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Andrew A. Smith

Scripps Howard News Service

 

Marvel Entertainment announced a new Captain Marvel at WonderCon March 17, a character with a lot of strikes against her. But most fans are cheering.

 

The major problem is that the character can be confusing. To most folks, “Captain Marvel” means an entirely different character from a different company: Billy Batson, the boy who shouts “SHAZAM!” to become a light-hearted adult superhero in a red costume. He was really big in the 1940s, rivaling Superman in sales.

 

12134157653?profile=originalWhich was his doom. National (now DC) Comics, publishers of Superman, sued Fawcett Publications, publisher of Captain Marvel, for copyright infringement in 1940. It appeared to be a weak case to us non-lawyers, based on both  characters having similar powers (although Captain Marvel’s were magical, and based on ancient gods and heroes) and similar civilian identities (Clark Kent was an adult reporter for the Daily Planet newspaper; Batson was a boy reporter for radio station WHIZ-AM). Neverthless, the case dragged on until 1953, when Fawcett settled out of court and got out of the comics business.

 

With the original Captain Marvel kaput, the name was up for grabs. MF Enterprises used the name for an android superhero in 1966, whose power was to split his head, legs, arms and fingers off his body, to fly off independently and fight bad guys. That’s a really stupid super-power – how do disembodied limbs fly, anyway? – but also really creepy, and that Cap only lasted four issues.

 

Also in 1966, Marvel Comics decided to appropriate the name for a new superhero from outer space – a captain in the alien Kree military, whose real name was Mar-Vell. That character died in 1981 (and, amazingly, remains dead), but the name was used again at Marvel for his son Genis-Vell (now dead), his daughter Phyla-Vell (also now dead), an unrelated light-based superheroine named Monica Rambeau (now code-named Pulsar), another Kree named Noh-Varr (now code-named Protector) and a Kree historian named Medi-E-Vell. OK, I’m kidding about that last one, but you can see the name gets around.

 

12134158452?profile=originalBefore most of that, DC had obtained the rights to the original Captain “Shazam” Marvel, and began publishing his adventures in 1971. Ironically, they were unable to name their Captain Marvel comic book “Captain Marvel,” because Marvel held the trademark. So, while DC could still use the name “Captain Marvel” for the character, they had to use something else for the title of his books – usually “Shazam!” or a variant thereof. Recently, mirroring the actions of Fawcett almost 60 years ago, DC has simply given up on the Captain Marvel name and just renamed the character “Shazam.”

 

Meanwhile, a supporting character in the original Marvel Captain Marvel series (I told you it’s confusing), got super-powers and her own book in 1977, Ms. Marvel. This character, named Carol Danvers, had previously been an Air Force captain, an espionage agent and Mar-Vell’s girlfriend. When Ms. Marvel got canceled, she got new powers and called herself Binary, then lost those powers and became Warbird, then shifted back to Ms. Marvel for a recently canceled series. And it is THAT character that will once again be Marvel’s Captain Marvel in July.

 

12134158497?profile=originalAnother strike against Captain Marvel is that titles starring females traditionally have a hard time in the male-dominated comics landscape. Currently Marvel has no solo titles – zero – starring women.

 

There aren’t a lot of female writers in comics, either, but the new Captain Marvel has one: Kelly Sue DeConnick, best known for manga translations. On Marvel.com, she described the character this way:

 

“My pitch [to Marvel] was called ‘Pilot’ and the take can pretty much be summed up with ‘Carol Danvers as Chuck Yeager. Carol's the virtual definition of a Type A personality. She's a competitor and a control freak. … She'll have to figure out how to be both Captain Marvel [ital] and [end ital]  Chuck Yeager – to marry the responsibility of that legacy with the sheer joy being nearly invulnerable and flying really [expletive] fast.”

 

12134159073?profile=originalAnd the pluses for Captain Marvel? First, the more non-whiny, unapologetically strong women in comics, the better -- as a role model for girls, and an education for boys. Also, Marvel needs an iconic female standard bearer like DC’s Wonder Woman, and what could be better than one with “Marvel” right in the name? Also, the old “Ms. Marvel” handle always seemed a little archaic to me – a throwback to the ‘70s that makes her sound like a spinoff.

 

Finally, Carol Danvers is just a great character. Like other fans, my reaction to her solo book is “It’s about time!”

 

Contact Andrew A. Smith of the Memphis Commercial Appeal at capncomics@aol.com.

 

Art:

1. Cover for July's "Captain Marvel" #1, by Ed McGuinness. Courtesy Marvel Entertainment.

2. Cover for July's "Captain Marvel" #2, by Ed McGuinness. Courtesy Marvel Entertainment. 

3. Cover to 1940's "Whiz Comics" #2, the first appearance of the original Captain Marvel. Courtesy DC Entertainment.

4. Interior art for "Captain Marvel" #1. Courtesy Marvel Entertainment.

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12134154486?profile=originalThe Life and Times of Scrooge McDuck Volume One
by Don Rosa
(collecting Uncle Scrooge #285-290, 1994-95)

In the mid ‘90s, Don Rosa took up the monumental task of illustrating The Life and Times of Scrooge McDuck. He wrote a 12-issue epic that covered the pivotal moments from Scrooge’s younger days before he became the richest duck in the world. This volume collects the first 6 issues. Even better, it also includes notes from Don Rosa in which he reveals the thought process behind story choices and reflects upon the clues to Scrooge’s past that were planted by Carl Barks.


12134155274?profile=originalThe stories are excellent. Rosa gives each installment a unique flavor, whether it’s Scrooge’s boyhood in Scotland or his adventures as a young man on a Mississippi steamboat. For the most part, they’re well paced with sufficient obstacles to keep the reader interested and a few side gags to keep the reader entertained. However, I’ll admit that a couple of tales got bogged down in secondary details or dragged out a scene until it became repetitious.

My favorite story was from the fourth issue in which Scrooge joins a cattle drive. There’s a famous image in which several parties chase each other around circular buttes in the South Dakota badlands. It was a treat to see how Rosa set up all of the conflicting characters and then brought them together as part of one wonderful farce.

The panels are visually interesting as well. Rosa provides numerous memorable scenes such as a fiery ghost on horseback and an underground cavern that doubles as a steamboat stateroom. Of course, there’s also the aforementioned circle chase in the South Dakota badlands.

12134155499?profile=originalI was particularly fond of Rosa’s reflections. It was interesting to have him describe how he formed a complete story around a small tidbit mentioned in an old duck story by Barks. And I was impressed by the way in which Rosa would seamlessly work other small details into a larger narrative. Best of all, his love for the character clearly shines through in his reflections.

However, I was also amused to compare my reactions as a reader to Rosa’s reaction as a writer. Rosa’s least favorite story was the cattle drive. He noted that he prefers stories that take place in a single setting and a single day. He cited the fifth issue when Scrooge returns to Scotland to fight for Castle McDuck as a good example. My reaction is pretty much the opposite. “The Life and Times” suggests an epic and that’s what I was expecting- not only in the volume as a whole but also in the individual installments. I was especially fond of the cattle drive story that spanned several months and several states. My least favorite story was the castle story from the fifth issue. In my opinion, it contained a lot of filler that stretched it to a full issue, particularly an extended dream sequence that occurred while Scrooge was drowning.

Even so, that’s a difference of opinion about the relative merits of individual stories. My opinion of the epic as a whole remains quite favorable.

12134156460?profile=originalWolverine by Greg Rucka: Ultimate Collection
by Greg Rucka, Darick Robertson and Leandro Fernandez
(collecting Wolverine #1-19, 2003)


Greg Rucka was given the task of re-launching Wolverine in a new solo series in 2003. This ultimate collection contains the complete Greg Rucka run, 19 issues in all.

Rucka’s approach to Wolverine is stripped down. Wolverine doesn’t wear a costume. He’s more like a rural vigilante, running around in jeans and a ripped shirt. His adventures are also more down to earth. He investigates a Montana cult that’s been kidnapping women, a smuggling operation that uses illegal immigrants to bring drugs across the border, and rumors that a wild, almost feral, escapee from the Weapon X program is living in the mountains.
There aren’t a lot of other superheroes either. Nightcrawler makes a couple of guest appearances, but he doesn’t actually help in the adventures. Instead, he shows up as a confidant and drinking buddy. Sabretooth is the only supervillain to pop by and he doesn’t appear until the final story arc. Plus, he’s similarly stripped down, wearing civilian clothes instead of a costume.

This approach often works well with Wolverine. Chris Claremont and John Buscema took a similar tack when they launched Wolverine’s first solo series. And other writers have followed similar routes. Wolverine is just as effective without costumes and the flashy baubles of superheroes. Rucka’s vision of Wolverine as a rural vigilante is consistent with the character.

12134156863?profile=originalUnfortunately, Rucka’s approach to storytelling is similarly stripped them. This re-launch occurred at the height of the decompression fad and the three previously mentioned tales make up the whole of the volume. That’s right. This 19-issue volume contains only three stories. That isn’t automatically a problem. It’s theoretically possible to tell a compelling story over 6 or 7 issues. But that doesn’t happen here.

There aren’t enough twists or obstacles to keep a reader’s attention over that length. There are a few twists. The villain of the drug operation is a bit of a surprise. And there’s a nice moment in the third story when Wolverine preemptively betrays Sabretooth. But those major moments are too spread out. The stories drag and I frequently wondered when we would move on to something else.

The art doesn’t exactly help either. I’ve enjoyed Darick Robertson’s work in other places yet I wasn’t impressed with it here. It was often unimaginative. It’s like he was a cinematographer who forgot that his camera could move. Leandro Fernandez was much better on the middle arc, though I think he inked himself a little too heavily at times and obscured his otherwise fine pencil work.

Overall, this was a very disappointing volume. On the bright side, I’m glad I didn’t pay full price for the individual issues. I could at least console myself that I waited to buy the trade at a much more friendly price point.

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Comics for 4 April 2012

30 DAYS OF NIGHT ONGOING #6
30 DAYS OF NIGHT ONGOING TP VOL 01

ACTION COMICS #8
ADVENTURE TIME #2 2ND PTG
AGE OF APOCALYPSE #2
AMAZING SPIDER-MAN #683 ENDS
AMERICAN VAMPIRE #25 (MR)
ANIMAL MAN #8
ARCHIE MEETS KISS TP
AVENGERS ACADEMY #28
AVENGERS LEGION OF UNLIVING TP

BATMAN BEYOND UNLIMITED #1 2ND PTG
BATMAN GOTHAM SHALL BE JUDGED TP
BATWING #8
BOYS #65 (MR)
BRILLIANT #3 (MR)

CARBON GREY ORIGINS #2 (OF 2)
CASANOVA AVARITIA #3 (OF 4) (MR)
CHEW #25 (MR)
COLD WAR TP VOL 01
CREEPY COMICS #8
CRIMINAL MACABRE DIE DIE MY DARLING

DANGER CLUB #1
DAREDEVIL #10.1
DARK SHADOWS RETURN TO COLLINWOOD SC
DEJAH THORIS & WHITE APES OF MARS #1 (MR)
DETECTIVE COMICS #8
DICKS COLOR ED #3 (MR)

FAIREST #2 (MR)
FAMOUS MONSTERS OF FILMLAND #261
FANBOYS VS ZOMBIES #1
FARSCAPE TP VOL 07
FEAR ITSELF FEARLESS #12 (OF 12)
FERALS #4 (MR)
FLASH OMNIBUS BY GEOFF JOHNS HC VOL 02
FLEX MENTALLO MAN OF MUSCLE MYSTERY HC (MR)
FREEDOM #1

GARTH ENNIS JENNIFER BLOOD #11 (MR)
GFT APRIL FOOLS SPECIAL 2012 (MR)
GI JOE COBRA ONGOING TP VOL 02 COBRA CIVIL WAR
GI JOE VOL 2 ONGOING #12
GIRL WHO OWNED A CITY GN
GLAMOURPUSS #24
GREEN ARROW #8
GRIMM FAIRY TALES #71 (MR)
GRIMM FAIRY TALES THE LIBRARY #5

HAWK AND DOVE #8
HELL YEAH #2
HONEY WEST #5
HOW TO DRAW TRANSFORMERS SC
HULK #50

INCORRUPTIBLE #28
INFESTATION 2 30 DAYS OF NIGHT ONE SHOT
INVINCIBLE #90
IZOMBIE #24 (MR)

JACK KIRBYS FOURTH WORLD OMNIBUS TP VOL 02
JEREMIAH OMNIBUS HC VOL 01
JOE GOLEM & DROWNING CITY ILL NOVEL HC
JUSTICE LEAGUE INTERNATIONAL #8

KINKY NYLONS SC (MR)
KIRBY GENESIS #6
KOLCHAK NIGHT STALKER FILES #3

LADY DEATH (ONGOING) #16 (MR)
LADY DEATH ORIGINS CURSED #1 (OF 3) (MR)
LEGEND OF OZ THE WICKED WEST #3
LEGENDS OF THE DARK KNIGHT JIM APARO HC
LEGION OF MONSTERS TP
LENORE VOLUME II #5
LOONEY TUNES #206

