I was a big fan of Ultraman when I was a kid. In the early ‘90s I discovered there was a new “Ultraman” show, but unfortunately I was more interested in acquiring episodes of the old show on VHS than I was episodes of the new one. Somewhat later I discovered that there have been many, many “Ultraman” series over the years, rivaling Doctor Who in its longevity. A brief search of the internet yields the following results (but I’ve probably missed a few).
Ultra Q
Ultraman 1966-67
UltraSeven 1967-68
Return of…(Jack) 1971-72
Ultraman Ace 1972-73
Ultraman Taro 1973-74
Ultraman Leo 1974-75
Ultraman 80 1980-81
Ultraman USA (The Adventure Begins) 1987
Ultraman Great (Towards the Future) 1990-91
Ultraman Powered (The Ultimate Hero) 1993
Ultraman Hero 1995
Ultraman Zearth (parody) 1996-97
Ultraman Tiga 1996-97
Ultraman Dyna 1997-98
Ultraman Gaia 1998-99
Ultraman Nice 1999-00
Ultraman Neos 2000-2001
Ultraman Cosmos 2001-02
Ultra Q: Dark Fantasy 2004
Ultraman: Next 2004 - p.82
Ultraman Nexus 2004-05 - p.82
Ultraman Max 2005-06 - p.86
Ultraman Mebius 2006-07 - p.91
Ultraman UltraSeven X 2007 - p.99
UltraGalaxy: Mega Monster Battle 2007-2009 - p.100
Ultraman Retsuden 2011-13
Neo Ultra Q 2013
Ultraman Ginga 2013
Ultraman Ginga S 2014
Ultraman X 2015-16
Ultraman Orb 2016
Ultraman Geed 2017
Ultraman R/B 2018
Ultraman Taiga 2019
Ultraman Z 2020
Ultraman Trigger 2021
Ultraman Decker 2022
Ultraman Blazar 2023
Ultraman Arc 2024
Ultraman Omega 2025
Ultraman Theo 2026
We’ve been discussing other tokusatsu series in this forum lately, and because those series were produced later than Ultraman, I expected them to be technically better, but I ended up being somewhat disappointed in Super Robot Red Baron and Iron King. I enjoyed them, but I didn’t like them as much as I hoped to. Now I’ve started watching Ultraseven, and it’s everything I hoped it would be.
As the liner noteson the DVD set point out, “the difference in the overall quality in production between Ultraman and Ultraseven was marked, and made the show memorable 45 years later. According to Wikipedia, “Such is his popularity that Ultra Seven (or simply 'Seven') has appeared or at least made cameos in nearly every Ultra Series following his own and has had far more exposure than even the original Ultraman (though the original Ultraman is without a doubt the face of the Ultras).”
My wife and I disagree about the relative merits of Ultraseven in comparison to SRRB/IK. I would like to start the discussion with a look at the opening title sequence and music, then open the floor for rebutal.
The title sequence of Ultraman, as you will recall, looks as if it had been spelled out in a can of paint, slowly stirred, then run backwards. Ultraseven looks more like it had been spelled out in brightly colored confetti, placed atop one of those old electric football games, shaken apart, then run backwards. Whereas the soundtrack of Ultraman is jazzy, that of Ultraseven shows more of a classical influence.
Here is the English translation of the lyrics…
Seven… Seven… Seven… Seven…
Seven! Seven! Seven!
Seven! Seven! Seven!
A distant star was once his home
Ultra Seven! Fighter Seven!
Ultra Seven! Seven! Seven!
Onward to the edge of the galaxy
Use your Ultra-Eye and… STRIKE!
Seven! Seven! Seven!
Seven! Seven! Seven!
Dan Moroboshi is his borrowed name
Ultra Seven! Hero Seven!
Ultra Seven! Seven! Seven!
Defeat the great fire-breathing monster
Use yout Ultra-Beam and STRIKE!

Replies
Episode 25: "The Mysterious Comet Tsuifon"
Overall: Another pretty good episode. I always liked Red King as a monster. Dorako was OK, but Guigass was not one of their better efforts.
