I was a big fan of Ultraman when I was a kid. In the early ‘90s I discovered there was a new “Ultraman” show, but unfortunately I was more interested in acquiring episodes of the old show on VHS than I was episodes of the new one. Somewhat later I discovered that there have been many, many “Ultraman” series over the years, rivaling Doctor Who in its longevity. A brief search of the internet yields the following results (but I’ve probably missed a few).
Ultra Q
Ultraman 1966-67
UltraSeven 1967-68
Return of…(Jack) 1971-72
Ultraman Ace 1972-73
Ultraman Taro 1973-74
Ultraman Leo 1974-75
Ultraman 80 1980-81
Ultraman USA (The Adventure Begins) 1987
Ultraman Great (Towards the Future) 1990-91
Ultraman Powered (The Ultimate Hero) 1993
Ultraman Hero 1995
Ultraman Zearth (parody) 1996-97
Ultraman Tiga 1996-97
Ultraman Dyna 1997-98
Ultraman Gaia 1998-99
Ultraman Nice 1999-00
Ultraman Neos 2000-2001
Ultraman Cosmos 2001-02
Ultra Q: Dark Fantasy 2004
Ultraman: Next 2004 - p.82
Ultraman Nexus 2004-05 - p.82
Ultraman Max 2005-06 - p.86
Ultraman Mebius 2006-07 - p.91
Ultraman UltraSeven X 2007 - p.99
UltraGalaxy: Mega Monster Battle 2007-2009 - p.100
Ultraman Retsuden 2011-13
Neo Ultra Q 2013
Ultraman Ginga 2013
Ultraman Ginga S 2014
Ultraman X 2015-16
Ultraman Orb 2016
Ultraman Geed 2017
Ultraman R/B 2018
Ultraman Taiga 2019
Ultraman Z 2020
Ultraman Trigger 2021
Ultraman Decker 2022
Ultraman Blazar 2023
Ultraman Arc 2024
Ultraman Omega 2025
Ultraman Theo 2026
We’ve been discussing other tokusatsu series in this forum lately, and because those series were produced later than Ultraman, I expected them to be technically better, but I ended up being somewhat disappointed in Super Robot Red Baron and Iron King. I enjoyed them, but I didn’t like them as much as I hoped to. Now I’ve started watching Ultraseven, and it’s everything I hoped it would be.
As the liner noteson the DVD set point out, “the difference in the overall quality in production between Ultraman and Ultraseven was marked, and made the show memorable 45 years later. According to Wikipedia, “Such is his popularity that Ultra Seven (or simply 'Seven') has appeared or at least made cameos in nearly every Ultra Series following his own and has had far more exposure than even the original Ultraman (though the original Ultraman is without a doubt the face of the Ultras).”
My wife and I disagree about the relative merits of Ultraseven in comparison to SRRB/IK. I would like to start the discussion with a look at the opening title sequence and music, then open the floor for rebutal.
The title sequence of Ultraman, as you will recall, looks as if it had been spelled out in a can of paint, slowly stirred, then run backwards. Ultraseven looks more like it had been spelled out in brightly colored confetti, placed atop one of those old electric football games, shaken apart, then run backwards. Whereas the soundtrack of Ultraman is jazzy, that of Ultraseven shows more of a classical influence.
Here is the English translation of the lyrics…
Seven… Seven… Seven… Seven…
Seven! Seven! Seven!
Seven! Seven! Seven!
A distant star was once his home
Ultra Seven! Fighter Seven!
Ultra Seven! Seven! Seven!
Onward to the edge of the galaxy
Use your Ultra-Eye and… STRIKE!
Seven! Seven! Seven!
Seven! Seven! Seven!
Dan Moroboshi is his borrowed name
Ultra Seven! Hero Seven!
Ultra Seven! Seven! Seven!
Defeat the great fire-breathing monster
Use yout Ultra-Beam and STRIKE!

Replies
It's interesting how they show the Ultra Q logo before going into the theme song.
I don't know if it's subtitled in the translation you are watching, but after the stinger, "Ultra Q" is replaced with "Ultraman: A Special Effects Fantasy Series." Watching with both dubs and subs reminds me of a MAD magazine feature I once read: "When They Say... They Really Mean..."
I find Hoshino less annoying in his uniform than when he's deckout out in his red hat and shortpants.
You've pointed out some of the flaws in this episode (and no, I don't have any answers), but here are a few more concerning Hayata's space flight. I probably didn't think about this when I was a kid, but Hayata's ship doesn't have an airlock. He enters the main cabin from the vacuum of space and immediately takes off his space helmet. Also, he wears his space helmet over his regular uniform helmet (the way Batman would often wear make-up over his mask and cowl).
The one I'm watching says "Ultraman Fantasy Tokusatsu Series", which means about the same thing.