MARVELS AVENGERS PRELUDE FURYS BIG WEEK #3
MEN OF WAR #8
MU AVENGERS EARTHS HEROES COMIC READER TP #1
MU AVENGERS EARTHS HEROES COMIC READER TP #2
MUDMAN #3
MY BOYFRIEND IS MONSTER GN VOL 05

NEW MUTANTS #40
NIGHT FORCE #2 (OF 6)

OMAC #8

QUEEN SONJA #28

RED LANTERNS #8
RED SONJA WITCHBLADE #2
RICHIE RICH GEMS #45
ROBERT JORDAN WHEEL TIME EYE O/T WORLD #23

SAGA OF THE SWAMP THING TP BOOK 01 (MR)
SAVAGE DRAGON #179
SCOOBY DOO WHERE ARE YOU #20
SECRET AVENGERS #24
SKULLKICKERS #13
SONIC THE HEDGEHOG #235
SPAWN #218
SPIDER-MAN RETURN OF ANTI-VENOM TP
STAN LEE SOLDIER ZERO TP VOL 03
STATIC SHOCK #8
STORMWATCH #8
SUPREME #63
SUPURBIA #2 (OF 4)
SWAMP THING #8
SWEET TOOTH #32 (MR)

TERRY MOORE HOW TO DRAW #3 BEAUTIFUL
THE LONE RANGER #4
THUNDERBOLTS #172
TOY STORY #2 (OF 4)

ULTIMATE COMICS SPIDER-MAN #9

VENOM #15
VOLTRON YEAR ONE #1

WAKING DREAM END #1 (MR)
WAREHOUSE 13 #5
WHISPERS #2
WOLVERINE AND X-MEN #8
WOLVERINE AND X-MEN ALPHA AND OMEGA #4 (OF 5)

X-CLUB #5 (OF 5)

This list is a copy of the list posted at memphiscomics.com. Arrivals at your LCS may vary.

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Andrew A. Smith

Scripps Howard News Service

Call it self-fulfilling prophecy, but I’ve read the first issues of two of DC’s four new Vertigo books, and I feel about them exactly as I expected to.

 

Fairest #1 ($2.99), which arrived March 7, was just as much fun as I’d hoped. For those who missed my previous column on this topic (and for shame!), Fairest is a spinoff from Vertigo’s popular and award-winning Fables series, which posits that all fairy tale characters exist, with each as proportionally powerful as the number of mortals who remember and/or believe in them. This new title focuses on the histories and solo adventures of the ladies in our fairy tales, from Cinderella (who has already had two solo miniseries) to Snow White.

 

It starts with a wraparound cover featuring 12 gals and one guy by the fantastic Adam Hughes; it’s not only gorgeous but a fun challenge to identify all the characters. I was only able to ID them all  because I’ve read more than 100 issues of Fables, and it wasn’t easy – there sure are a lot of blondes! I’ll provide a hint in that those depicted are Ali Baba, Beauty (of “and the Beast”), Bo Peep, Briar Rose (“Sleeping Beauty), Cinderella, Ozma, Princess Alder, Rapunzel, Rose Red, Snow Queen, Snow White, Mrs. Jack Spratt and Thumbelina. Good luck!

12134150655?profile=original

 

The insides are by writer Bill Willingham, the creator and writer of “Fables,” and fan favorite artist Phil Jimenez (“Wonder Woman”), and are a delight. Jimenez pours a ton of detail on the page, mirroring the monthly effort of Mark Buckingham over in “Fables.” And Willingham’s efforts here are as entertaining as they are in “Fables;” with witty dialogue, specific characterization, pell-mell adventure and little details that tickle your childhood fairy-tale memories.

 

12134151455?profile=originalOne oddity must be mentioned: In a book devoted to women, none show up until page 13 (actually two, Snow Queen and Briar Rose), and no Fairest has any dialogue until the last page. The focus of this first issue is on Ali “Prince of Thieves” Baba, a sarcastic effrit and an angry wooden soldier carved by Gepetto. They are all males, which indicates that the book won’t be entirely free of Y chromosomes – it’s just that men won’t be the focus. I’m sure Briar Rose (and possibly the Snow Queen) will have their fair share of adventure soon enough.

 

12134152093?profile=originalAnd I’ll be there to read it, because Fairest #1 was enormous fun. I wholeheartedly recommend it, and caution that remote viewing of the series through a magic mirror or crystal ball is considered piracy.

 

A little lower on my enthusiasm scale is Saucer Country #1 ($2.99), which arrived March 14. The series, unlike most comics, won’t shy away from actual politics. It stars a divorced, female, Hispanic governor of a southwestern state who is considering a run for the presidency on what is the (unnamed) Democratic ticket. Her opponents, whose affiliation is equally unnamed, are clearly Republicans.

 

12134152481?profile=originalThis is the part that interests me, primarily for the novelty. I don’t want many or even most of my funnybooks to provide political commentary, as I prefer my fantasy to be an escape from all that. But once in a blue moon some real-world issues and controversies can add a little reaffirming verisimilitude – as long it doesn’t devolve into the writer standing on a soapbox. Screeds aren’t fun to read even when you agree with the politics, and are flat-out intolerable when you don’t.

 

12134153284?profile=originalThe name of the book refers to what will surely become the main plot before long, in that our heroine comes to the realization on the last page that she had been abducted by aliens. This will certainly complicate her campaign, as if an alcoholic ex-husband and brutal politics aren’t problem enough. But the press material indicates she now believes we’re being invaded – and she needs to be president to stop it. It’s not clear in the first issue if it’s true or if there’s some other reason for the governor’s recovered memories, but it does add a whole new meaning to the term “illegal aliens.”

 

Saucer Country is by British writer Paul Cornell, known primarily for television drama like Doctor Who, and his current runs on DC’s Demon Knights and Stormwatch. The art is by Ryan Kelly, who put in years of solid work on Vertigo’s “Lucifer.” That’s a pretty good line-up, so I’m looking forward to a political potboiler with a side order of aliens – or maybe it’ll be the other way around.

 

12134153700?profile=originalContact Andrew A. Smith of the Memphis Commercial Appeal at capncomics@aol.com.

 

1. The first issue of Fairest sports a wraparound cover depicting 13 characters expected to appear in the series. Courtesy DC Entertainment.

2. The second issue of Fairest, due in April, show Ali Baba and Briar Rose with an interfering effrit. Courtesy DC Entertainment.

3. The third issue of Fairest features Snow Queen on the cover. Courtesy DC Entertainment.

4. The cover of the first issue of Saucer Country shows the lead character haunted by gray aliens. Courtesy DC Entertainment.

5. The second issue of Saucer Country is due in April. Courtesy DC Entertainment.

6. The third issue of Saucer Country is due in May.  Courtesy DC Entertainment. 

 

 

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12134149068?profile=originalWonder Woman Chronicles Volume Two
by William Moulton-Marston and Harry G. Peter

(collecting Wonder Woman #2-3, Sensation Comics #10-14 and Comic Cavalcade #1, 1942-43)

I have a confession to make: this was my first extended exploration of the Golden Age Wonder Woman. I’d read her first appearance and origin story in a couple of places. But I had never read a 1940s collection of stories before now.
Over the years, I’d heard a lot of other comic book fans describe these adventures so I was curious to experience them for myself. I will agree with those fans who claim that no one else has written the character of Wonder Woman quite like her creator, William Moulton-Marston. Marston’s approach is certainly distinct. It’s also idiosyncratic. For that reason, I would say that no one else has written the character “the same as” Marston, but I wouldn’t say that no one has written the character “as well as” him. Modern writers like George Perez, Greg Rucka and Gail Simone have surpassed Marston’s peculiar take on his character.


The first thing I’ll say is that Marston’s Wonder Woman is fun. She rushes from place to place with the reader caught up in her tailwind. She rarely sits still and that makes for often exhilarating adventures. This is especially apparent in the stories from Sensation Comics where the shorter format forces the action to happen quickly. The character is also fun. She laughs with her friends and at her enemies. She revels in her powers and enjoys surprising people with them.
However, despite the brevity of the stories, Marston still manages to get sidetracked. In one story, Wonder Woman has to play in the World Series as part of a plot to defeat Ares. In another, she becomes a bowling shark, faking ineptness before becoming a champion. The rationale behind these odd excursions is weak and forced (think of the pod race sequence in A Phantom Menace). The stories may be fast-paced but they aren’t always well constructed. This is especially true of the Ares epic from Wonder Woman #2 which opens this volume.

Marston’s personal predilections towards sado-masochism are also readily apparent. I’d always heard that was the case but never quite believed it. It’s not uncommon for heroes to be caught and bound by their enemies, whether it’s Captain Marvel or James Bond. But it’s almost impossible to miss with the prevalence of spankings and the repeated talk of submissive behavior.

Despite my exasperations and misgivings, I still enjoyed this volume. I read it quickly and had a lot of fun with it. It wasn’t held back by the repetitiousness that weighs upon Robert Kanigher’s Silver Age stories. There was a lot of variety in both setting and story. I also enjoyed the character. Wonder Woman’s compassion is admirable and her joy is infectious. I won’t suggest that everyone would enjoy these tales. They’re definitely a product of their time and of their unique creator. Yet with historical allowances and the right frame of mind, they can be amusing.

12134149292?profile=originalCaptain Britain
by Alan Davis and Jamie Delano

(collecting The Mighty World of Marvel #14-16, Captain Britain #1-14, 1984-86)

It’s hard to know where to start for, in many ways, this is the middle of an adventure. The first page is a recap in which Captain Britain recalls all of the events that occurred during the Alan Moore/Alan Davis run. The last page is both a wrap-up and a set-up, establishing the status quo that Captain Britain will bring with him to Chris Claremont and Alan Davis’ Excalibur. Yet in between, there is a phenomenal collection of short stories by Alan Davis and Jamie Delano.
These are short stories. They generally run from 8 to 12 pages. Yet it’s amazing how much Davis and Delano accomplish in such a short format. Davis and Delano manage to tell complete story- with a beginning, middle and end- in each chapter. That’s particularly impressive and refreshing considering that most current comics require 6 issues to finish a story. However, the transitions from one story to another are sometimes abrupt, especially in a collected volume like this.

There’s a lot more to admire about Captain Britain than story structure or pace. The stories themselves are highly imaginative and expansive. They’re also ongoing and evolving.


I really appreciated the way in which Delano and Davis expanded upon the world of Captain Britain. Many of the pieces were already in place, thanks to the previous run by Alan Moore. But Delano added new toys to the box- new villains, alternate Captain Britains and different government agencies. The biggest innovation is arguably the Warpies- children born with deviations that were the result of residual energy from a breakdown in the continuum of time and space. Delano added a new breed of mutants that alluded to the fall-out from Chernobyl and Three Mile Island.

Another great strength of this series was its use of supporting characters. They would change from one appearance to the next. They wouldn’t become unrecognizable but there would be subtle shifts that told us their lives continued even when they were off-panel. A team of villains would have new members or a new leader. A hero would have a new costume or position. Two characters would become a romantic couple from one appearance to the next. These changes gave a sense of reality to the series. The other characters weren’t simply waiting around until the next time Captain Britain noticed them. They had interests and stories of their own.

Of course, all of those secondary considerations mean little if the title character doesn’t hold up his end. Thankfully, Captain Britain is a delight to read about. At times, he’s the straight-laced star as the weirdness of the world circles around him. There are some wonderfully funny moments when Brian Braddock feels put out by the odd guests who have invaded his ancestral home. At other times, he’s the bull-headed strongman. He’s not a dummy. He has a background in science and multiple degrees. But he sometimes forgets to think about a situation before rushing in with his fists. He’s a good guy with a strong moral center but those imperfections make him more interesting.
Altogether, that makes Captain Britain one of the most enjoyable trades I’ve read in some time.