"The Mysterious Comet Tsuifon"
It is thanks to shows like this and Lost in Space that I grew up thinking comets were balls of fire rather than hunks of ice and frozen gas.
Fuji accidentally puts salt in the coffee.
But oddly, at the end, soapflakes are mentioned.
The father is played by the legendary Haruo Nakajima, who was the man in the Godzilla suit from 1954 to 1972.
Really!
(That's new, isn't it?)
'Tis.
...the comet will return on July 2 3026 at 8:05 a.m.
Any time a number is mentioned, it's changed for the dubbed version; in this case, the year is 3122. (Or, wait a minute... was 3026 the dubbed version and my subtitled version was different? I'm so confused.) The distance the comet passed Earth was different, too.
Episode 25: "The Mysterious Comet Tsuifon"
As with the last episode, in this one, the situation which establishes the premise for the rest of the events is actually more interesting and gripping than the actual developments. A comet appears to be on course to collide with the Earth. In the episode, that threat lasts only five or six minutes into the teleplay, before it is determined that the comet will actually miss our world; it's the cosmic rays emitted by the comet in its passing that establishes the episode's central drama.
But imagine how compelling it would've been if the destruction of the Earth by the comet had occupied most of the drama. The feelings of helplessness endured by the Science Patrol. The panicked people of Japan crying out for Ultraman to save them. Some introspexion by Hayata that there is only so much even Ultraman can do. Take this moodiness right down to the eleventh hour---suicides, riots, shrines filled with praying people---and then Professor Iwamoto tells the S.P. of a theoretical solution for deflecting the comet, and Hayata "using the beta capsule becomes Ultraman" and flies into space to enact Iwamoto's idea.
But, no, we have to have Ultraman and the S.P. fighting monsters for the umpteenth time.
Fuji accidentally puts salt in the coffee.
I don't mind an injection of humour to momentarily lighten the atmosphere of a heavy-mooded episode---but I hate when the script calls for a competent character to act like an idiot to make it happen.
Hoshino stands in the background From what I've read, ths is the last time that we shall see the young feller as his actor, Akihide Tsuzawa, suffered a leg injury and had to leave the series. Must've sucked for him.
I came across the same information while preparing for my comments here. This is Hoshino's swan song on the series. While to be fair, Hoshino had acted maturely and responsibly over the past couple of episodes, my feeling is still what's bad for young Master Akihide is good for the viewers of the show. For an idea of just how cringeworthy using children on shows like this can be, just watch the next couple of episodes.
Episode 26: "The Monster Highness (Part 1)"
Overall: Another interesting episode, the show's first two-parter. Gomora would go on to become one of the franchise's most popular monsters, returning many times over the years. The battle with Gomora is included in Pat Cadigan's novelization of the series.
Episode 26: "The Monster Highness (Part 1)"
A kid named Osamu is mocked by his schoolmates for believing in monsters, which is nuts considering how many monster attacks there have been. Osamu is a disappointment to his mother . . . Osamu is, however, vindicated before his classmates.
In less than a half-hour, Osamu did the impossible: make me wish Hoshino were back on the show. Osamu is everything that writers feel makes a "cute" youngster: he disobeys orders from adults; he acts precociously without regard for others; he is impetuous to the point where his disobedience puts others in danger. In short, he makes me hope that he stumbles into the path of Ultraman's specium beam.
Osamu cuts up his Dad's newspaper before his father had a chance to read it. I shudder to think what the Old Man's reaction woud have been if I'd've pulled a stunt like that back in the day.
This is what always confused me about television kids when I was a boy: no matter what level of mischief they undertook, their parents almost always took it with an attitude of "Oh, that scamp!" When I committed a fraction of those kind of misdoings---cutting out a section of the newspaper is a good example---my folks would've had me chasing my head down Bell Avenue. It taught me respect for authority---which, obviously, Osamu does not have.
Ultraman drops his Beta Capsule mid-fight (Where does he store that when he's fighting?) . . .