Episode 18: "Brother from Another Planet"
This is nice departure from the usual Ultraman formula, and it would've been one of the most exciting episodes of the series---if it hadn't been for the slip-shod editing, which I don't think was a result of the English dubbing. Before I get to my observations, let's start with the ones Jeff made:
I probably didn't think about this when I was a kid, but Hayata's ship doesn't have an airlock. He enters the main cabin from the vacuum of space and immediately takes off his space helmet. Also, he werars his space helmet over his regular uniform helmet (the way Batman would often wear make-up over his mask and cowl).
When I first saw this one in '67, the airlock business didn't occur to me, but it screamed out to me big time that Hayata was going out into the vacuum of space with only a space helmet. (The characters on Fireball XL-5 got around this by implying their oxygen pills protected them from the rigours of space; I bought it because they were marionnettes and I was five years younger at the time.) But in '67, with the space race on everyone's mind, I cried foul when Hayata failed to don an environmental suit. Even those cheesy space movies of the 1950's didn't make that mistake.
How did [Hoshino] know to bring [the beta capsule]? (Maybe he thinks it's a special tool that Hayata uses?) How did Hayata happen to forget it? (Maybe it fell out of his pocket again?)
It confused me as a youngster, but as an adult, it's obvious that it's a flaw in the editing of the episode. When Zareb confronts Hayata in his ship and demands the beta capsule, my first inclination was that Zareb was too stupid to check the inside pocket of Hayata's jacket---which really didn't make much sense, but I went with it. I assumed that, at some point, Hayata would get his hand free enough to grasp the beta capsule out of his jacket.
But, then, comes the scene in which Hoshino lowers himself into the room where the entrapped Hayata awaits. (And you're right, Baron---just how did Hoshino know Hayata was there? Or if he didn't, why was he scaling that particular building?) Hoshino lays out the tools he brought with him, and the beta capsule is among them. That made me re-think the earlier scene: It wasn't that Zareb was stupid in not finding the beta capsule on Hayata---it wasn't on his person in the first place. But why?
There has to be a scene that wound up on the cutting room floor, one in which, before leaving for space, Hayata decides to leave his beta capsule behind, probably in his quarters, among his usual set of tools. To iterate, but why? Hayata would've had to have anticipated Zareb's ambush in the VTOL, and he would have to be aware that Zareb knew of his connexion to Ultraman. That's a big chunk of necessary info to edit out. And it trips up the enjoyment of an otherwise exciting episode.
Hayata sends Hoshino on his way and transforms into Ultraman. He battles "Ultraman" and hits him with his Spacium Beam, revealing the impostor to be Zarab. They grapple and Ultraman uses the Spacium Beam again, finishing off Zarab.
The climactic battle between Ultraman and his evil double is most memorable and exciting (although Hoshino had to have had the strength of Hercules to hold onto that line while the two giant figures hand-wrestled for possession). I wasn't as dismayed by the council immediately turning on "Ultraman" as you were, Baron---there's a one-hundred-forty-foot-tall giant smashing your city; there's no time to ponder if it's the real Ultraman, or if Ultraman has gone bad somehow. Either way, he's got to be stopped.
Oh, and I have to admit, for once, Hoshino's presence was tolerable.
Episode 19: "Demons Rise Again"
Overall: Another OK episode, this story was later re-made as an episode of Ultraman Powered. (I note that there was no sign of Hoshino in this episode.)
Dubs & Subs:
When Mura tells Ide/Ito that Arashi is already on the scene...
Tokyo hosted the Summer Olympics in 1964.
I kind of like the sound of it.
Episode 20: "Terror on Route 87"
Overall: An interesting episode. According to the Ultra Wiki, it was made in reaction to an upsurge in traffic accidents involving children at the time. Now that I think of it, one of the kid characters in Gamera vs. Guiron (1969) seemed to regard traffic accidents as one of the world's major ills, so maybe it was connected to that. Oh, and no sign of Hoshino in this one, either.
Episode 19: "Demons Rise Again"
I don't have a lot to comment on this one, except I got a chuckle out of the scene in which Arashi takes a phone call to S.P. headquarters, and then reports to Captain Mura: "Captain, someone saw a monster!" And Mura sends him to investigate. It was done with all the blasé of a police dispatcher radioing a call about a suspicious person to a patrol unit. Obviously, Japan has been savaged by so many creatures, the report of one scarcely raises an eyebrow, now.
Episode 20: "Terror on Route 87"
The main difference between the subtitled and dubbed versions is the end.
SUBTITLED:
Muramatsu speculates that, if white herons are said to be the incarnations of young women, then perhaps the Hidora is the "incarnation of boys who die untimely deaths in car accidents." Hayata mentions that the driver who killed Akira turned himself in and has been arrested. Fuju comments that now Akira can go to Heaven.
DUBBED:
Mura speculates that the Hydra is the "guardian of children hurt in accidents by cars." Hayata comments, "That's a fine way of thining, even if I'm skeptical," and Fuji adds, "Although it's nice to believe a story like that."
Episode 212: "Breach the Wall of Smoke"
Overall: Another OK episode.
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