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Comics for 28 March 2012

2000 AD #1768
2000 AD #1769

ACTION COMICS #1 5TH PTG
ALL STAR WESTERN #7
ALPHA GIRL #2 (MR)
AMERICAN VAMPIRE #25 (MR)
ANGEL & FAITH #8 REBEKAH ISAACS VAR CVR
ANGEL & FAITH #8 STEVE MORRIS CVR
ANITA BLAKE VH CIRCUS DAMNED SCOUNDREL PREM HC BOOK 03 (MR)
ANITA BLAKE VH TP BOOK 02 CIRCUS OF DAMNED INGENUE (MR)
AQUAMAN #7
AQUAMAN #7 VAR ED
ARCHIE #631
ASTONISHING X-MEN #48
ATOMIC ROBO REAL SCIENCE ADV #1
AVENGERS #24.1
AVENGERS VS X-MEN #0 (OF 12) AVX
AVENGERS VS X-MEN #0 (OF 12) CHEUNG WRAPAROUND VAR AVX
AVENGERS VS X-MEN #0 (OF 12) PHOENIX HANS VAR AVX
AVENGING SPIDER-MAN #5 WITH DIG CDE

BETTY & VERONICA FRIENDS DOUBLE DIGEST #223
BATMAN #1 4TH PTG
BATMAN #4 3RD PTG
BATMAN THE DARK KNIGHT #1 3RD PTG
BATMAN THE DARK KNIGHT #6 2ND PTG
BATMAN THE DARK KNIGHT #7
BATMAN THE DARK KNIGHT #7 VAR ED
BLACK CHARITY HC (MR)
BLACKHAWKS #7
BLOODSTRIKE #26 CVR A BADILLA & SEELEY
BLOODSTRIKE #26 CVR B LIEFELD
BPRD HELL ON EARTH PICKENS COUNTY HORROR #1 (OF 2) CLOONAN C
BPRD HELL ON EARTH PICKENS COUNTY HORROR #1 (OF 2) MIGNOLA V
BULLETPROOF COFFIN DISINTERRED #3 (OF 6) (MR)

CAPTAIN AMERICA AND BUCKY #628
CAPTAIN AMERICA DEATH OF RED SKULL TP
CARBON GREY ORIGINS #2 (OF 2) CVR A NGUYEN (MR)
CARBON GREY ORIGINS #2 (OF 2) CVR B EVANS & LOH (MR)
CHARMED #20 (MR)
CHOKER #6 (OF 6) (MR)
COBRA ONGOING #11
COBRA ONGOING #11 10 COPY INCV
COVER GIRLS HC (MR)
CROSSED BADLANDS #2 (MR)
CROSSED BADLANDS #2 RED CROSSED CVR (MR)
CROSSED BADLANDS #2 RETAILER BONUS INCV CVR (MR)
CROSSED BADLANDS #2 TORTURE CVR (MR)
CROSSED BADLANDS #2 WRAP CVR (MR)

DAKEN DARK WOLVERINE #23
DAMAGED GOODS GN (MR)
DAREDEVIL #10
DARK SHADOWS TP VOL 01
DARK TOWER GUNSLINGER WAY STATION #4 (OF 5)
DARKNESS ACCURSED TP VOL 07
DEADPOOL MAX 2 #6 (MR)
DEADPOOL PREM HC VOL 10 EVIL DEADPOOL
DEADPOOL TP VOL 08 OPERATION ANNIHILATION
DEADPOOL TP VOL 08 OPERATION ANNIHILATION
DETECTIVE COMICS #1 6TH PTG
DMZ TP VOL 11 FREE STATES RISING (MR)
DOROTHY OF OZ PREQUEL #1 (OF 4)
DOROTHY OF OZ PREQUEL #1 (OF 4) 10 COPY INCV

ELEPHANTMEN #38 (MR)

FATALE #1 VAR CVR 4TH PTG (MR)
FF #16
FILM NOIR TASCHEN HC
FLASH #7
FLASH #7 VAR ED
FLASH GORDON ZEITGEIST #4
FLASH GORDON ZEITGEIST #4 10 COPY VIRGIN ROSS INCV
FLASH GORDON ZEITGEIST #4 15 COPY VIRGIN FRANCAVILLA INCV
FURY OF FIRESTORM THE NUCLEAR MEN #7
FUTURAMA COMICS #60

GFT MYTHS & LEGENDS #14 A CVR GARZA (MR)
GFT MYTHS & LEGENDS #14 B CVR QUALANO (MR)
GHOST RIDER #9
GI JOE 2 RETALIATION MOVIE PREQUEL #3
GI JOE 2 RETALIATION MOVIE PREQUEL #3 10 COPY INCV
GI JOE SEXY BARONESS RED T/S XL
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X-MEN LEGACY #264

Arrivals at your LCS may vary. Copied from the list posted at pittsburghcomics.com.

Read more…

12134027688?profile=originalKanjar Ro!  The Demons Three!  Despero!  Starro the Conqueror!  These were only some of the awesome threats to mankind that the Justice League of America vanquished during its illustrious Silver-Age career.  Terrible forces of evil so powerful that it required the mighty champions to band together to defeat them.

 

But, let’s face it.  Even fabled Silver-Age JLA scribe Gardner Fox had his off months.  After all, it’s difficult to come up with a world-shattering menace sufficient to challenge a gaggle of super-heroes eight times a year, every year, for eight years.  So, every once in a while, one of Fox’s villains might miss the mark, be not quite up to the fearsome standard of a Felix Faust or a Doctor Destiny.  For these wanna-bes, the Justice League could have taken the day off and let the Jimmy Olsen Fan Club handle it.

 

After pouring over my run of JLA stories from 1960 to 1968, I found seven bad guys for whom, if there were Golden Turkey Awards for JLA villains, they’d each have one decorating their prison cells.  I’ve listed them in descending order of competence, starting with the “sort of lame” and going all the way down to “wouldn’t give the Inferior Five a hard time.”

 

 

 

 7.  The Lord of Time   (JLA # 10 [Mar., 1962], et al.)

 

 

12134177292?profile=originalFor those of you with fond memories of the first JLA continued story, you might be surprised to find that the Lord of Time made the list.  After all, he’s a “name” Justice League villain.  But, like Zsa Zsa Gabor, it’s more of a case of being famous for being famous---or in the Time Lord’s case, being infamous.

 

He started out impressively enough, I’ll give him that.  As we learn in his debut, “The Fantastic Fingers of Felix Faust”, he’s a twentieth-century scientist who’s unlocked the key to travelling through time.  Instead of doing what most of us would do if we could time-travel---jump ahead a week or so, jot down all the winning horses at Hialeah, then make a fortune at the track---the scientist decides to conquer the world.

 

Such ambition, and the power to back it up, should have put the Lord of Time into the same class as the Time Trapper, or Kang the Conqueror.  Instead, when we meet him, he’s already on the run from the Justice League.

 

The L. of T.’s plan for world domination, you see, was to bring hordes of rampaging armies from both the past and the future, through “time-gates” situated on opposite sides of the world.  Then he could just sit back and let them do the dirty work.  Unfortunately, the JLA was on to his scheme from the get-go, and when the conquering hordes come bursting through the gates, the World’s Greatest Heroes are standing right there to shove them back in.

 

The villain hasn’t got time to worry about that, though.  The Batman and the Flash have already tracked down his secret laboratory and have dropped by to pay him an unannounced visit.  The Time Lord throws a couple of death traps their way, but Our Heroes barely have to breathe hard avoiding them.

 

The only reason the L. of T. wasn’t cuffed and stuffed by the end of the page was due to the inadvertent interference by another villain, Felix Faust, who had his own designs on the Justice League.  Faust’s magical machinations dematerialise the Flash and Batman, along with the rest of the Leaguers, before they can get their hands on the Time Lord.

 

12134177889?profile=originalThe rest of the issue is devoted to Faust’s plot, in which he is ably sponsored by the Demons Three---Abnegazar, Rath, and Ghast---who are tired of having been stuck in mystical prisons for the last billion years.  For that, the Justice League has been placed in Faust’s thrall, and frankly, that’s a bigger problem for them right now, than the Lord of Time.

 

By page twenty-six, though, the JLA has thwarted Faust---thanks mainly to Aquaman mentally ordering a school of flying fish to smack him down.  (Hmmmm . . . maybe Felix Faust should be on this list, too.)  And the issue concludes with the League getting ready to go back after the Time Lord. 

 

What Our Heroes don’t know is that Abnegazar and Rath and Ghast are waiting in the wings, and they’re going to have to deal with the three evil fiends next issue.  That’s not good news for the Lord of Time, though.

 

 

JLA # 11 (May, 1962), “One Hour to Doomsday”, kicks off with the JLA descending on the Time Lord’s citadel, which was easy enough to do since the villain hadn’t bothered to find a new hide-out while the good guys were busy with Felix Faust.  Unfortunately, the Leaguers discover that their foe is no longer at home.  A gloating image of the L. of T. tells them that he is already travelling to the far future, where he’ll recruit a new army and collect a grunch of super-scientific weapons.  Then, the plan is, he’ll come back to the present day and finish conquering the world.  And the Justice League will be helpless to stop him. Heh heh heh.

 

While I’m thinking about it, this illustrates a fundamental problem with comic-book villains who can travel through time.  They never seem to use their time-spanning powers to their best advantage.   If the Lord of Time wanted to conquer the world, no muss, no fuss, why come back to 1962, where a Justice League is waiting to fight him?  Why not take his futuristic armies and weapons back to 1952---eight years before there was a Justice League at all?  Or 1930, or 1900?  Any era before there would be any super-heroes around to give him trouble.

 

12134180852?profile=originalThe big downcheck for the Time Lord, though, is leaving that image behind to brag to the Justice League.  It inadvertently informs the heroes of precisely the year to which the villain has fled, from a detail caught by Superman's power of total recall.  One manufactured time-bubble later, the JLA is speeding through the time barrier after their quarry.  They nail him in the year A.D. 3786.  He’s caught completely flatfooted, and Wonder Woman has him snared in her golden lariat by the top of page 6.

 

12134182463?profile=originalSo much for the big, bad Lord of Time.

 

No back-up plan, no clever escape, nothing.  The rest of the issue depicts the JLA’s fight against the Demons Three, and the L. of T. spends the whole time locked in the time bubble.  Once Abnegazar, Rath, and Ghast are disposed of, the Leaguers return to 1962 and take the Time Lord to the hoosegow.

 

The problem was, of course, a scripting one.  The big baddies in this two-parter were Felix Faust and the Demons Three.  The Lord of Time was sandwiched between their threats and he had to be gotten out of the way so the main villains could take centre stage.  Even so, it leaves the Time Lord looking pretty impotent.  Particularly because, unlike the rest of the lame-o’s on this list, his ability to bring things back and forth across time was formidable enough to legitimately challenge the Justice League.  And he should have; instead, the JLA takes him out almost as an after-thought.

 

Superman transported a whole bubble-full of JLA members to the future, yet only two of them needed to get out of the thing to nab him.

 

On this entire list of losers, the Lord of Time is the only one to make a second appearance in the JLA title during the Silver Age.  That came four years later, in issue # 50 (Dec., 1966).  He didn’t do any better that time.  Only half the League bothered to show up to deal with him, and they took him out in one panel!

 

 

 

6.  Headmaster Mind  (JLA # 28 [Jun., 1964])

 

 

12134183481?profile=originalThe only other costumed villain to make the list (if you can call a mortarboard and graduation robe a costume), Headmaster Mind had a more modest goal than many of the JLA’s foes.  He only wanted to steal money and valuables.  He wasn’t looking to rule the world or destroy the Justice League.  In fact, he needed the heroes alive for his scheme to pay off.  But he did need them out of the way, too, so they couldn’t stop him.  He found a way to accomplish both.

 

Mind was yet another rogue scientist.  (Why is it that scientists who go bad are the only ones characterised as “rogue”?  You never hear of “rogue architects” or “rogue insurance salesmen”.)  He had made a discovery---when the members of the Justice League utilised their super-powers, their hearts, which were especially adapted to the physical strain of doing so, generated a unique rhythmic force which Mind termed cardial vibrations.

 

12134184253?profile=originalSecretly observing the super-heroes in action, Mind absorbs this cardial energy into specially designed batteries.  Then he was uses the stored force to create disasters whenever the JLAers exert their super-powers.  Whatever actions the heroes take, Headmaster Mind ensures they just make things worse.  The public perception is that the heroes’ powers were out of control.

 

In response, the United Nations, in an emergency session, issues an injunction prohibiting the members of the Justice League from using their super-powers.

 

This is what Headmaster Mind has been waiting for.  Putting together a small gang of super-villains---the Top and the Tattooed Man and the Matter Master---he launches a campaign of robberies and hijackings.  And as we all know, comic-book police are helpless to do anything about that.

 

It all works quite well.  Mind has taken pains to avoid any connexion with the Justice League’s troubles.  He sends his three henchmen out to commit the crimes, while he sits back, safely hidden in his home in Edgewater City---and JLAers, resigned to spending the rest of their days in their civilian identities, read the papers and gnash their teeth in frustration.

 

Sounds like a pretty good plan, right?  So, why’s he on the list? 

 

Oh, just one little thing . . . .

 

12134185063?profile=original 

 

He forgot that there were two members of the Justice League who did not possess super-powers---the Batman and the Green Arrow.  Well, he didn’t actually forget; rather, he dismissed them as useless.  

 

Trust the Masked Manhunter to come up with a plan.  The next time the Top and the Matter Master and the Tattooed Man go on a crime foray, the other Justice Leaguers will keep them busy, catch them if they can, without using their super-powers.  Meanwhile, he and Green Arrow will do the necessary detective work to track down the mysterious mastermind back of the whole thing.

