that of Ultraseven shows more of a classical influence.
Here is the English translation of the lyrics…
Seven… Seven… Seven… Seven…
Seven! Seven! Seven!
Seven! Seven! Seven!
A distant star was once his home
Ultra Seven! Fighter Seven!
Ultra Seven! Seven! Seven!
Onward to the edge of the galaxy
Use your Ultra-Eye and… STRIKE!
Seven! Seven! Seven!
Seven! Seven! Seven!
Dan Moroboshi is his borrowed name
Ultra Seven! Hero Seven!
Ultra Seven! Seven! Seven!
Defeat the great fire-breathing monster
Use yout Ultra-Beam and STRIKE!

Replies
Episode 15: "Terrifying Cosmic Rays"
This episode was memorable to me for two reasons.
First, every principal character in the episode thinks like an imbecile---except Ito, who is the voice of reason.
The annoying children: they beseech Gavadon, the next time he comes to life, to be dangerous and destructive. They want to be impressed by the monster that they've created. O.K., they're kids, so they're allowed to be morons.
The owner/manager/caretaker of the pipeyard: He could've solved the whole problem just by hooking up a firehose. A healthy blast of water would've erased the drawing and scattered the children across the yard. That would've been far more effective than just popping out from behind a stack of pipes like a target in a Hogan's alley.
The Science Patrol: Ito, quite sensibly, proposes the simple and painless solution---wait until night, when Gavadon becomes a drawing again, and erase the drawing. But Captain Mura rejects that idea, insisting that they tackle Gavadon the way they do all the other monsters, with the usual property damage and risk of death. Usually, Mura is an exceedingly competent commanding officer; here, he's an idiot.
---and---
Second, this is one of the rare occasions when we hear Ultraman speak (though, obviously, he's using telepathy). Jeff can back-stop me on this, but as I recall, in the English-dubbed version, Ultraman "speaks" only three times: this episode, the first episode, and the last episode.
Up until now, when I wanted to compare "dubs & subs" I would pause the playback and change the settings. Today I hit upon the idea of listening to the English dub with the the English captions turned on as well. The dialogue is close to 100% different. I mean, the gist is the same, but I assume the changes are (mostly) to occomodate Japanese mouth movements. Here are a few things I noted...
"This is episode is one that made a strong impact on me when I was little."
"This episode was memorable to me for two reasons."
This episode likewise stirs many [what Bil & Jeff Keane would call] "Rememberies" in me. Among them...
The idea of drawings coming to life likewise struck my fancy when I was a kid. There was a small construction company on the diagonal corner of my block, and I remember drawing monsters on their blacktop parking lot with sidewalk chalk, not really expecting that they would come to life, but hoping that they would. "Sidewalk chalk" is something I might otherwise wonder if kids still played with, but there are two households across the street with little girls who draw things on the sidewalk with chalk all the time in nice weather.
ALTERNATE ENDING: As I was watching this episode, I kept anticipating the ending in which it begins to rain in the midst of Ultraman's fight with Gavadon. The rain washes away the drawing and Gavadon disappears. When that didn't happen, I remembered that that was the ending I imagined when I was a kid.
About 30 years ago, some friends of mine just had their first child, a boy. My friend, the father, had this romantic notion that he didn't want his son to learn anything that he himself didn't teach him. I didn't say anything, but I wondered how he was going to teach him lessons imparted by some of these Ultraman episodes. Buy him a pet and then kill it?
"I've never seen such a lazy monster!", says Fuji.
In the English dub the line was translated as, "All it does is sleep!"
Jeff can back-stop me on this, but as I recall, in the English-dubbed version, Ultraman "speaks" only three times: this episode, the first episode, and the last episode.
That sounds right to me. If you'd've asked me before I watched this episode, I wouldn't've remembered he spoke in this one. Also, I'm not 100% certain that we saw Ultraman change back to Hayata only once, but we shall see.
Episode 16: "Science Patrol Into Space"
Overall: An interesting episode with a lot of action, the return of Ultraman's archfoe and Ultraman manifesting new powers right and left.
Episode 16: "Science Patrol Into Space"
I give this episode top marks for moodiness and for imparting a true sense of menace. Much of that comes from the return of the Baltan. I always preferred the threats that were sapient and motivated by genuine evil, as opposed to mindless monsters.
I saw only the English-dubbed version, of course. And while I was able to follow the events, but perhaps because it was the English version, the episode came across as a little disjointed, sort of like those two-hour Columbo episodes that had portions of them cut to enable them to fit into a ninety-minute time slot. For example, after Ultraman defeated the giant Baltan on Earth, it wasn't clear that he had defeated the rest of the alien invasion, nor that he'd returned to Planet R and become Hayata, again. The scene simply shifts from Ultraman taking to the air to the interior of the S.P. ship on Planet R, where Captain Mura and Arashi have brought an unconscious Hayata on board. ("It's almost as if he wasn't alive." "Arashi, don't be silly. Of course, he's alive.")
He's just pulling powers out of his Ultra-arse at this point, isn't he?
I didn't mind the introduction of Ultraman's heat vision so much. But the teleportation power was a real reach. It was amerliorated somewhat when Jack Curtis' narration informed us that teleporting caused Ultraman's power to diminish rapidly. Yet, that was undone by the fact that Ultraman's colour timer never shifted to red or started blinking during his fight with the Baltan on Earth.
Hoshino (Who's wearing an SSSP uniform now!)
This episode must've been aired out of sequence with the next episode, "Passport to Infinity", which shows Hoshino receiving his S.P. uniform, and why.
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