This is another unanswered question with regards to Hayata's transformation to Ultraman and back. Ponderables like this are common to super-heroes whose identities are two separate beings, such as Captain Marvel and Billy Batson, or Thor and Dr. Don Blake. Take the Thunder God and Blake, for example. If Dr. Blake has to transform into Thor right after he steps out of the shower with a towel around his waist, after the trouble is dealt with, and Thor changes back to Blake, is the good doctor still wearing a towel, or is he in a suit and tie? If so, are his wallet and keys and comb in his pockets?
Similarly, I recall a panel in a Manhunter from Mars tale in which detective John Jones is in his apartment, ruminating over a current case. His suit jacket is flung over a chair, his tie is loosened, and his sleeves are rolled up. It didn't occur in the story, but that panel made me wonder: if Jones had been required to transform into the Martian Manhunter right then, would his jacket have disappeared from the chair? (After all, the suit jacket had been part of him when he previously changed to John Jones.) Or if not, when the Manhunter subsequently changed back to Jones, would he be wearing a new suit jacket? That would imply that he could actually separate parts of himself---evidenced from the jacket still draped over the chair.
The Hayata/Ultraman change-over raises similar queries. One you mentioned earlier, Baron, when Hayata transformed to Ultraman inside the submarine. There was no damage done to the sub; yet, in previous instances, when Hayata used the beta capsule in a confined space, such as a building or a ship, the transformation to the giant Ultraman smashed through the retaining structure. The question you raised, where does he stow the beta capsule on himself when he is Ultraman, is only part of a larger ponderable. Because Ultraman does not use the capsule to revert to Hayata, why does he [Ultraman] need to carry the beta capsule, at all? I always presumed that, after Hayata transformed to Ultraman, the capsule went to the same place Hayata's body, uniform, and helmet "went".
I assume that the writers of Ultraman glossed over these details for the same reasons that the writers of Thor and the Manhunter from Mars didn't address similar questions: they figured the viewers/readers didn't care enough---or hoped they wouldn't notice---to take the trouble to elabourate on such things.
DUBS & SUBS:
Osamu is a disappointment to his mother.
Gomora emerges from a hillside.
Gomora wakes up premturely, and the SSSP have to drop it.
Generally speaking, the dubbed version tends to "dial back" the rhetoric of the subtitled version.
In the subtitles I saw, she wanted him to get "five circles" in grammar and math. I've not encountered this business of "circles" before.
Episode 27: "The Monster Highness (Part 2)
Overall: Apart from all the bratty kid wish fulfillment crap, this was in many ways an exciting, eventful story, showing Ultraman and the SSSP pushed to their limits
We see Ultraman transform back into Hayata for what I believe is the second time.
Yes. Apparently I was wrong. (Hey, it happens... more often than I care to admit.)
Arashi and Hayata shoot off Gomora's tail.
Gomora's flaming stub is a remarkable sight. Oddly, I don't feel as sorry for Gomora as I do some of the monsters.
Gomora surfaces near Osaka Castle.
In the subtitled version, a site of "Japanese heritage"; in the dubbed version, "the huge ancient castle, [an] important creation of fine art."
In less than a half-hour, Osamu did the impossible: make me wish Hoshino were back on the show.
Be glad you're watching the dubbed version. In the subtitled one, he says things like, "I'm not a kid, I'm the Monster Prince!" and "I'm the Monster Prince! I know everything!"
Episode 27: "The Monster Highness (Part 2)
Apart from all the bratty kid wish fulfillment crap, this was in many ways an exciting, eventful story, showing Ultraman and the SSSP pushed to their limits.
There's no way I can summarise it better, myself. If anything, the two-part tale offered us a hint of what an Ultraman movie would've been like.
At the time I saw this episode for the first time, I was afraid, now that Hoshino had become almost respectable, that Osamu would be come the new "kid" on the show. The final scene in which Hayata gave him his S.P. lapel pin certainly suggested that. To my great relief, if I'm recalling correctly, we never see Osamu., again.
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