 

Their sleuthing takes them right to a certain address in Edgewater City, and one blunt-tipped arrow and judo throw later, “The Case of the Forbidden Super-Powers” is closed.

 

12134185267?profile=original

 

I’m sorry, but you just aren’t much of a threat to the Justice League if its two weakest heroes can take you out before you even lift a finger.  At least the Top and the Matter Master and the Tattooed Man made a fight of it.

 

 

 

5.  Pete Ricketts  (JLA # 8 [Dec., 1961-Jan., 1962])

 

 

12134186674?profile=originalThey may have been light in the strategic-planning department, but at least the Lord of Time and Headmaster Mind had enough brains to invent their own weapons.  Penny-ante crook Pete Ricketts couldn’t have invented a hat rack.  The gizmo which gave him the notion of taking on the Justice League of America dropped out of the sky---literally.

 

At the start of “For Sale---the Justice League”, Pete’s minding his own business---strong-arm robbery---when a couple of police officers spot him and chase him into a alley.  Running isn’t Pete’s strong suit and he trips, just in time to see what looks like a peculiar flashlight fall from above and clatter to the pavement.  The “flashlight” emits an orange beam which happens to bathe the approaching cops.

 

Instinctively, Ricketts yells for them to stop---and to his amazement, they do.  In fact, they freeze in mid-stance.

 

Cunningly, Pete figures out the weird device has something to do with it.  He picks it up, keeping the orange light trained on the officers, and tells them to scram.  The lawmen turn tail and run off.

 

Convinced he’s on to something, the crook walks a few blocks down and flashes the orange light on a passer-by.  Pete orders his victim to turn over his wallet and his wristwatch.  The man does so without hesitation.

 

 

The source of Pete Ricketts’ good fortune was scientist Caleb West, whose laboratory occupied a upper storey of one of the buildings which flanked the alley into which Pete had run.  West had developed a device which he called the cyberniray.  West intended the cyberniray to be an educational aid, by increasing a subject’s ability to learn and remember information.

 

12134186473?profile=originalWhile West was making the final adjustments to his invention, an accident hurled it out the window, to land at Pete Ricketts’ feet.  Dazed in the accident, West was able to crawl to the window and peer down, just in time to see Ricketts use the cyberniray on the police officers.  He shouted at the fleeing Ricketts to stop, but, yeah, like there was any chance of that.

 

The next day, West reads a newspaper account of Pete’s escape from the policemen by shining a queer orange light on them, and he realises that the cyberniray must somehow compel a person to do whatever he is told.  Realising the danger he has inadvertently created, West puts it all down in a letter to the Justice League of America and mails it to its Washington, D.C. post office box.

 

All Pete Ricketts knows is that it’s his lucky day.

 

 

After Pete pulls a few more hold-ups with the gadget, it finally dawns on him that there must be a way to use the cyberniray to pay off with big bucks, but damned if he can figure out how.

 

Meanwhile, over in the world of organised crime, the Mob is having troubles of its own.  The Justice League is putting their rackets out of business and their illicit profits are drying up.  The Syndicate’s ten top chieftains decide to put up a hundred thousand dollars apiece---a cool million---and offer it to anyone who can come up with a way to put the JLA on ice.

 

A few days later, when Ricketts gets word of this through the underworld grapevine, he figures that his orange flashlight is just the ticket to get that million dollars. 

 

12134187073?profile=originalNow, anyone who’s ever seen a season of The Sopranos knows what a bad idea it is to get involved with the Mob.  You or I, if we were of a less honest bent, could undoubtedly think of a dozen different---and safer---ways to make a million dollars with the cyberniray.  But like so many mouth-breathers, Pete thinks he’s smarter than he really is.

 

Ricketts waylays the Green Lantern at a charity event, then forces him to activate his JLA emergency signal, luring the rest of the League into falling under the power of the cyberniray.  Well, all of them except for Superman and Batman, whom Gardner Fox wrote out of this story by having them away on a mission in “Dimension X”.

 

Ricketts turns the six entranced super-heroes over to the Syndicate chiefs and collects his million-dollar payoff.  Now he does the smart thing, right?  He changes his identity and moves to a poor, obscure foreign country and lives like a king on his million.  Oh, no, not our boy Pete.

 

Instead, he decides to auction off the JLA members to the gangbosses for even more money.  When the winners start bragging over which one of them made the best deal, they decide to settle it in a contest.  To settle the issue, the enthralled heroes are set against each other in competition. Ricketts orders the Flash and the Green Lantern to both attempt to steal the Napoleonic Tiara, to see which one brings it in. Similarly, Aquaman and the Green Arrow are dispatched to rob the gambling ship, Deuces Wild; and J’onn J’onzz and Wonder Woman are sent after a million-dollar cache of radium.       

 

12134189075?profile=original 

 

 

After a quick scene showing honorary JLA member Snapper Carr at the secret sanctuary, reading Caleb West’s letter, the action shifts to the three JLA pairs undertaking their larcenous missions.  In a trio of vignettes, we see each of the criminally compelled Justice League duos do battle with each other over their intended booty.  All three contests result in a draw.  Not that it matters, because each time, the prize intended for stealing is mysteriously taken out of their hands.

 

The Justice Leaguers return to the Syndicate bosses to report their failures. Clearly, they’re better crook-catchers than crooks.  Disgusted, the gangsters fall back on “Plan B”---killing the super-heroes in pre-arranged death traps. Still under Ricketts’ control, the Leaguers compliantly submit to the murder devices, a separate trap for each member. Helplessly, they await the end as the traps are activated.



12134189688?profile=originalSeconds away from death, each JLAer suddenly finds himself inexplicably free of Ricketts’ control. Able to think for themselves again, the Justice League members resort to their legendary teamwork. One hero frees another from his doom-trap, who then goes on to free the next, until all are safe. It doesn’t take much longer for the super-heroes to corral the gang-chiefs.



Desperately, Ricketts digs into his pocket for the cyberniray device---and finds that he no longer has it! And that’s when the answer to the League’s rescue becomes known. Snapper Carr!



It was the Snapster who secretly absconded with the loot from each of the three robberies attempted by the JLA teams. By using the captured anti-gravity discs of Doctor Destiny, their foe from JLA # 5, “When Gravity Went Wild”, Snapper had been able to zoom to each location and prevent the heroes from committing their crimes by taking the valuables first.



12134190874?profile=originalAnd how did Snapper know where each of the crimes was taking place? From emergency signals transmitted by the JLAers themselves! As a precaution, Ricketts had ordered the Leaguers not to use their own signalers, but he had neglected to command them not to activate each other’s.

 

 

Still, the credit for the game-save goes to Snapper.  Just how boneheaded does a crook have to be to have his master plot foiled by a finger-popping, English-mangling teenager?  

 

Speaking of planning, it would have been obvious to anyone with more than a grammar-school education that Pete’s scheme was ‘way overcomplicated.  Why bother to sell off the enslaved JLA for a simple million dollars when he could order them to do whatever he wished?  J’onn J’onzz or Green Lantern alone could have put a small fortune in Ricketts’ pocket.  Pete was a walking testimonial for that old cautionary adage---K.I.S.S. 

 

Keep It Simple, Stupid!”  The accent, of course, on stupid.

 

 

 

In conceiving menaces to threaten the JLA, Gardner Fox created a whole sub-set of villains who were nothing more than cheap hoodlums who lucked into a powerful gimmick.  And, believe it or not, Pete Ricketts was the least incompetent of the lot.

 

We’ll take a look at who was worse next time out, when the countdown continues.                                     

Read more…

By Andrew A. Smith

Scripps Howard News Service

The comic-book series American Vampire started small, with just one bloodsucker in the Old West. But now, as is evidenced by the recently released third hardback collection, it has expanded to include a burgeoning cast, a vast back story and genuine historical sweep.

 

American Vampire is the brainchild of Scott Snyder, a writer whose credits include Batman and Swamp Thing. In a phone interview, he described the series premise, of a world where vampires have always existed but vary in powers, weaknesses, intelligence and appearance.

 

12134173256?profile=original“Part of the fun of the series for us is really developing new species, both ancient ones and brand new ones, as bloodlines evolve,” he said, “that really sort of take each other by surprise and are game-changers in and of themselves.”

 

One such game-changer launches the series. American Vampire begins in the Old West, where a new breed develops in the form of outlaw Skinner Sweet. Sweet is faster and stronger than other vampires, most of whom are of the Carpathian bloodline (the familiar Dracula type). In the 1920s he infects an actress named Pearl Jones, who – unlike the deviant and destructive Sweet – tries to settle down with her human husband Henry and live a decent life. These two very different American vampires are the twin pillars of the first two volumes of the series.

 

“The two of them really, to me, represent different sides of what I consider important facets of the American character,” Snyder said. “Skinner has this sort of rebellious attitude – never confined, never civilized, a love of mayhem … the wild frontier, all of those things that I think are really part of a certain kind of iconography of the American imagination. Pearl, on the other hand, is that pull-yourself-up-by-your-bootstraps, be a good person – that sort of determined, tough, modern girl, which is also very iconic.”

 

12134173484?profile=originalThe first two volumes also introduce the mysterious Vassals of the Morning Star, an organization that is dedicated to wiping out all vampires. And we’ve followed the Books and McCogans, two Western families that have been forever scarred by encounters with Skinner Sweet.

 

Most of these stories come together in a satisfying one-two punch in America Vampire Vol. 3 ($24.99), which takes place during World War II. It reprints American Vampire #12-16, where Skinner and Henry find themselves on a Pacific Island dealing with a new kind of vampire bred by the Japanese. It also reprints the miniseries American Vampire: Survival of the Fittest, where Vassals agents Felicia Book and Cash McCogan search for a rumored vampirism cure in Europe – and find not only vampire Nazis, but older breeds which suggest a much bigger picture.

 

Speaking of Snyder, he is not a vampire, but his enthusiasm is just as infectious. Despite two stories coming to a close in Volume Three, he promises plenty more American Vampire to come.

 

12134174299?profile=originalFor example, he plans “a lot” of stories about Felicia Book, the reluctant Vassals agent whose father was infected when she was conceived. “I love characters that are flawed and conflicted and sort of exceptionally human in that way,” he said. “And for me she’s someone who is sort of terrorized by this notion that she’s been born with this vampire blood running through her veins. And it’s not only that, but it’s the blood of the man who killed her father, and whom her mother hates. So she has this conflict raging inside her forever, where she despises the part of herself that’s vampiric, and yet, at the same time, it’s part of who she is.”

 

He says a two-parter coming up will focus on Calvin Poole, the African-American vampire introduced in “Survival,” an introspective former science teacher who is now what he hates most. 

He plans to explore the pull Pearl feels toward Skinner “by the dark undertone of blood,” despite her love for her husband, who is growing old without her. There’s also Gus McCogan, a child who was infected in utero. And there are the strange, ancient vampires seen in Survival, which looked suspiciously like other kinds of monsters.

 

12134174863?profile=originalThat latter is “definitely something we’re going to play with,” he laughed. “Vampires are a species [whose] root classification is Homo Abominus. There’s no ‘Vampire’ in there. It doesn’t say ‘Vampirus.’ … We wanted to leave room also for a bit of mystery for readers.”

 

It’s a big, bad world out there. And with American Vampire Volume Three, the American Century is just beginning.

 

Contact Andrew A. Smith of the Memphis Commercial Appeal at capncomics@aol.com.


Photos

1. American Vampire Volume Three reprints two separate stories featuring different factions of the sprawling cast. Courtesy DC Entertainment Inc.

2. American Vampire #25 comes out this month, and features vampire hunter Travis Kidd. Courtesy DC Entertainment Inc. 

3. American Vampire #26 comes out in April, and features African-American vampire Calvin Poole. DC Entertainment Inc.

4. American Vampire #27 comes out in May, and features the second half of story starring African-American vampire Calvin Poole. DC Entertainment Inc.


Full Scott Snyder interview

Feb. 24, 2012


Captain Comics: Why break out Survival of the Fittest into a miniseries?Why not just run it as a story in the American Vampire title?

 

Scott Snyder: We thought it would be a lot of fun to be able to do something that happened simultaneously with the main series, so when I came up with the idea and I submitted it to my editor, Mark [Doyle], and to [artist] Rafael [Albuquerque], then we all discussed it, we thought it would be fun to be able to do something that showed two sides of the same story. So in “Ghost War” [American Vampire #13-16] you’re really dealing with the characters you’ve been following from issue one, with Skinner and Pearl and Henry, with these sort of big, epic consequences in the Pacific theater during World War II. Then in Survival of the Fittest we wanted to do something that really showed the sort of underbelly, the kind of secret missions, sort of black ops, you know, a story that also dealt with World War II, and happened almost the same time but would be in Europe, as opposed to the Pacific theater. So we thought it would be really fun for an era that had such -- you know, appropriate, I guess -- for an era that had such global consequences, in terms of what was happening at the time, to be able to expand the scope of our world and our story and do something that wasn’t just one linear narrative.

