Here's the (huge) press release sent me, and for more info, you can go here. Of particular interest is "Batman: The Audio Adventures," which launches on HBO Max today. (Not really sure how that works.)
1)Another "Team TARDIS meets an important cultural figure" story, this time Vincent Van Gogh. Interesting casting choice, I hadn't realized that Van Gogh was a Scotsman. As with Shakespeare, we're given the notion that Van Gogh can (literally, in t
It's difficult for me to accept any Wonder Woman story written by Robert Kanigher as being even remotely canonical since he basically made stuff up to fit his plots. He
After a deadly green comet robs Superman of his powers, his hand-picked successor, Ar-Val of Kandor, takes over as the New Superman. When Lex Luthor and Brainiac team up to enact a scheme of villainy, Ar-Val refuse
Loooking back, I regret not buying the Marvel Western reprint series and Sgt.Fury. I missed the All-New X-Men and Miller's Daredevil which weren't titles I bought then. For DC, I ignored most of their war books, except for the occasional Unknown Sold
This article from the blog at DCComics.com identifies the story in Wonder Woman #100 (AUG58) as the first multiverse story: "The Forest of Giants!/The Challenge of Dimension X" (16 pages) featuring an identical twin of Wonder Woman.
(Counter-clockwise from upper left) Blue Baron, Raider, Bull and Startup battle Naucrate the Auteur Cosmic (center) in the first issue of Heroes Union. (Cover art by Ron Frenz and Brett Breeding, copyright Binge Books)
Lucifer Vol. 4: The Devil At Heart Dan Watters, writer; Max Fiumara, Sebastian Fiumara & Brian Level, artists; Dave McCaig & Dee Cunniffe, colorists CD Vertigo, 2021
Watters and company bring this chapter in Lucifer's story to a stylish conclusion. In
Hey, I just wanted to give a heads-up that I've got a new short story published in Wednesday's Happy Hour 5 (comic story by Peter Milligan and Michael Montenat). Mine's called "On the Beach/In the Bedroom," and it's about a moment during the start of
A German city is terrorized by Hans Beckert (Peter Lorre), a pudgy young man who compulsively whistles Grieg’s Hall of the Mountain King as he approaches the children he murders (and, it is implied, molests). Fritz Lang’s first sound film is