 

CC: Sounds great, and “fun” alone would have been sufficient answer.

 

SS: [Laughs] yeah, and it will be fun!

 

CC: Felicia Book is an exceptionally well-developed character …

 

SS: She’s one of my favorites. I’m very excited – she’s someone we have a lot of stories for. So I’m really excited for her.

 

CC: How would you describe her? How do you see her in your head?

 

SS: What’s fun about writing her for me, is she’s so conflicted. I really gravitate towards characters – obviously my favorite DC character in the superhero world is Batman. I love characters that are flawed and conflicted and sort of exceptionally human in that way. And for me she’s someone who is sort of terrorized by this notion that she’s been born with this vampire blood running through her veins. And it’s not only that, but it’s the blood of the man who killed her father, and whom her mother hates. So she’s sorta has this conflict raging inside her forever, where she despises the part of herself that’s vampiric, and yet at the same time it’s part of who she is. And that was the fun of the arc in Survival of the Fittest, you take two characters, her and Cash, who both are plagued by the vampire virus in a way that is essentially – they see it as a virus – they’re both plagued by it because Cashel has a son, who's infected, a baby boy, who was infected by Skinner Sweet, so he’s a little baby vampire, and [Cash] is looking for a cure. And [Felicia] is looking for a cure for herself. And so she’s a character who I adore and I love writing, because I think it makes her all the more heroic to have these kinds of inner demons and conflicts to overcome, like all of us do.

 

CC: With the ending of Survival, with the "cure" angle, you seem to be bringing the story of the McCogans and Books to a close.  But I assume we’re going to see more stories with some of these characters?

 

SS: With her? Oh, absolutely. I can’t say exactly what yet, but they’re already in the works. She’s going to play a very big part in the mythology of American vampires, as is Cashel’s son.

 

CC: Moving right along, in "Ghost War" the vampires of Taipan seem able to hurt Skinner worse than other breeds of vampire. I’m not sure what was going on there. Did they just cut him worse, or was he unable to heal, or what?

 

SS: We wanted to create a world where different species of vampire are vulnerable to each other in different ways. Skinner is one of the most powerful vampires on earth. He’s faster and stronger, and he injects this venom from his fangs that paralyzes you. He’s not particularly vulnerable unless it’s a moonless night, when there’s sort of such little solar light on the planet, that he’s sort of much more tender, his skin and everything, and he’s much more capable of being hurt. But at the same time, we wanted to say, ‘Look, here’s a type of vampire he’s never encountered’ and their claws just ripped through him. We don’t know why – is it because they’re made of a certain type of material, like a certain kind of bone? Is it just that he has sensitivity to them because they have some sort of gold dust inside of them? We don’t know at that point. I mean, we know internally [laughs], but we wanted to see that vampires are surprised by each other. And here you might be very, very good at tearing down all the classic European vampires, the Carpathian species, the Dracula type. But part of the fun of the series for us is really developing new species, both ancient ones and brand new ones, as bloodlines evolve, that really sort of take each other by surprise and are game changers in and of themselves.

 

CC: I’ve really enjoyed how you’ve shown how the Carpathian vampires – who are used to being cock of the walk and masters of all they survey – are surprised by American vampires.

 

SS: Their whole history, too – that whole story of why they became the dominant species is something we’ve hinted at, as part of one of the mysteries of the series, is something we’re going to explore in these upcoming issues, very prominently, in the upcoming arcs. The idea of how and why they’ve gotten all these that came before them on the run.

 

CC: Speaking of different vampire species, the older breeds of vampires that were brought back to unlife in Survival of the Fittest – the giant, the werewolf-looking thing, the bat-looking thing – that kinda suggests that some of our other myths and legends that we don’t normally associate with vampires were in fact inspired by vampires. Like the Cyclops, werewolves, etc. Is that something you’re going to explore?

 

SS: It’s definitely something we’re going to play with. In fact, in issue 26 and issue 27, we’re going to do a story with Calvin, the African-American soldier who becomes an American vampire at the end of "Ghost War," and in that two-parter we’re going to explore that idea quite a bit. I don’t want to give away what the connection is, but it’s something we’ve had built into the outline and the mythology from the very start.

 

CC: My brain went into overdrive seeing that giant, thinking of all the previous myths and legends involving giants that could easily have been vampires.

 

SS: Right. We’re excited about that. The idea is that the vampires are a species [whose] root classification is Homo Abominus. There’s no ‘Vampire’ in there. It doesn’t say ‘Vampirus.’ So, as seen in the root, then it kinda splits into Homo Abominus Americana this, and so on. We wanted to leave room also for a bit of mystery for readers, to see that it doesn’t just say vampire. It says a bloodline has bigger implications. It is something that dates back in a way that you know goes to ancient times in ways that would be surprising for people to discover that it’s not necessarily limited to what we consider vampires nowadays to be.

 

CC: Speaking of Calvin, he’s the first African-American vampire. Was his race a deliberate choice, or is that just a natural consequence of our melting pot?

 

SS: Well, it was more a consequence of the story, but then I started thinking about it, and to be honest, there were a lot of issues and a lot of stories we wanted to tell that had to do with civil rights. And he seemed like a great figure based on the fact that I love writing him as a character to give the most breathing room. We also intended on bringing him back. We brought him back pretty fact, actually, in issue 27, because I really loved writing him and I also loved his point of view. He’s someone whose history we don’t know. But he’s very dedicated to the cause essentially of wiping out vampires. He’s also extremely sensitive. He’s very, he’s the kind of guy who, he’s sort of a … he’s introspective, he’s not sort of this big, brawling, tough type of vampire killer. And he used to be science teacher, a high school science teacher in a black neighborhood before whatever terrible thing happened to him to turn him into who he is in terms of being a member of the Vassals and having this dedicated mission, happened to him.

 

CC: Now he’s got a big conflict, given that you like writing conflicted characters, in that he’s a vampire killer and a vampire.

 

SS: Yeah! Believe me, all of those things … there’s stuff coming up that’s gonna be a lot of fun with that in terms of people of conflicted nature that I think Pearl has been representative of since the beginning, where she’s someone who wants to be a good person, and is a good person, yet feels this dark undertone of blood. One of the things we wanted to introduce is that different species have bloodlines that change people in different ways once you’re infected with them. Some of them turn you into a mindless monster like on Taipan, other ones turn you into a version of yourself where you don’t have much pull toward the dark. Other ones, like the Carpathian line, do pull you very close to the dark. So we really wanted it to have the bloodline itself create the conflict. And that conflict in Pearl I think from the very beginning, about being a good person and trying to live a good life, and yet feeling these sort of desires that the American bloodline sort of brings up. I find that endlessly interesting and also … she’s probably my favorite character in the whole series.  

 

CC: Do you see American Vampire as Pearl’s book? In the beginning I assumed it would be the story of Skinner Sweet, but she seems to have taken over and become the star. Is that how you see it?

 

SS: It’s hard to say! I think they’re twins in that way. I think they’re definitely very tied together in my mind, more than any other two characters in the series, except for maybe one other, who I don’t want to name. … He’s gonna be another pillar in the series in the future. But the two of them really to me also represent, in the very beginning they represent different sides of what I consider important facets of the American character even though they were really individuals and flesh-and-blood people to me. They sort of also were hallmarks of different things. Like Skinner has this sort of rebellious attitude, never confined, never civilized, love of mayhem, that sort of sense of rebirth through destruction and violence, and the wild frontier, all of those things that I think are really part of a certain kind of iconography of the American imagination. Pearl, on the other hand, is to me that tend to pull yourself up by your bootstraps, be a good person, that sort of determined, tough, modern girl which is also very iconic. They represent two different things to me. They are also very drawn towards each other, both because of the link they have through the blood, but also because as much as they hate each other, I think they also kind of love each other. And she’s always pulled between him and Henry. I think in some ways things are going to be really rotten there in stories coming up.

 

CC: With "Ghost War," Henry has aged maybe 15-20 years beyond Pearl. Obviously, this disparity will only grow. Is that a plot element, or we should just accept that their love can overcome it?

 

SS: No, it’s a big plot element. In fact, I just handed in issue 29 – issues 28, 29, 30 and 31, not to get too far ahead – those are stories that feature these characters too, and it’s a major element. Because one of the things I love about the two of them is that they’ve made a pact that maybe she will turn him into a vampire, but they’ll never do it out of fear. They’ll never do it out of fear that suddenly that they’re going to lose one another. They’ll make a decision together that they want to have this second life. But that also puts them in a lot of danger, because if something terrible happens to Henry before they do that, then Pearl will be left alone. Those are big story elements coming up, and we wanted to treat that pact they made very respectfully, because I find that, to me, one of the most heroic and interesting things in the series between characters. I love the idea that he’s growing old and when we get to the ‘50s you’ll see people think that he’s her father, and that she’s taking care for her father, and it becomes more of an element that she’s moving through time unchanged, and he isn’t.

 

CC: Do you have an ending in mind for American Vampire, or will it keep going indefinitely?

 

Pamela Mullins (DC Public Relations): Never! It’s like vampires, never-ending!

 

SS: I do have a really big ending in mind actually that’s been written in from the very beginning when I pitched it to Vertigo, and Rafael knows it, and Mark and even [Survival of the Fittest artist] Sean [Murphy]. Who I love, by the way, and I want to say nice things about. … I want to also say how grateful I am that I’ve gotten to work with both of them artistically, they’re just terrific and Dave McKean on colors, and Dave Stewart. I have such a great team. But that ending, yeah, it’s known to all of us and it’s something that’s lets me know why certain things happen now, not just in plot but in character stuff I’m building towards. It’s a big finale. The funny thing is as we’re going forward though we keep finding these stories we want to tell on the way there. It’s kind of like a road trip from one side of the country to the other, then you keep discovering strange attractions along the side of the road you want to explore.

 

CC: When will we find out why the Vassals of the Morning Star are named that?

 

SS: Oh, well the Vassals of the Morning Star are a major part of the series. All of the miniseries we do will be from their files. We wanted to create a place with them where you would learn the history, the deepest stuff about the mythology of our series, the history of vampires, the sort of evolution of vampires, that’s in their files. So in their stories that’s where you’ll learn those things. And you’ll also learn about them and where they came from. So you could look for it in the miniseries as we do more. And also you’ll see more of it, it creeps out, little by little, but they have their own history that I think will be a lot of fun once we get to some of the milestone books, to give some of the big shocks and reveals about where they come from, who founded them, and why they were founded and how they’ve changed over the years. Because you’re also going to come and clash with a lot of things in the twentieth century as we move into the second half of that century and the American government and the idea that America is very emboldened at that time in the postwar world. And, even though they’re trying to adapt and set up American bureaus, they are sort of a very Old World, old European institution. And they find themselves very at odds with this young and brash government.

CC: I always knew “Morning Star” could refer to Lucifer, but I looked it up and found references to Jesus, Mary, ancient Babylonian kings, even phosphorus.

 

SS: I don’t want to give anything away, but they’re founded in a certain way around certain ideals, but those ideals I think will be surprising to people when they see the history of the series, and to really bring it back to the idea of original evil and ancient evil. What is evil, when you’re talking about science, when you’re talking about evolution?

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My Wish List Never Gets Shorter

12134171490?profile=originalI have a problem. My wish list never gets shorter. I buy a bunch of back issues- maybe a complete run from eBay or an assortment of odds & ends from mycomicshop.com- and soon my wish list is just as long as it was before the purchase.


I guess the real problem is that I like comics. I like a lot of comics. And I like a lot of different comics. I like the comics that come from my childhood and give me that warm nostalgic feeling inside, like drinking hot chocolate. I like the comics that came out when I was entering adulthood and discovering so many new things about life, music and well, comics. I like the comics that are coming out right now and I can’t keep up with all of them. And I like to read the classics that were published before I was born, especially the ones that stand up against the test of time. With so many great and interesting comics over the years, it’s no wonder that my wish list is extensive.


Another part of the problem is that I’m easily susceptible to suggestion. I admit it. When I see an ad on TV for pizza, I get a craving for pepperoni and cheese. I hear a song on the radio, I want to go home and play the album. I can’t be coerced into wanting something I don’t like. But I can be reminded of an interest and have it reignited.

12134171870?profile=original

 Last year, I completed my collection of Generation X- a great series that came out in the ‘90s when I 

was getting back into comics. I had a lot of fun re-reading my favorite issues. 

And I enjoyed the work of some of the creative teams that came along after I had dropped the series. However, as I flipped through each issue, I was rem


inded of other series that caught my eye at the time but that, for one reason or another, I hadn’t followed regularly. My interest was rekindled in cool, late ‘90s series, like Heroes for Hire by John Ostrander and Pascual Ferry. 


I remembered that I wanted to finish my collection of Ka-Zar by Mark Waid and Andy Kubert. And my interest was sparked in titles I had ignored back then, like Maverick (was that Jimmy Cheung before he became a superstar!?). I completed one series only to be inspired to pick up three others.

That’s not an isolated incident either. Last year, I also bought a complete run of Firestorm. I loved Firestorm when I was a little kid but I didn’t have that many of the comics. It was a blast to buy them, and an even bigger thrill to read them. That feeling was so good that I wondered if I could recapture it. Maybe I could buy another complete run of something like Master of Kung Fu. Maybe I could complete my collection of another fun ’80s series like Infinity Inc., Legion of Superheroes or Spectacular Spider-Man. Maybe I simply needed to buy more Firestorm- my collection of the Jason Rusch run is woefully incomplete. See, my wish list never gets shorter! Every purchase piques my interest in something else. 

12134172484?profile=original

I suppose there is a bright side. For one thing, it means I always have something to look forward to. Honestly, the anticipation is part of the fun. I take pleasure in the pursuit of new comics- or older comics that will be new to me. It’s fun to go to a comic shop and flip through back issue bins. It’s fun to fill out an order and have it arrive in the mail.

It also means that I always have something that I’m interested in. I don’t get bored of comics. Not in general. I may become disinterested in a specific series but not in the format, not in the medium. It’s good to be re-inspired from time to time. It’s good to be reminded how much interesting stuff is out there.

I also don’t fear the much-predicted end of comics. If Marvel and DC and everybody else went bankrupt, I’d be fine. Sure, I’d miss new comics. And I’d miss going to the store every couple of weeks. But there are so many back issues to buy- so many series I’ve never even read- that I’d be able to keep going for a long time.

I guess the best part is that I always have a nice pile of comic books or trade paperbacks on the shelf. I always have something to read, something to enjoy, something to love. 

My wish list never gets shorter. Although that’s occasionally aggravating, it’s actually a very, very good thing.


Ps. My Netflix queue never gets any shorter either.

Pps. Don’t tell anacoqui. She’ll just roll her eyes at me. 

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Comics for 21 March 2012

AMAZING SPIDER-MAN #682
ANITA BLAKE CIRCUS DAMNED SCOUNDREL #5 (OF 5) (MR)
ARMY OF DARKNESS ONGOING #2
ASTONISHING X-MEN WHEDON CASSADAY ULT COLL TP BOOK
AVENGERS ROAD TO MARVEL AVENGERS TP
AVENGERS WEST COAST LOST SPACE TIME PREM HC
AVENGERS X-SANCTION #4 (OF 4)
AXE COP TP VOL 03

BART SIMPSON COMICS #69
BATMAN #7
BATMAN BEYOND UNLIMITED #2
BATMAN ODYSSEY VOL 2 #6 (OF 7)
BIG BOOK OF KOLCHAK NIGHT STALKER TP
BIRDS OF PREY #7
BIZARRO SUPERMAN II SYMBOL T/S
BLUE BEETLE #7
BPRD HELL ON EARTH LONG DEATH #2
BPRD PLAGUE OF FROGS HC VOL 03

CAPTAIN ATOM #7
CATWOMAN #7
CHARLAINE HARRIS GRAVE SIGHT GN VOL 03 (OF 3)
CLASSIC GI JOE TP VOL 14

DARK HORSE PRESENTS #10
DARKNESS #101 (MR)
DC UNIVERSE ONLINE LEGENDS #26
DC UNIVERSE PRESENTS #7
DEAD MANS RUN #2
DEADPOOL #52
DIABLO #3 (OF 5)
DOMINIQUE LAVEAU VOODOO CHILD #1 (MR)

EERIE PRESENTS HUNTER HC
ELEKTRA ASSASSIN PREM HC (MR)

FABLES #115 (MR)
FATHOM VOL 4 #5
FEAR ITSELF FEARLESS #11 (OF 12)
FLASHPOINT WORLD OF FLASHPOINT GREEN LANTERN TP
FLASHPOINT WORLD OF FLASHPOINT THE FLASH TP
FORMIC WARS SILENT STRIKE #4 (OF 5)
FREAKY MONSTERS MAGAZINE #8

GENERATION HOPE #17
GFT ALICE IN WONDERLAND #3
GFT JUNGLE BOOK #1 (MR)
GHOSTBUSTERS ONGOING #7
GOON #38
GREEN LANTERN CHRONICLES TP VOL 04
GREEN LANTERN CORPS #7
GRIMM FAIRY TALES #69

HACK SLASH #14 (MR)
HAUNT #22
HEART #4 (OF 4) (MR)
HELLBLAZER #289 (MR)
HOAX HUNTERS #0

INCREDIBLE HULKS WORLD WAR HULKS HC
INFESTATION 2 TMNT #2 (OF 2)
INVINCIBLE IRON MAN #514

JOHN CARTER GODS OF MARS #1 (OF 5)
JOURNEY INTO MYSTERY FEAR ITSELF FALLOUT PREM HC
JUSTICE LEAGUE #7
JUSTICE LEAGUE RISE AND FALL TP

KICK-ASS 2 #7 (OF 7) (MR)
KIRBY GENESIS SILVER STAR #4
KNUCKLES THE ECHIDNA ARCHIVES TP VOL 02

LAST OF THE GREATS TP VOL 01 (MR)
LEGION OF SUPER HEROES #7

MARVEL FIRSTS 1970S TP VOL 02
MARVELS AVENGERS PRELUDE FURYS BIG WEEK #2 (OF 4)
MEMORIAL #4 (OF 6)
MICHAEL KALUTA SKETCHBOOK SERIES SC VOL 01
MONOCYTE #3 (OF 4)

NANCY IS HAPPY GN COMPLETE DAILIES 1943-1945 (RES)
NEAR DEATH #6
NEW MUTANTS #39
NIGHTWING #7
NO PLACE LIKE HOME #1 VAR CVR 2ND PTG (MR)
NO PLACE LIKE HOME #2 (MR)

PEANUTS #3 (OF 4)
PETER PANZERFAUST #1 VAR CVR 2ND PTG (MR)
PLANET OF THE APES #12
PROPHET #23

RAGEMOOR #1
REBEL BLOOD #1 (OF 4) (MR)
RED HOOD AND THE OUTLAWS #7
RED ROBIN SEVEN DAYS OF DEATH TP
REED GUNTHER #9
ROBOCOP ROAD TRIP #4 (MR)
ROCKETEER ADVENTURES 2 #1 (OF 4)

SCARLET SPIDER #1 3RD PTG
SIXTH GUN #20
SMOKE AND MIRRORS #1 (OF 5)
SNAKE EYES ONGOING (IDW) #11
SONIC UNIVERSE #38
STAN LEES MIGHTY 7 #1
STAR TREK LEGION OF SUPERHEROES #6 (OF 6)
STAR TREK ONGOING TP VOL 01
STAR WARS DAWN O/T JEDI FORCE STORM #0 2ND PTG
STAR WARS DAWN O/T JEDI FORCE STORM #2
STAR WARS OLD REPUBLIC TP VOL 03 LOST SUNS
STAR WARS OMNIBUS OTHER SONS OF TATOOINE TP
STEED AND MRS PEEL #3 (OF 6)
STEPHEN KING JOE HILL ROAD RAGE #2 (OF 4)
STRANGE TALENT OF LUTHER STRODE #6 (OF 6) (MR)
SUPER DINOSAUR #9
SUPERCROOKS #1 (OF 4) (MR)
SUPERGIRL #7
SUPERMAN 52.1 SYMBOL T/S

THUNDER AGENTS VOL 2 #5 (OF 6)
THUNDERBOLTS #171
TINY TITANS #50

ULTIMATE COMICS X-MEN BY NICK SPENCER PREM HC VOL
UNCANNY X-MEN #9

VAMPIRELLA #15
VENOM BY RICK REMENDER TP VOL 01

WITCHBLADE #154
WOLVERINE #303
WONDER WOMAN #7

X-FACTOR #233
X-MEN FIRST TO LAST TP

YOUNG JUSTICE #14
YOUNG MISS HOLMES COLL TP VOL 01 CASE 1-2

ZORRO RIDES AGAIN #9

I copied this list from memphiscomics.com. Arrivals at your LCS may vary.

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The Best of Friends

12134166686?profile=originalWe read comics for the action- the fistfights and the big explosions.  We read comics for the superheroes- the bright costumes and the capes.  But we also read comics for the relationships- the romances, the mentors and students, the close-knit team.  Over the years, comics have given us some great friendships.  Here are ten of the best of them. 

 

10. Gambit and Bishop: In real life, friendships are usually based on common interests.  But in fiction, the most interesting friendships are often the ones that bring disparate personalities together.  Bishop was initially suspicious of Gambit, thinking he was a traitor to the team.  However, even before Gambit was exonerated, Bishop overcame his aloofness.  Gambit’s charm was the perfect counterpoint to Bishop’s sullenness, eliciting a cheerful side and even a sense of humor that we hadn’t seen before.12134167095?profile=original

 

9. Wonder Man and Beast: This is another wonderfully whimsical combination.  They made a great pair while they were on the Avengers.  However, they weren’t on the same team for that long a time.  Instead, their friendship truly blossomed after they were separated.  Their reunions and guest appearances were always a delight, and something to definitely look forward to.

 

12134168052?profile=original8. Captain America and Iron Man: This may be a controversial choice as their relationship has been rocky since Civil War.  But that’s what made Civil War so poignant.  Before that, Steve and Tony had been staunch allies and great friends.  Their friendship was defined for me by a series of stories in 1994 and ’95 when Captain America’s super soldier serum was wearing off and Stark Industries was beset by scandal.  The two heroes sat down for a chat in Iron Man #303 and I’ve rarely seen a better depiction of “old friends.” 

 

12134168094?profile=original7. Dick and Donna: Whether they’re Robin and Wonder Girl or Nightwing and Troia, Dick and Donna have always been great friends.  This is a particularly unique combination in that it’s one of the few male-female friendships.  When all of the other Teen Titans were flirting with Wonder Girl, Robin treated her as a true peer.  They relied on each other.  They helped each other.  And they were there to support each other when other relationships went sour. 

 

12134168856?profile=original6. Archie and Jughead: When I was a little kid, I wanted friends like Archie and Jughead.  And, to some extent, my friendships in high school and college were a lot like that.  We just wanted to hang out and have fun, eat hamburgers and flirt with girls.  I can see now that their competing interests kept drawing them away from each other.  But I also know that the deep friendships of youth never truly leave you. 

 

12134169272?profile=original5. Green Lantern and Flash: This is a friendship that spans generations.  It started in World War II when Alan Scott and Jay Garrick would team up in Comic Cavalcade.  It blossomed during the Silver Age when Hal Jordan and Barry Allen became best pals.  And it continued into the modern age when Kyle Rayner and Wally West related to each other as the young kids of the JLA. 

 

12134169673?profile=original4. Blue Beetle and Booster Gold: They’re arguably the most famous friendship in comics.  At one point, they were practically inseparable.  They came to the Justice League separately, but they gelled as soon as they were on a team together.  They were the perfect comedy team, cracking jokes and creating hi-jinx.  However, the friendship wasn’t always good for their reputations as heroes. 

 

12134170269?profile=original3. Wolverine and Nightcrawler: This is one of my favorite friendships and it’s summed up for me in a single line on the cover to Uncanny X-Men #172: “Hey elf, don’t forget the beer- W.”  They had a casual camaraderie that was a perfect for hanging out, playing games, drinking beer, joking around and making silly wagers.  But that casualness belied a deep connection.  That line was written on Wolverine’s wedding announcement, singling Nightcrawler out for affection and essentially asking him to be his best man. 

 

12134170471?profile=original2. Cyborg and Changeling: You never forget your first and Cyborg and Changeling comprised the first friendship that I truly experienced through comics.  Like several of the other combinations, they were a bit of an odd couple.  Cyborg was quiet and stoic.  Changeling was outgoing and comedic.  Yet they complemented each other perfectly. 

 

12134170088?profile=original1. Black Canary and Oracle: There have been a lot of pairs of teammates over the years and I considered some of them for this list but no one has ever worked together quite like Black Canary and Oracle.  Their relationship surpassed teamwork.  They acted in concert, almost as if they were one person.  That close connection carried over into their personal relationship as well.  They were the best of friends even as new teammates, students and adopted daughters entered the picture. 

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Vertigo re-launches with four new titles

Andrew A. Smith

Scripps Howard News Service

DC’s re-launch of its 52-title superhero line last September made explosive headlines, and now the publisher is upgrading its mature-reader line, Vertigo – albeit on a somewhat smaller scale.

 

Four new titles launch in March, three ongoing and one miniseries. DC recently published a preview, given away free at comic shops, with seven pages of each new series. That’s not enough to really offer an opinion – but I’m a fanboy, so naturally I will.

 

12134164856?profile=originalThe title I’m most excited about is Fairest, a companion title to Fables, which has run more than 100 issues (and various miniseries) extrapolating adventures of fairy-tale characters as if they have always existed – immortal (if enough people remember them), enchanted and hiding just outside our perceptions. Remember the Prince Charmings from “Snow White and the Seven Dwarves,” “Cinderella,” and half a dozen other stories? Writer Bill Willingham posits that they’re all the same guy, which means he’s something of a cad (but very charming). Jack Frost, Jack the giant-killer, Jack Sprat – all the Jacks, every one, are all the same guy. Which means he’s not terribly stable, but he does get around. You get the drift.

 

12134165063?profile=originalAnd in Fables, we’ve met some very formidable women: Snow White (wife of the Big Bad Wolf), Cinderella (an ultra-competent espionage agent), Beauty (of “… and the Beast,” mayor of Fabletown), and so forth. We’ve also met some women with problems, like the emotionally damaged Rose Red and the cursed Sleeping Beauty.

 

The current adventures of these fascinating females have been terrific fun, and now Fairest promises their previous adventures, which should be equally entertaining. Willingham is again the writer, with award-winning “good girl” artist Adam Hughes on covers, and fan-favorite Phil Jimenez (Wonder Woman) on board for the first storyline (starring Briar Rose).

12134165863?profile=originalA second title setting my comic-book senses a-tingle is The New Deadwardians, a miniseries set in a world mirroring England’s post-Victorian period, where the lower classes have all become zombies, and the upper classes have become vampires to protect themselves. The middle class is still human, but even so London homicide detective George Suttle usually has very little to do, given that most people are already deceased. That changes in the first issue, where an aristocrat turns up dead – well, deader – and Suttle must investigate the murder, which promises to show how the world got this way. Vertigo has already tested these waters with two “Victorian Undead” series – starring Sherlock Holmes fighting zombies and vampires – and if that’s any indication, Deadwardians ought to be good, wholesome, corpse-ridden fun.

 

I’m mildly intrigued by Saucer Country, starring the Mexican-American (and female) Gov. Arcadia Alvarado of New Mexico, who is planning to run on the Democratic ticket for president until she appears to be abducted by aliens. I’m not a big UFOlogist (is that a word?), but the part of the premise that intrigues me is the open use of real-world politics. I don’t want all my comics to become political screeds, and most comics publishers avoid politics so as to not alienate any potential reader, so every once in a while I like to see a comics writer try to tackle relevant issues and not just fantasy.


12134166272?profile=originalThe preview of the fourth title, Dominique Laveau: Voodoo Child, doesn’t do much for me. It appears to be the cliché of a twentysomething discovering that they are “the promised one,” with various hidden factions battling for control over him or her (See: The Matrix). In this case it’s a her, a Tulane grad student, who – at a guess – will discover she is the descendant/reincarnation of Marie Laveau (the historical Voodoo Queen of New Orleans), or the new Voodoo Queen, or something similar. Been there, done that, played the videogame. Nor do I much care for the art, by comics veteran Denys Cowan, which relies heavily on scratchy-scratchy rendering I find unappealing.

 

These four books join a line that has canceled or ended a few series recently (DMZ, Northlanders, Scalped) but is still running strong on a line of core titles I truly enjoy, including American Vampire (about a new, more dangerous Wild West breed of bloodsucker), the aforementioned Fables, Hellblazer (starring John Constantine of movie fame), iZombie (a black comedy about monsters trying to fit in) and Sweet Tooth (a sweet-natured tale of post-apocalyptic human-animal hybrids).

 

The four new books fit in well at Vertigo, a line where the only thing the books have in common is a unique vision.

 

Contact Andrew A. Smith of the Memphis Commercial Appeal at capncomics@aol.com

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Comics for 14 March 2012

ACTIVITY #4
ADVENTURE TIME #2
ADVENTURE TIME #1 (3RD PTG)
ARCHIE THE MARRIED LIFE TP VOL 02
ART OF MOLLY CRABAPPLE SC V1 WEEK IN HELL
ART OF TARA MCPHERSON HC V3 BUNNY MOON
ARTIFACTS #15
ASTONISHING THOR TP
AVENGERS #24
AVENGERS ASSEMBLE #1
AVENGERS ASSEMBLE HISTORY OF EARTHS GN
AVENGERS CHILDRENS CRUSADE HC
AVENGERS HERO 8-IN AF ASST
AVENGERS VS X-MEN BY KUBERT POSTER

BATGIRL #7
BATMAN AND ROBIN #7
BATMAN YEAR ONE DELUXE EDITION HC
BATTLE SCARS #5 (OF 6)
BATWOMAN #7
BLACK BAT GN
BLUE ESTATE #10 (MR)
BTVS SEASON 9 FREEFALL #7
BUCKAROO BANZAI #1 (RES)

CAPTAIN AMERICA #9
CARNAGE USA #4 (OF 5)
CARTOON NETWORK ACTION PACK #67
CHARMED #19 (MR)
COMEBACK KINGS #2 (RES)
COMPLETE CRUMB TP V1 EARLY YEARS
COMPLETE PEANUTS HC VOL 17 1983-1984
CONAN THE BARBARIAN #2
CRIME DOES NOT PAY ARCHIVES HC VOL 01

DAKEN DARK WOLVERINE #22
DARK MATTER #3 (OF 4)
DARK SHADOWS #4
DARKNESS ACCURSED TP VOL 06 (MR)
DC UNIVERSE BY ALAN MOORE HC
DC UNIVERSE ONLINE LEGENDS TP VOL 02
DEADPOOL #50 2ND PTG
DEATHSTROKE #7
DEMON KNIGHTS #7
DOCTOR WHO ONGOING VOL 2 #15
DRAW #22

ELRIC THE BALANCE LOST #9
EXILE ON THE PLANET OF THE APES #1 (OF 4)

FANTASTIC FOUR #604
FATHOM KIANI VOL 2 #0
FEAR ITSELF HERC PREM HC
FLASHPOINT WORLD OF FLASHPOINT BATMAN TP
FLASHPOINT WORLD FLASHPOINT SUPERMAN TP
FLASHPOINT WONDER WOMAN TP
FRANKENSTEIN AGENT OF SHADE #7

GEARHEARTS STEAMPUNK GLAMOR REVUE #2
GEORGE PEREZ ART OF HC
GFT DREAM EATER SAGA TP VOL 02 (MR)
GFT PRESENTS NEVERLAND HOOK #4
GLORY #24
GODZILLA LEGENDS #5 (OF 5)
GREEN LANTERN #7
GRIFTER #7
GRIMM FAIRY TALES #68
GRIMM FAIRY TALES SINBAD TP

HAWK AND DOVE GHOSTS AND DEMONS TP

INCREDIBLE HULK #6
INFESTATION 2 GI JOE #1 (OF 2)

JOURNEY INTO MYSTERY #635

KINGS OF THE JUNGLE ILLUSTRATED REFERENCE TO TARZA
KNIGHTS OF THE DINNER TABLE #184

LEGION LOST #7
LOBSTER JOHNSON THE BURNING HAND #3 (OF 5)

MARKSMEN #6 (OF 6)
MARVEL FIRSTS 1970S TP VOL 02
MARVEL UNIVERSE 6-IN AF ASST 2012
MEGA MAN #11
MISTER TERRIFIC #7
MMW MIGHTY THOR HC VOL 11
MONSTERMEN AND OTHER SCARY STORIES HC
MORIARTY TP VOL 02 LAZARUS TREE
MOUSE GUARD BLACK AXE #4 (OF 6)
MY GREATEST ADVENTURE #6 (OF 6)

NANCY IN HELL ON EARTH #2 (OF 4) (MR)
NINJETTES #2 (MR)
NORTHLANDERS #49 (RES) (MR)
NORTHLANDERS TP VOL 06 THORS DAUGHTER (MR)
NOWHERE MAN #2 (OF 4)

ORBIT CAST OF DOCTOR WHO
ORCHID #5

PC CAST HOUSE OF NIGHT #5 (OF 5)
PETER PANZERFAUST #2 (MR)
POWERS #9 (MR)
PUNISHER #9

QUATERMAIN #2
QUATERMAIN #3
QUEEN CRAB HC (MR)

RAY #4 (OF 4)
RESURRECTION MAN #7
ROBERT E HOWARDS SAVAGE SWORD #4

SAGA #1 (MR)
SAUCER COUNTRY #1 (MR)
SCARLET SPIDER #3
SECRET HISTORY OF DB COOPER #1
SHADE #6 (OF 12)
SHERLOCK HOLMES CROSSOVERS CASEBOOK SC
SHERLOCK HOLMES VICTORIAN KNIGHTS #2
SHOWCASE PRESENTS YOUNG LOVE TP VOL 01
SIMPSONS COMICS #188
SMURFS GN VOL 11 SMURF OLYMPICS
SNAKE EYES ONGOING TP VOL 02
SPAWN NEW BEGINNINGS TP VOL 02
SPAWN ORIGINS TP VOL 14
STAR TREK 100 PAGE SPECTACULAR 2012
STAR WARS AGENT O/T EMPIRE IRON ECLIPSE #4 (OF 5)
STAR WARS KNIGHTS OF THE OLD REPUBLIC WAR #3 (OF 5)
STRAIN #4 (OF 12) (MR)
STUFF OF LEGEND TP VOL 03
SUBCULTURE WEBSTRIPS GN RETURN OF THE KINGS THRONE
SUICIDE SQUAD #7
SUPERBOY #7

THIEF OF THIEVES #1 VAR CVR 2ND PTG
THIEF OF THIEVES #2
TRANSFORMERS MORE THAN MEETS EYE ONGOING #3
TRANSFORMERS TP VOL 07 CHAOS

ULTIMATE COMICS AVENGERS VS NEW ULTIMATES DOSM TP
ULTIMATE COMICS X-MEN #9
UNWRITTEN #35 (MR)

WAR GODDESS #6 (MR)
WARLORD OF MARS #16 (MR)
WOLVERINE AND X-MEN #7
WOMANTHOLOGY HEROIC HC

X-23 #21
X-MEN LEGACY #263
X-MEN SEASON ONE PREM HC

The above list has been copied from memphiscomics.com. Arrivals at your LCS may vary.

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Andrew A. Smith

Scripps Howard News Service

 

If you’re wondering who John Carter is, and why there’s a big, splashy movie about him premiering March 9, let me add two words that will make it all clear:

 

Of. Mars.

 

Does “John Carter of Mars” sound more familiar? It should, because he’s a character that’s been around for exactly a century. His first story began in 1912 in the pulp magazine The All-Story, and was called “Under the Moons of Mars.” It was re-titled A Princess of Mars when it was released as a novel in 1917, with 10 more novels following.

 

12134162667?profile=originalStill not ringing a bell? Then maybe the author’s name might help: Edgar Rice Burroughs. That’s right, the creator of Tarzan of the Apes.

 

Got it now? I’d hope so, because John Carter of Mars is relatively famous, which is why it’s a mystery why Disney decided to drop the “of Mars” for this film’s title, given that the ERB series is the great-grandfather of movies like Avatar and Star Wars. I can understand why Disney would avoid naming it “A Princess of Mars,” since a poorly received movie of similar name – one based verrrrry loosely on the ERB work – sank without a trace in 2009 (starring, believe it or not, Traci Lords).

 

But John Carter of Mars is a big fave in the sci-fi crowd, of which I am a happy member. The first book I ordered from the Science Fiction Book Club in 1968 was A Princess of Mars, and Dejah Thoris – the titular princess – aroused strange longings in my pre-adolescent self. I desperately wanted to be John Carter, a Civil War officer mysteriously transported to Barsoom – that’s what the natives call it – where he can hop around like a grasshopper and is much stronger than he should be, due to the lower gravity and thinner atmosphere. So even Superman owes a debt to John Carter, since his powers were the same in his 1938 debut, and his creators used the same explanation.

 

Speaking of Barsoom’s atmosphere, the first novel establishes that it’s slowly dissipating, suggesting that Carter might have moved through time as well as space – and that the planet is doomed to be as lifeless as it appeared to the scientists of the mid-1800s. But as a Confederate, John Carter is used to lost causes, and he won’t let that happen! Not with the gorgeous Dejah Thoris of the city-state Helium at his side! And his buddy Tars Tarkas, the mighty, green, four-armed Thark warlord! (Many creatures on Barsoom have extra limbs. The humans don’t have anything extra, except Dejah Thoris, who has an extra dose of va-va-voom.)

 

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In addition to trailblazing the whole interplanetary warrior thing (say “thank you,” Flash Gordon and Luke Skywalker), the John Carter books also moved in more-or-less real time, and eventually the novels were about the children of Carter and Thoris. One was named Carthoris, anticipating the celebrity portmanteaus of today.

 

While not as successful as his “big brother” Tarzan, John Carter has had his share of media exposure. He appeared in Big Little Books in the 1930s and ‘40s, and in a syndicated comic strip that ran from 1941 to 1943. He appeared in three Dell comics in the 1950s, as a backup in DC’s ERB books in 1972-73 and a four-issue miniseries at Dark Horse in 1996. The most successful series so far is John Carter of Mars by Marvel Comics, which ran 28 issues and three annuals from 1977 to 1979, and enjoyed the efforts of top creators like Marv Wolfman, Gil Kane and Dave Cockrum.

 

Currently the John Carter concepts are appearing in a variety of titles by Dynamite Entertainment, which brings us to another reason why you may have heard of John Carter lately. The character is in the public domain, but the Burroughs family’s company, ERB Inc., is suing Dynamite anyway for trademark infringement and unfair competition.

 

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As to the movie, it features faces familiar to fans of genre fiction, like Willem “Green Goblin” Dafoe, James “Solomon Kane” Purefoy, Mark Haden “Sandman” Church and Mark “Sinestro” Strong. And if the trailers to John Carter bring to mind Avatar or Star Wars, just remember that Edgar Rice Burroughs is a well from which both James Cameron and George Lucas have drunk deep.

 

As did my younger self, who to this day still dreams of red skies, green warriors and beautiful princesses.

 

Of. Mars.

 

Contact Andrew A. Smith of the Memphis Commercial Appeal at capncomics@aol.com.

 

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Photos:

1. John Carter (TAYLOR KITSCH) By Frank Connor ©2011 Disney. JOHN CARTER™ ERB, Inc.

2. Dejah Thoris (Lynn Collins) By Frank Connor ©2011 Disney. JOHN CARTER™ ERB, Inc.
3. White Apes, John Carter (Taylor Kitsch, center) ©2011 Disney. JOHN CARTER™ ERB, Inc.
4. The city of Helium, also referred to as "The Jewel of Barsoom (Mars)," is the home of Princess Dejah Thoris. ©Disney Enterprises, Inc. All rights reserved.
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The State of Star Wars

12134161056?profile=original35 years after Luke Skywalker destroyed the Death Star, Star Wars is a multi-billion, multi-media empire.  Cartoons, novels, video games and comic books stretch from the beginning of history to the distant future.  They explore places and races that are both new and familiar.  This year, Dark Horse is giving a big push to their line of Star Wars comics with new titles and returning favorites. 

 

Agent of the Empire: This is a new title by John Ostrander, set several years before the original movie.  The high concept is Star Wars meets James Bond.  Jahan Cross is an agent of the empire.  He’s a spy and he does his job well, but he’s not a cruel bully or imperial zealot.  The first mini-series, Iron Eclipse, has brought in a few familiar faces.  Jahan’s supervisor is Armand Isard whose daughter was a major villain in the X-Wing series of novels.  Plus, a couple of smugglers named Han Solo and Chewbacca cross paths with the imperial agent.  There’s potential for more guest stars in the future.  Personally, I’d love to see the imperial assassin and Empire’s Hand, Mara Jade.  

 

The mini-series started out a little soft.  It had a big action sequence but not much more than that.  However, I saw enough potential in the concept that I decided to keep going.  My faith has been rewarded.  The series has steadily improved as the double-crosses have started to pile up.  We’re also getting a clearer depiction of Cross.  He will do what he must in order to fulfill his mission, including kidnapping.   But he won’t go beyond what’s necessary, releasing his hostage after he’s acquired his target.  That show of mercy may be seen as weak by other imperials but it makes Cross stand out.  It should provide more interesting dilemmas as the series progresses.  Can you afford to be a spy with honor while working for an empire that has none?

 

12134161468?profile=originalCrimson Empire III: The first Crimson Empire story came out in 1997 and the second in ‘98.  All three stories star Kir Kanos, the last of the Imperial Guard- the crimson clad guardsmen seen protecting the Emperor in Return of the Jedi.  Like Jahan Cross, Kanos is an honorable man who has given his loyalty to an immoral empire.  However, Kanos’ empire has long since been defeated by the Rebel Alliance and his duty is no longer clear.  He has some loyalty to the remnants of the empire but little sympathy for the traitors, tyrants and brutes who lead it now. 

 

It’s an interesting set-up and you’re never quite sure which way Kanos will turn.  Frankly, the other characters aren’t sure which way Kanos will turn either.  He’s greeted skeptically and treated suspiciously by both rebel and imperials.  Kanos must constantly convince people to trust him.  That’s difficult for him as he trained to fight, not to speak.  Kanos is a sympathetic figure with a weariness that comes from too many defeats and too much isolation.  Unfortunately, the art isn’t quite up to the concept at this point.  Paul Gulacy was one of the best in the business once but his characters look waxen at this point and it’s hard to connect with them emotionally. 

 

12134161300?profile=originalDawn of the Jedi: This could quickly become my new favorite.  John Ostrander and Jan Duursema have been responsible for two of the best Star Wars series of the past dozen years: Republic and Legacy.  However, LucasFilm chose to end Legacy as they wanted to reserve the far future of Star Wars for the more profitable novels.  Ostrander and Duursema astutely chose to go in the opposite direction.  Dawn of the Jedi is the earliest setting for Star Wars to date.  It takes place shortly after the founding of the order, which is still known as the Je’daii.  They also throw in a few Easter Eggs for video game fans.  The Rakata Empire, an ancient and almost extinct species from the Knights of the Old Republic, show up here at the apex of their power providing a recognizable but independent foe for the early Jedi.

 

The first issue was a masterpiece.  It begins with a historical narrative, describing the appearance of the Tho Yor temples on various worlds and their eventual migration to Tythos where the new Je’daii order would begin.  It could have been dusty and academic, but it captured my interest and imagination even as it lifted my spirit.  That introduction allowed the reader to quickly become familiar with this new setting for Star Wars while also allowing Ostrander to jump over decades of build-up and into an immediate conflict between the fledgling Jedi and the expansive Rakata Empire.  Duursema’s art remains rich and luscious.  She easily captures the appearance of multiple species, even giving them uniquely appropriate body language.  It’s truly beautiful to behold.

 

12134162093?profile=originalKnights of the Old Republic: This is a returning series by John Jackson Miller.  The lead character is Zayne Carrick, a former Padawan who was framed for murder by his own Jedi Master.  At this point, Zayne is a free agent.  He has become fully trained in the Force but he has no allegiance to the Jedi Order and no interest in the Dark Side.  At the outset of this current series, titled War, Zayne has been drafted into the Mandalorian Wars.  These events are part of the backstory to the Knights of the Old Republic videogame and characters from that game have been known to appear in previous KotOR comics.  However, that’s an added pleasure for fans of the expanded universe and not necessary information for comic book readers.  I started the previous series unaware of the connections and enjoyed it immensely anyway.

 

The new series has been interesting so far.  Zayne is no longer the inexperienced Padawan.  He’s done a lot in his young life and is fairly confident in his abilities.  But, in many ways, he’s still an innocent.  He eschews blasters and is more interested in protecting survivors than in winning a battle.  He’s also still a little aimless as he’s drafted by one force and then another against his will.  Zayne continues to be tossed about by fate rather than someone who charts his own destiny.  That’s an observation, not a complaint, as it’s consistent with his past characterization.  I wish the art was a little better, though.  The original series had amazing art by Brian Ching.  The art on this series is passable, but not particularly distinctive.   

 

That’s not all.  There are other titles set in the past, in the future and in between.  Knight Errant takes place a thousand years before the movies and a generation before the Darth Bane novels when the Sith were numerous.  Invasion takes place during the Yuuzhan Vong invasion from the New Jedi Order novels, about 25 years after Return of the Jedi.  Darth Vader and Dark Times both follow the final movie, Revenge of the Sith.  The former shows the rise of a young Sith Lord in power and prowess.  The latter follows a former Jedi who has become an independent adventurer still trying to work for justice and peace.  There’s also a Clone Wars comic connected to the current cartoon, taking place between the movies Attack of the Clones and Revenge of the Sith.  Coincidentally, Dark Horse and LucasFilm recently announced the return of Darth Maul in both the cartoon and the comics at the end of the summer.  There’s a Star Wars series for almost everyone in almost every era.  

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Comics for 7 March 2012

30 DAYS OF NIGHT ONGOING #5
68 TP V1 BETTER RUN THROUGH THE JUNGLE (MR)

ACTION COMICS #7
AGE OF APOCALYPSE #1
AMAZING SPIDER-MAN #681
ANIMAL MAN #7
ASTONISHING THOR TP
AVENGERS 1959 TP
AVENGERS ACADEMY #27
AVENGERS CHILDRENS CRUSADE #9 (OF 9)
AVENGERS X-SANCTION #3 (OF 4) 2ND PTG

BATMAN BIRTH OF THE DEMON TP
BETTIE PAGE IN DANGER #2 (MR)
BEYOND THE FRINGE #1
BLUE HC (MR)
BOYS #64 (MR)
BOYS TP VOL 10 BUTCHER BAKER CANDLESTICKMAKER (MR)

CHARISMAGIC #5
COMPLEAT TERMINAL CITY TP

DC SUPERHERO FIG #102 STATIC SHOCK
DC UNIVERSE ONLINE LEGENDS #25
DEFENDERS #4
DETECTIVE COMICS #7
DICKS COLOR ED #2 (MR)
DOCTOR WHO CLASSICS SERIES IV #2 (OF 6)
DOCTOR WHO ONGOING 2 TP V3 CAME OUTER SPACE

EMITOWN TP VOL 02

FAIREST #1 (MR)
FAMOUS MONSTERS OF FILMLAND #250
FATALE #3 (MR)
FEAR ITSELF FEARLESS #10 (OF 12)
FERALS #3 (MR)
FLASHPOINT TP

GARTH ENNIS JENNIFER BLOOD #10 (MR)
GHOSTBUSTERS ONGOING TP VOL 01
GI JOE A REAL AMERICAN HERO #176
GI JOE VOL 2 ONGOING #11
GIRL GENIUS OMNIBUS HC VOL 01 AGATHA AWAKENS
GOTHAM CITY SIRENS TP VOL 04 DIVISION
GREEN ARROW #7

HAWK AND DOVE #7
HELL YEAH #1
HELLBOY TP VOL 12 THE STORM AND THE FURY
HONEY BADGER ADVENTURES #1
HULK #49
HUNTRESS #6 (OF 6)

INFESTATION 2 TEENAGE MUTANT NINJA TURTLES #1
IRREDEEMABLE #35
IZOMBIE #23 (MR)

JUSTICE LEAGUE INTERNATIONAL #7

KING CITY TP (MR)
KIRBY GENESIS CAPTAIN VICTORY #4

LADY DEATH (ONGOING) #15 (MR)

MAGDALENA #11
MANHATTAN PROJECTS #1
MARVEL MINIMATES SERIES 43 ASST
MARVEL UNIVERSE 6-IN AF ASST
MARVELS AVENGERS PRELUDE FURYS BIG WEEK #1
MEN OF WAR #7
MICE TEMPLAR VOL 3 #8
MIGHTY SAMSON JUDGMENT TP
MONSTER BASH #14

NEXT MEN AFTERMATH #41
NIGHT FORCE #1 (OF 6)

OMAC #7

RACHEL RISING #6
RED LANTERNS #7
RED SPIKE TP VOL 01
ROBERT JORDAN WHEEL OF TIME EYE WORLD #22

SALEMS DAUGHTER HAUNTING #5 (MR)
SCOOBY DOO WHERE ARE YOU #19
SPAWN #217
SPIDER-MAN FALLOUT 4 BLK PX T/S
STAR WARS CLONE WARS YR TP V7 ENEMY WITHIN
STAR WARS CRIMSON EMPIRE 3 EMPIRE LOST #5 of 6
STATIC SHOCK #7
STITCHED #3 (MR)
STORMWATCH #7
SUPERMAN LAST STAND OF NEW KRYPTON TP V2
SUPERNATURAL #6 (OF 6)
SUPURBIA #1 (OF 4)
SWAMP THING #7
SWEET TOOTH #31 (MR)

THE LONE RANGER #3
THOR DEVIANTS SAGA #5 (OF 5)
TMNT MICRO SERIES #2 MICHELANGELO GLOBAL
TOY STORY #1 (OF 4)
TRUE BLOOD FRENCH QUARTER #6 (OF 6)

ULTIMATE COMICS SPIDER-MAN #8
UNCANNY X-MEN #8

VALEN OUTCAST #4
VAMPIRELLA VS DRACULA #2
VAULT TP
VENOM #14
VILLAINS FOR HIRE #4 (OF 4)

WINTER SOLDIER #3
WOLVERINE #302
WOLVERINE AND X-MEN ALPHA AND OMEGA #3 (OF 5)
WONDER WOMAN ODYSSEY HC VOL 02
WULF #5 (RES)

X-CLUB #4 (OF 5)
X-MEN #26

This list is a copy of the list at memphiscomics.com. Arrivals at your LCS may vary.

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